Middlemarch: Oxford World's Classics
Autor George Eliot Editat de David Carroll Introducere de David Russellen Limba Engleză Paperback – 11 apr 2019
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Specificații
ISBN-10: 0198815514
Pagini: 864
Dimensiuni: 130 x 196 x 38 mm
Greutate: 0.64 kg
Ediția:3
Editura: OUP OXFORD
Colecția OUP Oxford
Seria Oxford World's Classics
Locul publicării:Oxford, United Kingdom
Notă biografică
Textul de pe ultima copertă
In a panoramic sweep of the years leading up to the First Reform Bill of 1832, George Eliot explores nearly every subject of concern to modern life: art, religion, science, politics, self, society, human relationships. Among her characters are some of the most remarkable portraits in English literature: Dorothea Brooke, the heroine, idealistic but naive; Rosamund Vincy, beautiful and egoistic; Edward Casaubon, the dry-as-dust scholar; Tertius Lydgate, the brilliant but morally flawed physician; the passionate artist, Will Ladislaw; and Fred Vincy and Mary Garth, childhood sweethearts whose charming courtship is one of the many humorous elements in the novel's comic vein.
Recenzii
This Broadview edition includes a critical introduction and a rich selection of contextual materials, including contemporary reviews of the novel, other writings by George Eliot (essays, reviews, and criticism), and historical documents pertaining to medical reform, religious freedom, and the advent of the railroads.
“Broadview Press and editor Gregory Maertz have produced a text whose rich but judicious contextual annotation, notably highlighting Eliot’s deep immersion in German culture, makes this a crucial edition of what is arguably the greatest Victorian novel of them all.” — Michael McKeon, Rutgers University
“Gregory Maertz’s fine new edition of Middlemarch allows readers to consider the novel in relation to a range of documents—reviews and other writings by George Eliot, contemporary reviews of the novel, and contextual material. This additional material both enriches our reading of the novel and its concerns and expands our knowledge of the period.” — Mark Turner, King’s College London
Cuprins
Introduction
George Eliot: A Brief Chronology
A Note on the Text
Middlemarch: A Study of Provincial Life
Appendix A: George Eliot’s Essays, Reviews, and Criticism
- “Woman in France: Madame de Sablé,” Westminster Review (October 1854)
- “The Morality of Wilhelm Meister,” The Leader (21 July 1855)
- From “Margaret Fuller and Mary Wollstonecraft,” The Leader (13 October 1855)
- From Review of John Ruskin’s Modern Painters (1856), Westminster Review (April 1856)
- From “The Natural History of German Life,” Westminster Review (July 1856)
- “Silly Novels by Lady Novelists,” Westminster Review (October 1856)
- From Edward Dowden, “George Eliot,” Contemporary Review (August 1872)
- From Richard Holt Hutton, review of Middlemarch, Spectator (7 December 1872)
- From Edith Simcox, “Middlemarch,” Academy (1 January 1873)
- From [Henry James], unsigned review, Galaxy (March 1873)
- [William Hurrell Mallock], unsigned review of Impressions of Theophrastus Such (1879), Edinburgh Review (October 1879)
- Margaret Oliphant, Chapter XI, “Of the Younger Novelists,” The Victorian Age of English Literature (1882)
- From Sir John Emerich Edward Dalberg, first Baron Acton, “George Eliot’s Life,” Nineteenth Century (March 1885)
- Virginia Woolf, “George Eliot,” Times Literary Supplement (20 November 1919)
- From “The Apothecaries Act” (1815)
- From “The Roman Catholic Relief Act” (1829)
- From “An Act to amend the representation of the people in England and Wales” (1832)
- From “An Act for regulating Schools of Anatomy” (1832)
- Liverpool and Manchester Railroad Company Prospectus (1824)
- From [Commentary on the projected Liverpool and Manchester Railway], Quarterly Review (March 1825)
- From “An Act to consolidate and amend the Acts relating to the Property of Married Women” (1882)
Extras
That Spanish woman who lived three hundred years ago was certainly not the last of her kind. Many Theresas have been born who found for themselves no epic life wherein there was a constant unfolding of far - resonant action; perhaps only a life of mistakes, the offspring of a certain spiritual grandeur ill - matched with the meanness of opportunity; perhaps a tragic failure which found no sacred poet and sank unwept into oblivion. With dim lights and tangled circumstance they tried to shape their thought and deed in noble agreement; but after all, to common eyes their struggles seemed mere inconsistency and formlessness; for these later - born Theresas were helped by no coherent social faith and order which could perform the function of knowledge for the ardently willing soul. Their ardour alternated between a vague ideal and the common yearning of womanhood; so that the one was disapproved as extravagance, and the other condemned as a lapse.
Some have felt that these blundering lives are due to the inconvenient indefiniteness with which the Supreme Power has fashioned the natures of women: if there were one level of feminine incompetence as strict as the ability to count three and no more, the social lot of women might be treated with scientific certitude. Meanwhile the indefiniteness remains, and the limits of variation are really much wider than any one would imagine from the sameness of women's coiffure and the favourite love - stories in prose and verse. Here and there a cygnet is reared uneasily among the ducklings in the brown pond, and never finds the living stream in fellowship with its own oary-footed kind. Here and there is born a Saint Theresa, foundress of nothing, whose loving heart -beats and sobs after an unattained goodness tremble off and are dispersed among hindrances, instead of centering in some long recognisable deed.
From the Trade Paperback edition.