Hedda Gabler
Autor Henrik Ibsen Traducere de Patrick Marberen Limba Engleză Paperback – 15 dec 2016
Just married. Bored already. Hedda longs to be free. This vital new version by Patrick Marber (Closer, Three Days in the Country) opened at the National Theatre, London, in December 2016.
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Specificații
ISBN-13: 9780571336753
ISBN-10: 0571336752
Pagini: 112
Dimensiuni: 125 x 198 x 12 mm
Greutate: 0.13 kg
Ediția:Main
Editura: FABER & FABER
ISBN-10: 0571336752
Pagini: 112
Dimensiuni: 125 x 198 x 12 mm
Greutate: 0.13 kg
Ediția:Main
Editura: FABER & FABER
Notă biografică
Henrik Ibsen (1828-1906), Norwegian poet and playwright, was one of the shapers of modern theatre, who tempered naturalism with an understanding of social responsibility and individual psychology. His earliest major plays, Brand (1866) and Peer Gynt (1867), were large-scale verse dramas, but with Pillars of the Community (1877) he began to explore contemporary issues. There followed A Doll's House (1879), Ghosts (1881) and An Enemy of the People (1882). A richer understanding of the complexity of human impulses marks such later works as The Wild Duck (1885), Rosmersholm (1886), Hedda Gabler (1890) and The Master Builder (1892), while the imminence of mortality overshadows his last great plays, John Gabriel Borkman (1896) and When We Dead Awaken (1899).
Cuprins
Chronology
COMMENTARY
Cultural and Theatrical Contexts
Theatrical Style
Themes
Characterisation
Setting
Translation
Performance History
Scholarly and Popular Debate
Further reading and viewing
HEDDA GABLER
Notes
COMMENTARY
Cultural and Theatrical Contexts
Theatrical Style
Themes
Characterisation
Setting
Translation
Performance History
Scholarly and Popular Debate
Further reading and viewing
HEDDA GABLER
Notes
Recenzii
The production of an Ibsen play impels the inquiry, What is the province of art? If it be to elevate and refine, as we have hitherto humbly supposed, most certainly it cannot be said that the works of Ibsen have the faintest claim to be artistic. We see no ground on which his method is defensible...Things rank and gross in nature alone have place in the mean and sordid philosophy of Ibsen.