Medea
Autor Euripidesen Limba Engleză Paperback – 12 dec 2011
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Specificații
ISBN-13: 9781617204555
ISBN-10: 1617204552
Pagini: 306
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.45 kg
Editura: SMK Books
ISBN-10: 1617204552
Pagini: 306
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.45 kg
Editura: SMK Books
Descriere
Descriere de la o altă ediție sau format:
The Greek Tragedy in New Translations series is based on the conviction that only translators who write poetry themselves, or who work in collaboration with poets, can properly re-create the celebrated and timeless tragedies of the great Greek writers. These new translations are more than faithful to the original text, going beyond the literal meaning in order to evoke the poetic intensity and rich metaphorical texture of the Greek language. Euripides was one of the most popular and controversial of all the Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. Medea, a story of betrayal and vengeance, is also an excellent example of the prominence that Euripides gave his female characters. This new translation does full justice to the lyricism of Euripides original work, while a new introduction provides a guide to the play, complete with interesting details about the traditions and social issues that influenced Euripides's world.
The Greek Tragedy in New Translations series is based on the conviction that only translators who write poetry themselves, or who work in collaboration with poets, can properly re-create the celebrated and timeless tragedies of the great Greek writers. These new translations are more than faithful to the original text, going beyond the literal meaning in order to evoke the poetic intensity and rich metaphorical texture of the Greek language. Euripides was one of the most popular and controversial of all the Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. Medea, a story of betrayal and vengeance, is also an excellent example of the prominence that Euripides gave his female characters. This new translation does full justice to the lyricism of Euripides original work, while a new introduction provides a guide to the play, complete with interesting details about the traditions and social issues that influenced Euripides's world.
Textul de pe ultima copertă
One of the most powerful and enduring of Greek tragedies, Medea centers on the myth of Jason, leader of the Argonauts, who has won the dragon-guarded treasure of the Golden Fleece with the help of the sorceress Medea. Having married Medea and fathered her two children, Jason abandons her for a more favorable match, never suspecting the terrible revenge she will take. Euripides' masterly portrayal of the motives fiercely driving Medea's pursuit of vengeance for her husband's insult and betrayal has held theater audiences spellbound for more than twenty centuries. Rex Warner's authoritative translation brings this great classic of world literature vividly to life.
Notă biografică
Euripides is thought to have lived between 485 and 406 BC. He is considered to be one of the three great dramatists of Ancient Greece, alongside Aeschylus and Sophocles. He is particularly admired by modern audiences and readers for his characterization and astute and balanced depiction of human behaviour. Medea is his most famous work.
Robin Robertson is from the north-east coast of Scotland. He is the author of three collections of poetry: A Painted Field (1997), winner of the 1997 Forward Poetry Prize (Best First Collection), the Aldeburgh Poetry Festival Prize and the Saltire Society Scottish First Book of the Year Award; Slow Air (2002); and Swithering (2006). He is also the editor of Mortification: Writers' Stories of their Public Shame (2003). In 2004, he was named by the Poetry Book Society as one of the 'Next Generation' poets, and received the E. M. Forster Award from the American Academy of Arts and Letters. Robin Robertson's third poetry collection, Swithering (2006), was shortlisted for the 2005 T. S. Eliot Prize and won the 2006 Forward Poetry Prize (Best Poetry Collection of the Year). In 2013 Robin Robertson was awarded the Petrarca-Preis. He lives and works in London.
Robin Robertson is from the north-east coast of Scotland. He is the author of three collections of poetry: A Painted Field (1997), winner of the 1997 Forward Poetry Prize (Best First Collection), the Aldeburgh Poetry Festival Prize and the Saltire Society Scottish First Book of the Year Award; Slow Air (2002); and Swithering (2006). He is also the editor of Mortification: Writers' Stories of their Public Shame (2003). In 2004, he was named by the Poetry Book Society as one of the 'Next Generation' poets, and received the E. M. Forster Award from the American Academy of Arts and Letters. Robin Robertson's third poetry collection, Swithering (2006), was shortlisted for the 2005 T. S. Eliot Prize and won the 2006 Forward Poetry Prize (Best Poetry Collection of the Year). In 2013 Robin Robertson was awarded the Petrarca-Preis. He lives and works in London.
Recenzii
"The excellent Introduction by Robin Mitchell-Boyask displays an admirable command of up-to-date scholarship and judiciously leaves controversial matters open to one's own interpretation. Arnson Svarlien's verse translation has both elegance and power -- it reads well, not just to the eye, but (happily for the director and actors) also to the ear." -- Ian Storey, Department of Classics, Trent University
Diane Arnson Svarlien's body of work means a quantum leap forward in the vibrancy and immediacy of classical verse drama. I first learned of her work when I was searching, madly, for a translation of Medea for a production I had been hired to direct. I sought out every published version. I tried to track down any unpublished ones rumored to exist. All the others were wanting; her translation was revelatory. Merely read her translation of the play, then read another. You will sense the difference. This is particularly true if you are a practitioner of theatre.--Patrick Wang, Director of Diane Arnson Svarlien's Medea in its world premiere at the Stella Adler Studio, and of the feature film In the Family, nominated for a "Best First Feature" Independent Spirit Award. Retrieved from monkeyatatypewriter.com.
This is the Medea we have been waiting for. It offers clarity without banality, eloquence without pretension, meter without doggerel, accuracy without clumsiness. No English Medea can ever be Euripides', but this is as close as anyone has come so far, and a good deal closer than I thought anyone would ever come. Arnson Svarlien has shown herself exceedingly skillful in making Euripides sound Euripidean.--David M. Schaps, Bryn Mawr Classical Review
Fluid, lively, and accurate!Amy Vail, Department of Classics, Baylor University
Diane Arnson Svarlien's body of work means a quantum leap forward in the vibrancy and immediacy of classical verse drama. I first learned of her work when I was searching, madly, for a translation of Medea for a production I had been hired to direct. I sought out every published version. I tried to track down any unpublished ones rumored to exist. All the others were wanting; her translation was revelatory. Merely read her translation of the play, then read another. You will sense the difference. This is particularly true if you are a practitioner of theatre.--Patrick Wang, Director of Diane Arnson Svarlien's Medea in its world premiere at the Stella Adler Studio, and of the feature film In the Family, nominated for a "Best First Feature" Independent Spirit Award. Retrieved from monkeyatatypewriter.com.
This is the Medea we have been waiting for. It offers clarity without banality, eloquence without pretension, meter without doggerel, accuracy without clumsiness. No English Medea can ever be Euripides', but this is as close as anyone has come so far, and a good deal closer than I thought anyone would ever come. Arnson Svarlien has shown herself exceedingly skillful in making Euripides sound Euripidean.--David M. Schaps, Bryn Mawr Classical Review
Fluid, lively, and accurate!Amy Vail, Department of Classics, Baylor University
Caracteristici
Mike Bartlett is a playwright on form: Chariots of Fire has enjoyed great critical and commercial success; Love, Love, Love received rave reviews in its revival at the Royal Court, early 2012; while Cock is currently in production in New York.
Cuprins
Introduction p1 The Mythical Background p1 Medea in the Work of Euripides p6 The Design of the Ancient Greek Theater p9 Euripides' Medea p13 Appendices p79 Plot Summaries p79 Suggestions For Further Reading p82 Additional Bibliographical Note (2005) p89