Othello: Revised Edition: The Arden Shakespeare Third Series
Introducere de Professor Ayanna Thompson Editat de E. A. J. Honigmann Autor William Shakespeareen Limba Engleză Hardback – 25 feb 2016
Othello is one of Shakespeare's great tragedies-written in the same five-year period as Hamlet, King Lear, and Macbeth. The new introduction attends to the play's different meanings throughout history, while articulating the historical context in which Othello was created, paying particular attention to Shakespeare's source materials and the evidence about early modern constructions of racial and religious difference. It also explores the life of the play in different historical moments, demonstrating how meanings and performances develop, accrue, and metamorphose over time.
The volume provides a rich and current resource, making this best-selling play edition ideal for today's students at advanced school and undergraduate level.
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Specificații
ISBN-13: 9781472571779
ISBN-10: 1472571770
Pagini: 448
Ilustrații: 20 bw illus
Dimensiuni: 129 x 198 x 25 mm
Greutate: 0.57 kg
Ediția:2nd Revised edition
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria The Arden Shakespeare Third Series
Locul publicării:London, United Kingdom
ISBN-10: 1472571770
Pagini: 448
Ilustrații: 20 bw illus
Dimensiuni: 129 x 198 x 25 mm
Greutate: 0.57 kg
Ediția:2nd Revised edition
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria The Arden Shakespeare Third Series
Locul publicării:London, United Kingdom
Cuprins
Introduction
1. Early Modern Contexts: Sources, Peoples, and Places
2. Genre
3. Sex, Love, and Objects
4. Othello and Scholarly Debates;
5. Othello Onstage, Part 1: Stage Histories
6. Othello Onstage, Part 2: Black Actors, White Actresses
7. Othello Onstage, Part 3: Othello in the World
8. Othello: Restaged/Rewritten;
Othello
Appendices
Bibliography
Index
1. Early Modern Contexts: Sources, Peoples, and Places
2. Genre
3. Sex, Love, and Objects
4. Othello and Scholarly Debates;
5. Othello Onstage, Part 1: Stage Histories
6. Othello Onstage, Part 2: Black Actors, White Actresses
7. Othello Onstage, Part 3: Othello in the World
8. Othello: Restaged/Rewritten;
Othello
Appendices
Bibliography
Index
Recenzii
The new introduction for the revised edition of Othello by Ayanna Thompson is a welcome reconsideration of the 1997 original Arden3 edition . Thompson's introduction recognizes and incorporates the vast critical world of early modern race studies that has developed in the past twenty years . [It] is wide-ranging yet absolutely clear, providing a new frame for the play that students and academics alike will find useful for years to come . The superb introduction . opens new avenues of research and frames the play in ways that bring it up to date with the latest scholarship.
By far and away the best edition of this play that I've read for use in the classroom. Thompson's introduction is impeccably well judged, and hits the ground running with precisely the kinds of generic and moral concerns that are so fruitful in tutorial- and/or seminar-based discussion. The illustrations are well chosen ... and the exploration of 'moorishness' in its myriad manifestations is exemplary. The balance of annotation to text is also well done, and I have no reservations or hesitations at all about requiring students to read this enriching and vibrant edition.
By far and away the best edition of this play that I've read for use in the classroom. Thompson's introduction is impeccably well judged, and hits the ground running with precisely the kinds of generic and moral concerns that are so fruitful in tutorial- and/or seminar-based discussion. The illustrations are well chosen ... and the exploration of 'moorishness' in its myriad manifestations is exemplary. The balance of annotation to text is also well done, and I have no reservations or hesitations at all about requiring students to read this enriching and vibrant edition.
Textul de pe ultima copertă
One of the greatest of Shakespeare's tragedies, Othello tells the story of a Moorish general in command of the armed forces of Venice who earns the enmity of his ensign Iago by passing him over for a promotion. Partly for revenge and partly out of pure evil, Iago plots to convince Othello that Desdemona, his wife, has been unfaithful to him.
Iago succeeds in his evil aims only too well, for the enraged Othello murders Desdemona. When Othello later learns of her innocence, he takes his own life. Bleak and unsparing, this play offers a stunning portrait of an arch-villain and an astute psychological study of the nature of evil.
Iago succeeds in his evil aims only too well, for the enraged Othello murders Desdemona. When Othello later learns of her innocence, he takes his own life. Bleak and unsparing, this play offers a stunning portrait of an arch-villain and an astute psychological study of the nature of evil.
Notă biografică
William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He was one of eight children born to John Shakespeare, a merchant of some standing in his community. William probably went to the King’s New School in Stratford, but he had no university education. In November 1582, at the age of eighteen, he married Anne Hathaway, eight years his senior, who was pregnant with their first child, Susanna. She was born on May 26, 1583. Twins, a boy, Hamnet ( who would die at age eleven), and a girl, Judith, were born in 1585. By 1592 Shakespeare had gone to London working as an actor and already known as a playwright. A rival dramatist, Robert Greene, referred to him as “an upstart crow, beautified with our feathers.” Shakespeare became a principal shareholder and playwright of the successful acting troupe, the Lord Chamberlain’s Men (later under James I, called the King’s Men). In 1599 the Lord Chamberlain’s Men built and occupied the Globe Theater in Southwark near the Thames River. Here many of Shakespeare’s plays were performed by the most famous actors of his time, including Richard Burbage, Will Kempe, and Robert Armin. In addition to his 37 plays, Shakespeare had a hand in others, including Sir Thomas More and The Two Noble Kinsmen, and he wrote poems, including Venus and Adonis and The Rape of Lucrece. His 154 sonnets were published, probably without his authorization, in 1609. In 1611 or 1612 he gave up his lodgings in London and devoted more and more time to retirement in Stratford, though he continued writing such plays as The Tempest and Henry VII until about 1613. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford. No collected edition of his plays was published during his life-time, but in 1623 two members of his acting company, John Heminges and Henry Condell, put together the great collection now called the First Folio.