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Othello de William Shakespeare

Othello

Autor William Shakespeare
en Limba Engleză Paperback

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Listen Up (2008)

Observăm că această ediție a tragediei Othello, publicată de Dover Publications Inc. în seria Dover Thrift Editions, transformă textul clasic într-un instrument de lucru esențial prin ancorarea directă a teoriei literare în contextul istoric al epocii. Aplicabilitatea practică a volumului rezidă în capacitatea sa de a explica nu doar intriga, ci și mecanismele sociale ale Angliei elisabetane care au influențat scriitura lui William Shakespeare. Structura cărții este riguros organizată: după o introducere biografică și o analiză a teatrului shakespearian, textul piesei este susținut de două anexe fundamentale (Appendix A și B) care explorează sursele literare primare, precum Cinthio, și documente rare, cum sunt scrisorile Reginei Elisabeta I privind deportările. Subliniem că acest aparat critic oferă o progresie logică de la narațiunea propriu-zisă la înțelegerea profundă a temelor de rasism și politică externă. Reținem că această versiune reprezintă o alternativă viabilă la The Oxford Shakespeare: Othello pentru cursurile de literatură universală, cu avantajul unui format compact și al unei selecții de documente de arhivă care facilitează cercetarea interdisciplinară. În contextul operei autorului, Othello se situează în perioada marilor tragedii, fiind o piesă mult mai concentrată pe psihologia domestică și pe distrugerea intimității față de natura politică a lucrării Henry IV Parts 1 & 2 sau elementele fantastice din The Tempest.

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Specificații

ISBN-13: 9781537475868
ISBN-10: 153747586X
Pagini: 192
Dimensiuni: 216 x 279 x 10 mm
Greutate: 0.46 kg

De ce să citești această carte

Recomandăm această ediție studenților și pasionaților de dramaturgie care doresc să înțeleagă rădăcinile istorice ale tensiunilor rasiale și sociale din opera lui Shakespeare. Cititorul câștigă acces la documente de epocă și analize comparative care explică transformarea lui Othello dintr-un erou militar într-o victimă a manipulării. Este o resursă academică accesibilă, ideală pentru pregătirea examenelor de literatură engleză sau pentru analiza spectacolelor de teatru contemporane.

Despre autor

William Shakespeare (1564–1616), supranumit „Bardul din Avon”, este considerat cel mai important dramaturg al lumii. Cariera sa în Londra, ca actor și proprietar al companiei „King’s Men”, a coincis cu o perioadă de efervescență culturală fără precedent. Deși a început cu comedii și drame istorice, maturitatea sa artistică este definită de marile tragedii scrise între 1590 și 1613. Opera sa, care include 38 de piese și 154 de sonete, a fost publicată postum în ediția „First Folio” (1623). Shakespeare rămâne un punct de referință universal, textele sale fiind adaptate constant în cinematografie și operă.

Descriere

Descriere de la o altă ediție sau format:
The Oxford ShakespeareGeneral Editor: Stanley WellsThe Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers- A new, modern-spelling text, collated and edited from all existing printings- Extensive introduction gives full attention to the play's bold treatment of racial themes, gender, and social relations- Detailed performance history designed to meet the needs of theatre professionals- On-page commentary and notes explain language, word-play, and staging- Appendices on music in the play and a full translation of the Italian novella from which the story derives- Illustrated with production photographs and related art- Full index to introduction and commentary- Durable sewn binding for lasting use'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.' ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Textul de pe ultima copertă

One of the greatest of Shakespeare's tragedies, Othello tells the story of a Moorish general in command of the armed forces of Venice who earns the enmity of his ensign Iago by passing him over for a promotion. Partly for revenge and partly out of pure evil, Iago plots to convince Othello that Desdemona, his wife, has been unfaithful to him.
Iago succeeds in his evil aims only too well, for the enraged Othello murders Desdemona. When Othello later learns of her innocence, he takes his own life. Bleak and unsparing, this play offers a stunning portrait of an arch-villain and an astute psychological study of the nature of evil.

Notă biografică

William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He was one of eight children born to John Shakespeare, a merchant of some standing in his community. William probably went to the King’s New School in Stratford, but he had no university education. In November 1582, at the age of eighteen, he married Anne Hathaway, eight years his senior, who was pregnant with their first child, Susanna. She was born on May 26, 1583. Twins, a boy, Hamnet ( who would die at age eleven), and a girl, Judith, were born in 1585. By 1592 Shakespeare had gone to London working as an actor and already known as a playwright. A rival dramatist, Robert Greene, referred to him as “an upstart crow, beautified with our feathers.” Shakespeare became a principal shareholder and playwright of the successful acting troupe, the Lord Chamberlain’s Men (later under James I, called the King’s Men). In 1599 the Lord Chamberlain’s Men built and occupied the Globe Theater in Southwark near the Thames River. Here many of Shakespeare’s plays were performed by the most famous actors of his time, including Richard Burbage, Will Kempe, and Robert Armin. In addition to his 37 plays, Shakespeare had a hand in others, including Sir Thomas More and The Two Noble Kinsmen, and he wrote poems, including Venus and Adonis and The Rape of Lucrece. His 154 sonnets were published, probably without his authorization, in 1609. In 1611 or 1612 he gave up his lodgings in London and devoted more and more time to retirement in Stratford, though he continued writing such plays as The Tempest and Henry VII until about 1613. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford. No collected edition of his plays was published during his life-time, but in 1623 two members of his acting company, John Heminges and Henry Condell, put together the great collection now called the First Folio.

