Oresteia: Oberon Classics
Autor Aeschylus Adaptat de Robert Ickeen Limba Engleză Paperback – 6 apr 2022
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Specificații
ISBN-13: 9781350322080
ISBN-10: 1350322083
Pagini: 128
Dimensiuni: 130 x 210 x 12 mm
Greutate: 0.11 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seriile Oberon Classics, Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1350322083
Pagini: 128
Dimensiuni: 130 x 210 x 12 mm
Greutate: 0.11 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seriile Oberon Classics, Modern Plays
Locul publicării:London, United Kingdom
Notă biografică
Robert Icke is a writer and theatre director. He was the Artistic Director of the Arden Theatre Company from 2003-7 and of the Swan Theatre Company from 2005-8. From 2010-13 he was Associate Director at Headlong, where he worked on all of the company's productions and directed three of his own. He is currently Associate Director at the Almeida alongside Artistic Director Rupert Goold. His production of 1984 won 'Best Director' at the UK Theatre Awards 2014, 'Best Director' at the Liverpool Arts Awards 2013, and was nominated for 'Best New Play' at the 2014 Olivier Awards. In 2014, Robert was selected as one of the Hospital club's 100 most influential and innovative people working across Britain's creative industries.
Recenzii
This Oresteia is a stunning start to the Almeida's six-month season of Greek drama... [The] newly minted first act is a masterpiece... Icke underpins all the mythic resonance here with a razor eye for domestic and psychological detail... the sheer amount of ambition and skill in this quiet riot of theatricality is so great that this still grips, surprises and unsettles throughout. Huge themes, ordinary people, great performances, big success.
Descriere
Descriere de la o altă ediție sau format:
Aeschylus' famed plays Agamemnon, The Libation Bearers, and The Eumenides comprise the Oresteia, which uses the dark and convoluted story of a family curse, and a long history of murder and revenge, to raise haunting questions about the nature and the price of justice. In Agamemnon , the Argive king reaches home following his victory in the Trojan War, only to meet his death at the hand of his wife, Clytemnestra. Horrible as this deed is shown to be, we also come to understand in the course of the play how justice has been satisfied by Agamemnon's murder. The second play in the trilogy, The Libation Bearers (Choephoroe), portrays the vengeance of Agamemnon's son Orestes, who returns from exile to exact the price of his father's murder. With the aid of his sister Electra, Orestes kills Clytemnestra, and her lover, Aegisthus. By spilling his mother's blood, however, he invites the wrath of the ancient Erinyes, or Furies, and they begin to pursue him. The Eumenides shows the Furies' pursuit of Orestes, who is protected by the younger god Apollo. Orestes is ultimately tried for his crime in Athens, and Athena, goddess of wisdom, casts the deciding vote on his behalf, and releases him from the ancient familial blood-guilt. Athena persuades the Furies to accept the new legal justice and a new role in the polis, as Kindly Ones, who will bless the city of Athens and its land. In this exciting new translation, at once faithful to the original and as fully alive as a poem in English, Alan Shapiro and Peter Burian showcase the complexity and intricate imagery of this great work of Athenian tragic poetry.
Aeschylus' famed plays Agamemnon, The Libation Bearers, and The Eumenides comprise the Oresteia, which uses the dark and convoluted story of a family curse, and a long history of murder and revenge, to raise haunting questions about the nature and the price of justice. In Agamemnon , the Argive king reaches home following his victory in the Trojan War, only to meet his death at the hand of his wife, Clytemnestra. Horrible as this deed is shown to be, we also come to understand in the course of the play how justice has been satisfied by Agamemnon's murder. The second play in the trilogy, The Libation Bearers (Choephoroe), portrays the vengeance of Agamemnon's son Orestes, who returns from exile to exact the price of his father's murder. With the aid of his sister Electra, Orestes kills Clytemnestra, and her lover, Aegisthus. By spilling his mother's blood, however, he invites the wrath of the ancient Erinyes, or Furies, and they begin to pursue him. The Eumenides shows the Furies' pursuit of Orestes, who is protected by the younger god Apollo. Orestes is ultimately tried for his crime in Athens, and Athena, goddess of wisdom, casts the deciding vote on his behalf, and releases him from the ancient familial blood-guilt. Athena persuades the Furies to accept the new legal justice and a new role in the polis, as Kindly Ones, who will bless the city of Athens and its land. In this exciting new translation, at once faithful to the original and as fully alive as a poem in English, Alan Shapiro and Peter Burian showcase the complexity and intricate imagery of this great work of Athenian tragic poetry.
Cuprins
Note
The Oresteia: Introduction
DAVID GRENE
The Oresteia: the Theatrical Perspective
NICHOLAS RUDALL
Translating for the Stage and from the Stage
WENDY DONIGER O'FLAHERTY
Part One: Unabridged Translation
Agamemnon
The Libation Bearers
The Eumenides
Part Two: Acting Version
Agamemnon
The Libation Bearers
The Eumenides
The Oresteia: Introduction
DAVID GRENE
The Oresteia: the Theatrical Perspective
NICHOLAS RUDALL
Translating for the Stage and from the Stage
WENDY DONIGER O'FLAHERTY
Part One: Unabridged Translation
Agamemnon
The Libation Bearers
The Eumenides
Part Two: Acting Version
Agamemnon
The Libation Bearers
The Eumenides
Caracteristici
This fresh translation of Aeschylus's classic trilogy is by Rory Mullarkey, an award-winning playwright and translator who in 2014 garnered the James Tait Black Prize for Drama, the Harold Pinter Playwriting Award and the George Devine Award (the latter jointly won with Alice Birch)
Textul de pe ultima copertă
"By far the best translation. Faithful to the original Greek text and eminently readable. The notes constitute a commentary in their own right."--Albert Henrichs, Harvard University
"Hugh Lloyd-Jones's translation stands out very much from any other. The notes are first class and scholarly."--Jeffrey Rusten, Cornell University