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Othello: Reclam Universal-Bibliothek, cartea 19882

Autor William Shakespeare Editat de Dieter Hamblock
en Limba Engleză Paperback – 4 noi 2013
Othello is a tragedy by William Shakespeare, believed to have been written in 1603. It is based on the story Un Capitano Moro ("A Moorish Captain") by Cinthio, a disciple of Boccaccio, first published in 1565. The story revolves around four central characters: Othello, a Moorish general in the Venetian army; his beloved wife, Desdemona; his loyal lieutenant, Cassio; and his trusted but ultimately unfaithful ensign, Iago. Given its varied and enduring themes of racism, love, jealousy, betrayal, revenge and repentance, Othello is still often performed in professional and community theatre alike, and has been the source for numerous operatic, film, and literary adaptations. Roderigo, a rich and dissolute gentleman, complains to his friend Iago, an ensign, that Iago has not told him about the secret marriage between Desdemona, the daughter of a Senator named Brabantio, and Othello, a Moorish general in the Venetian army. Roderigo is upset because he loves Desdemona and had asked her father for her hand in marriage. Iago hates Othello for promoting a younger man named Cassio above him, whom Iago considers less capable a soldier than himself, and tells Roderigo that he plans to use Othello for his own advantage. Iago convinces Roderigo to wake Brabantio and tell him about his daughter's elopement. Meanwhile, Iago sneaks away to find Othello and warns him that Brabantio is coming for him. Brabantio, provoked by Roderigo, is enraged and will not rest until he has beheaded Othello, but he finds Othello's residence full of the Duke of Venice's guards, who prevent violence. News has arrived in Venice that the Turks are going to attack Cyprus; therefore Othello is summoned to advise the senators. Brabantio has no option but to accompany Othello to the Duke's residence, where he accuses Othello of seducing Desdemona by witchcraft. Othello defends himself before the Duke of Venice, Brabantio's kinsmen Lodovico and Gratiano, and various senators. Othello explains that Desdemona became enamoured of him for the sad and compelling stories he told of his life before Venice, not because of any witchcraft. The senate is satisfied, once Desdemona confirms that she loves Othello, but Brabantio leaves saying that Desdemona will betray Othello: "Look to her, Moor, if thou hast eyes to see: /She has deceived her father, and may thee." Iago, still in the room, takes note of Brabantio's remark. By order of the Duke, Othello leaves Venice to command the Venetian armies against invading Turks on the island of Cyprus, accompanied by his new wife, his new lieutenant Cassio, his ensign Iago, and Iago's wife, Emilia, as Desdemona's attendant.
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Specificații

ISBN-13: 9783150198827
ISBN-10: 3150198828
Pagini: 190
Dimensiuni: 96 x 147 x 14 mm
Greutate: 0.1 kg
Editura: Reclam Philipp Jun.
Seriile Reclam Universal-Bibliothek, Fremdsprachentexte


Notă biografică

William Shakespeare (23.4.1564 in Stratford ¿ 23.4.1616 in Stratford) gehört neben Christopher Marlowe und Ben Jonson zu den maßgeblichen Protagonisten des Elisabethanischen Theaters. Der Sohn eines Handschuhherstellers besucht eine Lateinschule und beginnt mit seiner Mitgliedschaft bei den Lord Chamberlain¿s Men (später King¿s Men) seine Karriere als Schriftsteller, Lyriker und Schauspieler. Ab 1599 ist Shakespeare Teilhaber des Globe Theaters in London. 1612 zieht er zurück in seine Heimatstadt Stratford, wo er seinen Lebensabend verbringt. Neben 154 Sonetten und Versdichtungen werden ihm 38 Dramen zugeschrieben, die er in einem Zeitraum von 21 Jahren zu Papier bringt. Bekannt sind Geschichtsdramen, wie etwa »Julius Cäsar« (»Julius Caesar«), »Heinrich V.« (»King Henry V.«) oder»Richard III«. Daneben stehen Komödien wie »Ein Sommernachtstraum« (»A Midsummer Night¿s Dream«) oder »Viel Lärm um nichts« (»Much ado about nothing«) oder Tragödien, wie »Macbeth«, »Othello«, »Hamlet« und »König Lear« (»King Lear«). In »Romeo und Julia« (»Romeo and Juliet«) schuf Shakespeare eines der populärsten Liebespaare der Theatergeschichte.