Descriere scurtă

Othello is a tragedy by William Shakespeare, believed to have been written in 1603. It is based on the story Un Capitano Moro ("A Moorish Captain") by Cinthio, a disciple of Boccaccio, first published in 1565. The story revolves around four central characters: Othello, a Moorish general in the Venetian army; his beloved wife, Desdemona; his loyal lieutenant, Cassio; and his trusted but ultimately unfaithful ensign, Iago. Given its varied and enduring themes of racism, love, jealousy, betrayal, revenge and repentance, Othello is still often performed in professional and community theatre alike, and has been the source for numerous operatic, film, and literary adaptations. Roderigo, a rich and dissolute gentleman, complains to his friend Iago, an ensign, that Iago has not told him about the secret marriage between Desdemona, the daughter of a Senator named Brabantio, and Othello, a Moorish general in the Venetian army. Roderigo is upset because he loves Desdemona and had asked her father for her hand in marriage. Iago hates Othello for promoting a younger man named Cassio above him, whom Iago considers less capable a soldier than himself, and tells Roderigo that he plans to use Othello for his own advantage. Iago convinces Roderigo to wake Brabantio and tell him about his daughter's elopement. Meanwhile, Iago sneaks away to find Othello and warns him that Brabantio is coming for him. Brabantio, provoked by Roderigo, is enraged and will not rest until he has beheaded Othello, but he finds Othello's residence full of the Duke of Venice's guards, who prevent violence. News has arrived in Venice that the Turks are going to attack Cyprus; therefore Othello is summoned to advise the senators. Brabantio has no option but to accompany Othello to the Duke's residence, where he accuses Othello of seducing Desdemona by witchcraft. Othello defends himself before the Duke of Venice, Brabantio's kinsmen Lodovico and Gratiano, and various senators. Othello explains that Desdemona became enamoured of him for the sad and compelling stories he told of his life before Venice, not because of any witchcraft. The senate is satisfied, once Desdemona confirms that she loves Othello, but Brabantio leaves saying that Desdemona will betray Othello: "Look to her, Moor, if thou hast eyes to see: /She has deceived her father, and may thee." Iago, still in the room, takes note of Brabantio's remark. By order of the Duke, Othello leaves Venice to command the Venetian armies against invading Turks on the island of Cyprus, accompanied by his new wife, his new lieutenant Cassio, his ensign Iago, and Iago's wife, Emilia, as Desdemona's attendant.

Recenzii

Although other Shakespeare plays offer higher body counts, more gore, and more plentiful scenes of heartbreak, Othello packs an unusually powerful affective punch, stunning us with its depiction of the swiftness and thoroughness with which love can be converted to hatred, and forcing us to confront our complicity with social and political institutions that can put all of us—but especially the most vulnerable among us—at risk.
This edition features a variety of interleaved materials—from maps and manuscripts to illustrations and extended discussions of myth and politics—that provide a context for the social and cultural allusions in the play. Appendices offer excerpts from Shakespeare’s key sources and historical materials on marriage, jealousy, and the treatment of people of African descent in Renaissance England.
A collaboration between Broadview Press and the Internet Shakespeare Editions project at the University of Victoria, the editions developed for this series have been comprehensively annotated and draw on the authoritative texts newly edited for the ISE. This innovative series allows readers to access extensive and reliable online resources linked to the print edition.

“The Tragedy of Othello, the Moor of Venice has found here its ideal edition for our times. In addition to Jessica Slight’s unfussy and accessible text, the Broadview/Internet Shakespeare Edition offers an up-to-date selection of images, sources, analogs, and historical readings, many of them not seen before in connection with Othello. Race, ethnicity, sexuality, religion, household governance, and early modern psychology receive broad and deep attention, inviting readers to encounter Shakespeare’s play in strikingly contemporary terms.” — Bruce R. Smith, University of Southern California

Cuprins

FOREWORD
ACKNOWLEDGEMENTS
INTRODUCTION
SHAKESPEARE’S LIFE
SHAKESPEARE’S THEATER
WILLIAM SHAKESPEARE AND OTHELLO
A BRIEF CHRONOLOGY
THE DATE OF THE PLAY
A NOTE ON THE TEXT
THE TRAGEDY OF OTHELLO, THE MOOR OF VENICE
APPENDIX A: SOURCES AND EARLY ANALOGS
  1. From Cinthio, Gli Heccatommithi (1565)
  2. From Geoffrey Fenton, Certain Tragical Discourses (1567)
  3. From George Peele, The Battle of Alcazar (1588–89)
  4. From Robert Greene, Selimus (1594)
  5. From William Shakespeare, Titus Andronicus (1594)
  6. From William Shakespeare, Shakespeare’s Sonnets, Sonnets 57 and 58 (1609)
  7. From Thomas Coryate, Coryats Crudities (1611)
  8. From Maurice G. Dowling, Othello Travestie (1836)
APPENDIX B: CULTURAL CONTEXTS
  1. Prayers for Protection against Ottoman Attacks
      a. A form to be used in common prayer (1565)
      b. Matthew Parker, Archbishop of Canterbury,A form to be used in common prayer (1566)
  2. Elizabeth I, Letters Permitting Deportation of Blackamoors from England (1596–97)
      a. 11 July 1596
      b. 18 July 1596
  3. From Robert Cleaver, A Godly Form of Household Government for the Ordering of Private Families (1598)
  4. From Thomas Wright, The Passions of the Mind in General (1604)
  5. From Ste[phen?] B., Counsel to the Husband: To the Wife Instruction (1608)
  6. From Nicholas Coeffeteau, “Of Jealousy, Whether it Be an Effect and Sign of Love” (1621)
WORKS CITED AND BIBLIOGRAPHY

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