The Aeneid (Wordsworth Classics)
De (autor) Virgil. Editat de Keith Carabine Traducere de Michael J. Oakleyen Limba Engleză Paperback – August 1995
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Specificații
ISBN-13: 9781853262630
ISBN-10: 1853262633
Pagini: 416
Dimensiuni: 127 x 198 x 13 mm
Greutate: 0.15 kg
Ediția: Revised
Editura: Wordsworth Editions
Seriile Wordsworth Classics , Wadsworth Collection
Locul publicării: United Kingdom
ISBN-10: 1853262633
Pagini: 416
Dimensiuni: 127 x 198 x 13 mm
Greutate: 0.15 kg
Ediția: Revised
Editura: Wordsworth Editions
Seriile Wordsworth Classics , Wadsworth Collection
Locul publicării: United Kingdom
Textul de pe ultima copertă
This book is the equal of its great Homeric predecessors, The Iliad and The Odyssey, in dramatic and narrative power, and it surpasses them in the intense sympathy which makes events such as the passion and destruction of Dido and the fall of Turnus among the most memorable in literature.
Notă biografică
Virgil (70 B.C-19 B.C) is regarded as the greatest Roman poet, known for his epic, The Aeneid (written about 29 B.C. unfinished). Virgil was born on October 15, 70 B.C., in a small village near Mantua in Northern Italy. He attended school at Cremona and Milan, and then went to Rome, where he studied mathematics, medicine and rhetoric, and completed his studies in Naples. Between 42 and 37 B.C. Virgil composed pastoral poems known as Ecologues, and spent years on the Georgics.At the urging of Augustus Caesar, Virgil began to write The Aeneid, a poem of the glory of Rome under Caesars rule. Virgil devoted the remaining time of his life, from 30 to 19 B.C., to the composition of The Aeneid, the national epic of Rome and to glory of the Empire. The poet died in 19 B.C of a fever he contracted on his visit to Greece with the Emperor. It is said that the poet had instructed his executor Varius to destroy The Aeneid, but Augustus ordered Varius to ignore this request, and the poem was published.
Recenzii
Adapting words of the ancient critic Longinus, [Lombardo] refers to the intense light of noon of the Iliad , the magical glow of the setting sun in the Odyssey , and the chiaroscuro of the Aeneid , a darkness visible. This latter phrase is the title of a famous interpretation of the Aeneid by W. R. Johnson, who contributes a splendid essay to the translation. Whether recited or read, the present volume stands as another fine performance on Lombardo's part. Summing up: Highly recommended. --C. Fantazzi, CHOICE
Lombardo . . . tends to let Virgil be Virgil, and so avoids imposing unwarranted interpretation on the unwary reader. . . . [W.R. Johnson's] introduction is masterful and illuminating. --Hayden Pelliccia, The New York Review of Books
Crisp, idiomatic, and precise, this is a translation for our era. The list of further reading, grounded in the writings of W.R. Johnson (who also wrote the Introduction) and Michael C. J. Putnam, suggests the context that informs the translation: here, as the translator says in the Preface, you will find an Aeneid that works more in the shadows than in the light. . . . This translation would be excellent for classroom use: not only would it incite fascinating discussions about issues of war and empire, but it also reads well aloud. . . . Together with Johnson's Introduction, this volume offers the Aeneid in terms that will resonate strongly with the general reader of today. --Sarah Spence, New England Classical Journal
Lombardo . . . tends to let Virgil be Virgil, and so avoids imposing unwarranted interpretation on the unwary reader. . . . [W.R. Johnson's] introduction is masterful and illuminating. --Hayden Pelliccia, The New York Review of Books
Crisp, idiomatic, and precise, this is a translation for our era. The list of further reading, grounded in the writings of W.R. Johnson (who also wrote the Introduction) and Michael C. J. Putnam, suggests the context that informs the translation: here, as the translator says in the Preface, you will find an Aeneid that works more in the shadows than in the light. . . . This translation would be excellent for classroom use: not only would it incite fascinating discussions about issues of war and empire, but it also reads well aloud. . . . Together with Johnson's Introduction, this volume offers the Aeneid in terms that will resonate strongly with the general reader of today. --Sarah Spence, New England Classical Journal