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Hedda Gabler

Autor Henrik Ibsen
en Limba Engleză Paperback – 12 noi 2014
The Ibsen classic, in a version by Christopher Hampton, was seen at the Royal National Theatre in 1989 starring Juliet Stevenson as Hedda
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Specificații

ISBN-13: 9780573016936
ISBN-10: 0573016933
Pagini: 72
Dimensiuni: 140 x 216 x 4 mm
Greutate: 0.1 kg
Editura: Samuel French Ltd

Notă biografică


Descriere

Descriere de la o altă ediție sau format:
Known as the father of modern drama, Henrik Ibsen is considered one of the world's greatest playwrights. His ability to turn revolutionary philosophical ideas into brilliant social dramas inspired the likes of George Bernard Shaw, while his drive to manifest the truths of the human heart is mirrored in the plays of Anton Chekhov. Ibsen's genius, revealed in these four selections, lies in his startling abiliy to define his characters and their struggles, whih epitomize the inner conflicts that beset all human beings. A chilling play of manipulation and obsession, "Hedda Gabler" features one of the stage's most unforgettable modern heroines. A delightful early work, "Peer Gynt" is both a satire on the nature of man and a masterpiece of folklore and fantasy that follows the adventures of an irrepressible youth. Mysterious, lyrical, and tragic, "The Master Builder" symbolically dramatizes the trajectory of Ibsen's own art as well as the impossible aspirations of the soul. This Bantam Classic edition also includes "Little Eyolf," a brilliantly consrtucted psychological study of paternal responsibility and the impact of a child's death on a man torn between two women.

Cuprins

Chronology

COMMENTARY
Cultural and Theatrical Contexts
Theatrical Style
Themes
Characterisation
Setting
Translation
Performance History
Scholarly and Popular Debate

Further reading and viewing


HEDDA GABLER

Notes

Recenzii

The production of an Ibsen play impels the inquiry, What is the province of art? If it be to elevate and refine, as we have hitherto humbly supposed, most certainly it cannot be said that the works of Ibsen have the faintest claim to be artistic. We see no ground on which his method is defensible...Things rank and gross in nature alone have place in the mean and sordid philosophy of Ibsen.