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Hedda Gabler de Henrik Ibsen

Hedda Gabler

Autor Henrik Ibsen
en Limba Engleză Paperback – 3 aug 2018
Hedda Gabler, the daughter of an aristocratic general, has just returned to her villa from her honeymoon. Her husband is an aspiring, young, and reliable academic who continued his research during their honeymoon. Hedda has never loved him and married him because she thinks her years of youthful abandon are over. Jealousy, murder and controversy follows, providing us with much food for thought. Was Hedda a victim of circumstance or a manipulative villain? Henrik Johan Ibsen was a major Norwegian playwright, theatre director, and poet. He is often referred to as the father of realism and is one of the founders of Modernism in theatre. His major works include: An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, Rosmersholm, The Master Builder, and other texts.
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Specificații

ISBN-13: 9781787247345
ISBN-10: 1787247341
Pagini: 150
Dimensiuni: 133 x 203 x 9 mm
Greutate: 0.18 kg
Editura: Sovereign

Notă biografică

Henrik Johan Ibsen was a Norwegian writer and theatre director who lived from 20 March 1828 to 23 May 1906. He is credited with helping to build modernism in theatre. His best-known works are Rosmersholm, The Master Builder, Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, Hedda Gabler, Ghosts, The Wild Duck, When We Dead Awaken, Emperor and Galilean, and A Doll's House. In Skien, Norway, Henrik Johan Ibsen was born into a wealthy merchant family. His forefathers were mostly wealthy city merchants and shipowners or members of the Upper Telemark "aristocracy of officials." Ibsen quit school when he was fifteen. Henrik Wergeland and Peter Christen Asbjrnsen and Jrgen Moe's Norwegian folktales served as inspiration for him. Under the alias "Brynjolf Bjarme," he published his first play, Catilina (1850), but it was never staged. He would only make a few trips to Norway during the following 27 years, spending most of them in Germany and Italy.After suffering many strokes, Ibsen passed away at his house at Arbins gade 1 in Kristiania (now Oslo) in March 1900. He was laid to rest at Oslo's Vr Frelsers Gravlund, often known as "The Graveyard of Our Savior." Ibsen exclaimed "On the contrary" ("Tvertimod!") as his final words before passing away.

Descriere

Descriere de la o altă ediție sau format:
Known as the father of modern drama, Henrik Ibsen is considered one of the world's greatest playwrights. His ability to turn revolutionary philosophical ideas into brilliant social dramas inspired the likes of George Bernard Shaw, while his drive to manifest the truths of the human heart is mirrored in the plays of Anton Chekhov. Ibsen's genius, revealed in these four selections, lies in his startling abiliy to define his characters and their struggles, whih epitomize the inner conflicts that beset all human beings. A chilling play of manipulation and obsession, "Hedda Gabler" features one of the stage's most unforgettable modern heroines. A delightful early work, "Peer Gynt" is both a satire on the nature of man and a masterpiece of folklore and fantasy that follows the adventures of an irrepressible youth. Mysterious, lyrical, and tragic, "The Master Builder" symbolically dramatizes the trajectory of Ibsen's own art as well as the impossible aspirations of the soul. This Bantam Classic edition also includes "Little Eyolf," a brilliantly consrtucted psychological study of paternal responsibility and the impact of a child's death on a man torn between two women.

Caracteristici

A Student Edition featuring a scene-by-scene summary, a commentary on the dramatic, social and political context, and on the themes, characters, language and structure of the play.

Cuprins

ChronologyCOMMENTARYCultural and Theatrical ContextsTheatrical StyleThemesCharacterisationSettingTranslationPerformance HistoryScholarly and Popular DebateFurther reading and viewingHEDDA GABLERNotes

Recenzii

The production of an Ibsen play impels the inquiry, What is the province of art? If it be to elevate and refine, as we have hitherto humbly supposed, most certainly it cannot be said that the works of Ibsen have the faintest claim to be artistic. We see no ground on which his method is defensible...Things rank and gross in nature alone have place in the mean and sordid philosophy of Ibsen.