Antigone: Student Editions
Autor Sophocles Traducere de Don Taylor David Bullenen Limba Engleză Paperback – 8 iun 2026
Sophoclean heroine Antigone has become a cultural archetype - the personification of personal integrity and political freedom, and the play has been staged and adapted numerous times over the centuries.
It is published here in Don Taylor's classic translation with commentary and notes by David Bullen. The commentary looks at the original performance conditions that would have shaped the impact of Antigone in 441 BCE; key choices made by the translator; key ideas in the play taken up by philosophers such as Hegel and Butler; and more recent translations and adaptations by the likes of Bertolt Brecht, Anne Carson, Moira Buffini, Kamila Shamsie and Inua Ellams.
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Specificații
ISBN-13: 9781350510425
ISBN-10: 1350510424
Pagini: 112
Dimensiuni: 128 x 196 x 14 mm
Greutate: 0.09 kg
Ediția:2
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Student Editions
Locul publicării:London, United Kingdom
ISBN-10: 1350510424
Pagini: 112
Dimensiuni: 128 x 196 x 14 mm
Greutate: 0.09 kg
Ediția:2
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Student Editions
Locul publicării:London, United Kingdom
Cuprins
Chronology
Contexts (original performance conditions in 441 BCE including the multiple dimensions of the City Dionysia; what is known about Sophocles; the cultural tradition into which Antigone fitted; Athens the city-state in the mid-fifth century BCE)
Translation (transition of Antigone from fifth century BCE performance to the text Don Taylor worked with)
Themes (philosophical ideas in Antigone taken up by philosophers such as Hegel and Butler)
Key moments (key dramatic moments, using the 2012 National Theatre production to investigate these moments)
Characters (Antigone; Creon as civic saviour or ruthless tyrant; Teiresias)
Dramatic devices
Play in performance (with a focus on the 2012 National Theatre production, which used Don Taylor's translation and interviews with practitioners from this production, including director Polly Findlay, dramaturg Ben Power and actors Christopher Eccleston and Jodie Whittaker)
PLAY TEXT
Notes
Contexts (original performance conditions in 441 BCE including the multiple dimensions of the City Dionysia; what is known about Sophocles; the cultural tradition into which Antigone fitted; Athens the city-state in the mid-fifth century BCE)
Translation (transition of Antigone from fifth century BCE performance to the text Don Taylor worked with)
Themes (philosophical ideas in Antigone taken up by philosophers such as Hegel and Butler)
Key moments (key dramatic moments, using the 2012 National Theatre production to investigate these moments)
Characters (Antigone; Creon as civic saviour or ruthless tyrant; Teiresias)
Dramatic devices
Play in performance (with a focus on the 2012 National Theatre production, which used Don Taylor's translation and interviews with practitioners from this production, including director Polly Findlay, dramaturg Ben Power and actors Christopher Eccleston and Jodie Whittaker)
PLAY TEXT
Notes
Recenzii
A world of self-regarding power that falls apart through its neglect of instinctive human feeling
Antigone the play moves on from the realm of the position paper to stir emotions that run very deep, indeed. One looks on at once gripped and appalled as Creon's defensive armor gives way, this most implacable of men discovering the extent to which the letter of the law has its limitations, too.
Sharply relevant to our times
The enduring power of ancient Greek tragedies to speak to us so directly almost 2,500 years after they were written is one of the great wonders of civilisation ... This is perhaps the greatest play ever written about the tension between the duties we owe the state and those we owe to our personal values. It would work just as powerfully were the cast dressed in togas and sandals, for Sophocles' moral debate is timeless ... The fact that Sophocles packed so much wisdom, intricate plotting and emotional depth into a play lasting a mere 90 minutes strikes me as miraculous and should serve as an object lesson.
Antigone the play moves on from the realm of the position paper to stir emotions that run very deep, indeed. One looks on at once gripped and appalled as Creon's defensive armor gives way, this most implacable of men discovering the extent to which the letter of the law has its limitations, too.
Sharply relevant to our times
The enduring power of ancient Greek tragedies to speak to us so directly almost 2,500 years after they were written is one of the great wonders of civilisation ... This is perhaps the greatest play ever written about the tension between the duties we owe the state and those we owe to our personal values. It would work just as powerfully were the cast dressed in togas and sandals, for Sophocles' moral debate is timeless ... The fact that Sophocles packed so much wisdom, intricate plotting and emotional depth into a play lasting a mere 90 minutes strikes me as miraculous and should serve as an object lesson.
Notă biografică
Sophocles (ca. 495–405 BCE) was an ancient Greek dramatist. Elizabeth Wyckoff (1915–1994) was a professor of classics at Bryn Mawr and Mt. Holyoke. Among her translations are the versions of Sophocles’s Antigone and Euripides’s The Phoenician Women included in Chicago’s Complete Greek Tragedies. Glenn W. Most is a visiting member of the Committee on Social Thought at the University of Chicago and an external scientific member of the Max Planck Institute for the History of Science in Berlin. Mark Griffith is the Klio Distinguished Professor Emeritus of Classical Languages and Literature, and professor of classics and theater, dance, and performance studies at the University of California, Berkeley.
Textul de pe ultima copertă
Sophocles' masterpiece Antigone dramatizes the terrible series of events that results when patriotism clashes with familial duty—and hubris incites the wrath of the gods.
The sons of Oedipus have killed each other on the battlefield, but Thebes' new ruler, their uncle Kreon, decrees that only Eteokles will be granted a hero's burial; Polyneikes, who attacked his own city, is left to rot in dishonor. Their sister Antigone, enraged by the king's heartlessness, defies him by burying Polyneikes' body herself. That decision dooms her, and the consequences destroy Kreon's wife and son. A play that begins with a woman's defiance of a tyrant ends in the havoc caused by Eros, the god of love. A drama abounding with moral conundrums, Antigone is presented in an extraordinary new translation by Robert Bagg, modern in idiom while faithful to the original Greek. Ideally suited for reading, teaching, or performing, this is Sophocles for a new generation to discover and admire.
The sons of Oedipus have killed each other on the battlefield, but Thebes' new ruler, their uncle Kreon, decrees that only Eteokles will be granted a hero's burial; Polyneikes, who attacked his own city, is left to rot in dishonor. Their sister Antigone, enraged by the king's heartlessness, defies him by burying Polyneikes' body herself. That decision dooms her, and the consequences destroy Kreon's wife and son. A play that begins with a woman's defiance of a tyrant ends in the havoc caused by Eros, the god of love. A drama abounding with moral conundrums, Antigone is presented in an extraordinary new translation by Robert Bagg, modern in idiom while faithful to the original Greek. Ideally suited for reading, teaching, or performing, this is Sophocles for a new generation to discover and admire.