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King Lear: The New Oxford Shakespeare: Oxford World's Classics

Autor William Shakespeare Introducere de Namratha Rao Editat de John Jowett Emma Smith
en Limba Engleză Paperback – 9 apr 2026
''As flies to th' wanton boys are we to th' gods:They bite us for their sport.'Set in the recesses of British antiquity, King Lear broods on gift-giving, gratitude, service and love; the bonds that sustain human life within families, communities and the state. Concerned with what remains and what is possible when these bonds crack, cool off or come apart, the tragedy forces repeated confrontations with abysmal cruelty, which it yokes together with instances of compassion that seem chillingly frail by comparison. By the end of the twentieth century, Lear took its place not only as Shakespeare's greatest work, but also his best play for our times, fitting then, in its anguish and denials of consolation, as it is now. Its wild mixtures of levity and terror, kindness and malevolence, what came to be called its absurdity, was prized as especially modern.The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Specificații

ISBN-13: 9780192865830
ISBN-10: 0192865838
Pagini: 208
Dimensiuni: 129 x 196 mm
Editura: OUP OXFORD
Colecția OUP Oxford
Seria Oxford World's Classics

Locul publicării:Oxford, United Kingdom

Notă biografică

Namratha Rao is Lecturer in Early Modern Literature at the University of York. She has published widely on the intersections between early modern poetics and philosophy in works by writers such as Edmund Spenser, Mary Sidney, John Milton and Andrew Marvell. She is the co-editor of a special issue of Spenser Studies, Companionable Thinking: Spenser With... and is completing her first monograph on Spenser and Milton.John Jowett is Emeritus Professor of Shakespeare Studies at the Shakespeare Institute, University of Birmingham. He is the General Editor of the New Oxford Shakespeare with particular responsibility for the original-spelling Critical Reference edition. He is General Editor for the ongoing Arden Early Modern Drama, a parallel series to the Arden Shakespeare that publishes non-Shakespearian drama of the early modern period.

Textul de pe ultima copertă

The general editors of the new series of forty-two volumes -- renowned Shakespeareans Stephen Orgel of Stanford University and A. R. Braunmuller of UCLA -- have assembled a team of six eminent scholars who have, along with the general editors themselves, prepared new introductions and notes to all of Shakespeare's plays and poems. Redesigned in an easy-to-read format that preserves the favorite features of the original -- and including an essay on the theatrical world of Shakespeare, an introduction to the individual play, and a note on the text used -- the new Pelican Shakespeare will be an excellent resource for students, teachers, and theater professionals well into the twenty-first century.

Cuprins

Introduction

  • William Shakespeare 1564–1616
    King Lear
King Lear
In Context
  • The Shakespearean Theater
    • The Swan Theatre
      Titus Andronicus in Performance
      The Plot of an Elizabethan Play
  • Early Editions of King Lear
    Source Material
    • from Geoffrey of Monmouth, The History of the Kings of Britain (12th century)
      Cap o’ Rushes
      from Anonymous, The True Chronicle History of King Leir and his Three Daughters (1605)
      from Raphael Holinshed, The Chronicles of England, Scotland, and Ireland (1577, 1587)
      from Edmund Spenser, The Faerie Queene (1590)
      The Annesley Case
      from Samuel Harsnett, A Declaration of Egregious Popish Impostures (1603)
  • King Lear on Stage in the Seventeenth Century
    • from Richard Johnson, “The Ballad of King Lear and his Three Daughters” (1620)
      from Nahum Tate, The History of King Lear (1681)

Recenzii

The text of the play included here, prepared by Craig Walker for The Broadview Anthology of British Literature, has been acclaimed for its outstanding introductory material and annotations, and for its inclusion of parellel text versions of key scenes for which the texts of the Quarto and the Folio versions of the play are substantially different.
Also included in this edition are excerpts from a variety of literary source materials (including Geoffrey on Monmouth’s Historia Regum Britanniae, the anonymous True Chronicle Historie of King Leir, and Samuel Harsnett’s A Declaration of Egregious Popish Impostures); material on the historical Annesley case that raised many of the same issues as does Shakespeare’s play; and the happy ending from Nahum Tate’s version of the play, which held the stage for 150 years after its first performance in 1681.

“The Broadview chooses the Folio as the basic text, but, significantly, adds notes throughout that point out the differences appearing in the Quarto version. In addition, in the case of the three scenes in which differences are most pronounced, the anthology prints both Folio and Quarto versions side by side. This method opens up illuminating and exciting possibilities in the classroom.... I regard the unhesitating confrontation with the difficulties of King Lear that is shown by the Broadview editors as a microcosmic illustration of the toughness, determination, and conscientiousness of the editors throughout this entire British literature anthology.” — Robert H. Ray, Baylor University (author of Approaches to Teaching Shakespeare’s King Lear)
“... an exciting achievement ... It sets a new standard by which all other anthologies of British Literature will now have to be measured.” — Graham Hammill, SUNY—Buffalo
The Broadview Anthology of British Literature is no mere pretender to the throne long held by Norton; it is the new standard.” — Richard Nordquist, Armstrong Atlantic State University