Cantitate/Preț
Produs

Three Uses Of The Knife: On the Nature and Purpose of Drama: Bloomsbury Revelations

Autor David Mamet
en Limba Engleză Paperback – oct 2020
Now published in the Bloomsbury Revelations series, this is a classic work on the power and importance of drama by renowned American playwright, screenwriter and essayist David Mamet.

In this short but arresting series of essays, David Mamet explains the necessity, purpose and demands of drama. A celebration of the ties that bind art to life, Three Uses of the Knife is an enthralling read for anyone who has sat anxiously waiting for the lights to go up on Act 1. In three tightly woven essays of characteristic force and resonance, Mamet speaks about the connection of art to life, language to power, imagination to survival, public spectacle to private script. Self-assured and filled with autobiographical touches Three Uses of the Knife is a call to art and arms, a manifesto that reminds us of the singular power of the theatre to keep us sane, whole and human.
Citește tot Restrânge

Din seria Bloomsbury Revelations

Preț: 10700 lei

Preț vechi: 14028 lei
-24%

Puncte Express: 161

Carte disponibilă

Livrare economică 18 mai-01 iunie
Livrare express 02-08 mai pentru 4683 lei


Specificații

ISBN-13: 9781350128958
ISBN-10: 1350128953
Pagini: 64
Dimensiuni: 138 x 214 x 8 mm
Greutate: 0.08 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Revelations

Locul publicării:London, United Kingdom

Cuprins

ONE: The Wind-Chill Factor
The Perfect Ball Game
Anti-Stratfordianism
The Problem Play
Letters of Transit

TWO: Second Act Problems
Violence
Self-Censorship

THREE: Three Uses of the Knife
The Eleven-O'Clock Song
The End of the Play

Index

Textul de pe ultima copertă

Pulitzer Prize-winning playwright, screenwriter, poet, essayist, and director, David Mamet celebrates the absolute necessity of drama - and the experience of great plays - in our lurching attempts to make sense of ourselves and our world. In three tightly woven essays of characteristic force and resonance, Mamet speaks about the connection of art to life, language to power, imagination to survival, the public spectacle to the private script. The essays in the book are an eloquent reminder of how life is filled with the small scenes of tragedy and comedy that can be described only as drama. Mamet also writes of bad theater; of what it takes to write a play, and the often impossibly difficult progression from act to act; the nature of soliloquy; the contentless drama and empty theatrics of politics and popular entertainment; the ubiquity of stage and literary conventions in the most ordinary of lives; and the uselessness, finally, of drama - or any art - as ideology or propaganda. Self-assured, filled with autobiographical touches, and attentive to the challenges to theater presented by a media world of simulacra, this book is a bracing call to art and to arms, a manifesto that reminds us of the singular power of the theater to keep us sane, whole, and human.