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A Doll's House: Methuen Student Editions

Autor Henrik Ibsen Traducere de Michael Meyer
en Limba Engleză Paperback – oct 2020 – vârsta de la 12 ani
This revised Student Edition of Ibsen's popular play contains introductory commentary and notes by Sophie Duncan, which offer a contemporary lens on the play's gender politics and consider seminal productions and adaptations of the play into the 21st century.

As well as the complete text of the play itself, this new Methuen Drama Student Edition includes a:

· Chronology of the play and Ibsen's life and work
· Discussion of the social, political, cultural and economic context in which the play was originally conceived and created
· Overview of the creation processes followed and performance history of the play, including recent performances such as a 2012 short film adaptation and a stage adaptation set in colonial Calcutta.
· Analysis of some of the major themes and specific issues addressed by the play, such as whether it's a feminist play and its author a feminist
· Bibliography of suggested primary and secondary materials for further study

Ibsen's 1879 play shocked its first audiences with its radical insights into the social roles of husband and wife. His portrayal of the caged 'songbird' in his flawed heroine Nora remains one of the most striking dramatic depictions of the late 19th century woman.
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Specificații

ISBN-13: 9781350116788
ISBN-10: 1350116785
Pagini: 136
Dimensiuni: 196 x 128 x 12 mm
Greutate: 0.13 kg
Ediția:Neuauflage
Editura: BLOOMSBURY ACADEMIC
Colecția Methuen Drama
Seria Methuen Student Editions

Locul publicării:London, United Kingdom

Cuprins

The introduction and commentary to the play covers:

Cultural and theatrical contexts
Themes
Dramatic devices
Performance history
Trends in scholarly and popular debate

Recenzii

Ibsen's great feminist drama
Many a husband reeled back in horror after the premiere of Ibsen's marriage-shaking play in 1879. The fellow was actually challenging the sacred values of family life by suggesting a woman could break free of the marital gilded cage. What next? They will want the vote.
Ibsen's drama is a powerful statement of his radical beliefs about gender, the folly of idealism and the nature of modern love. In essence, it is the story of woman who wakes up to reality.
Ibsen caused a storm with the notion that women were as entitled as men to think and live for themselves.

Textul de pe ultima copertă

One of the best-known, most frequently performed of modern plays, "A Doll's House" richly displays the genius with which Henrik Ibsen pioneered modern, realistic prose drama. In the central character of Nora, Ibsen epitomized the human struggle against the humiliating constraints of social conformity. Nora's ultimate rejection of a smothering marriage and life in "a doll's house" shocked theatergoers of the late 1800s and opened new horizons for playwrights and their audiences.
But daring social themes are only one aspect of Ibsen's power as a dramatist. "A Doll's House" shows as well his gifts for creating realistic dialogue, a suspenseful flow of events and, above all, psychologically penetrating characterizations that make the struggles of his dramatic personages utterly convincing. Here is a deeply absorbing play as readable as it is eminently playable, reprinted from an authoritative translation.
A selection of the Common Core State Standards Initiative.

Notă biografică

Henrik Johan Ibsen was a Norwegian writer and theatre director who lived from 20 March 1828 to 23 May 1906. He is credited with helping to build modernism in theatre. His best-known works are Rosmersholm, The Master Builder, Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, Hedda Gabler, Ghosts, The Wild Duck, When We Dead Awaken, Emperor and Galilean, and A Doll's House. In Skien, Norway, Henrik Johan Ibsen was born into a wealthy merchant family. His forefathers were mostly wealthy city merchants and shipowners or members of the Upper Telemark "aristocracy of officials." Ibsen quit school when he was fifteen. Henrik Wergeland and Peter Christen Asbjrnsen and Jrgen Moe's Norwegian folktales served as inspiration for him. Under the alias "Brynjolf Bjarme," he published his first play, Catilina (1850), but it was never staged. He would only make a few trips to Norway during the following 27 years, spending most of them in Germany and Italy.After suffering many strokes, Ibsen passed away at his house at Arbins gade 1 in Kristiania (now Oslo) in March 1900. He was laid to rest at Oslo's Vr Frelsers Gravlund, often known as "The Graveyard of Our Savior." Ibsen exclaimed "On the contrary" ("Tvertimod!") as his final words before passing away.