Descriere

Descriere de la o altă ediție sau format:
The Oxford ShakespeareGeneral Editor: Stanley WellsThe Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers- A new, modern-spelling text, collated and edited from all existing printings- Extensive introduction gives full attention to the play's bold treatment of racial themes, gender, and social relations- Detailed performance history designed to meet the needs of theatre professionals- On-page commentary and notes explain language, word-play, and staging- Appendices on music in the play and a full translation of the Italian novella from which the story derives- Illustrated with production photographs and related art- Full index to introduction and commentary- Durable sewn binding for lasting use'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.' ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Recenzii

Although other Shakespeare plays offer higher body counts, more gore, and more plentiful scenes of heartbreak, Othello packs an unusually powerful affective punch, stunning us with its depiction of the swiftness and thoroughness with which love can be converted to hatred, and forcing us to confront our complicity with social and political institutions that can put all of us—but especially the most vulnerable among us—at risk.
This edition features a variety of interleaved materials—from maps and manuscripts to illustrations and extended discussions of myth and politics—that provide a context for the social and cultural allusions in the play. Appendices offer excerpts from Shakespeare’s key sources and historical materials on marriage, jealousy, and the treatment of people of African descent in Renaissance England.
A collaboration between Broadview Press and the Internet Shakespeare Editions project at the University of Victoria, the editions developed for this series have been comprehensively annotated and draw on the authoritative texts newly edited for the ISE. This innovative series allows readers to access extensive and reliable online resources linked to the print edition.

The Tragedy of Othello, the Moor of Venice has found here its ideal edition for our times. In addition to Jessica Slight’s unfussy and accessible text, the Broadview/Internet Shakespeare Edition offers an up-to-date selection of images, sources, analogs, and historical readings, many of them not seen before in connection with Othello. Race, ethnicity, sexuality, religion, household governance, and early modern psychology receive broad and deep attention, inviting readers to encounter Shakespeare’s play in strikingly contemporary terms.” — Bruce R. Smith, University of Southern California

Cuprins

FOREWORD
ACKNOWLEDGEMENTS
INTRODUCTION
SHAKESPEARE’S LIFE
SHAKESPEARE’S THEATER
WILLIAM SHAKESPEARE AND OTHELLO
A BRIEF CHRONOLOGY
THE DATE OF THE PLAY
A NOTE ON THE TEXT
THE TRAGEDY OF OTHELLO, THE MOOR OF VENICE
APPENDIX A: SOURCES AND EARLY ANALOGS
  1. From Cinthio, Gli Heccatommithi (1565)
  2. From Geoffrey Fenton, Certain Tragical Discourses (1567)
  3. From George Peele, The Battle of Alcazar (1588–89)
  4. From Robert Greene, Selimus (1594)
  5. From William Shakespeare, Titus Andronicus (1594)
  6. From William Shakespeare, Shakespeare’s Sonnets, Sonnets 57 and 58 (1609)
  7. From Thomas Coryate, Coryats Crudities (1611)
  8. From Maurice G. Dowling, Othello Travestie (1836)
APPENDIX B: CULTURAL CONTEXTS
  1. Prayers for Protection against Ottoman Attacks
      a. A form to be used in common prayer (1565)
      b. Matthew Parker, Archbishop of Canterbury,A form to be used in common prayer (1566)
  2. Elizabeth I, Letters Permitting Deportation of Blackamoors from England (1596–97)
      a. 11 July 1596
      b. 18 July 1596
  3. From Robert Cleaver, A Godly Form of Household Government for the Ordering of Private Families (1598)
  4. From Thomas Wright, The Passions of the Mind in General (1604)
  5. From Ste[phen?] B., Counsel to the Husband: To the Wife Instruction (1608)
  6. From Nicholas Coeffeteau, “Of Jealousy, Whether it Be an Effect and Sign of Love” (1621)
WORKS CITED AND BIBLIOGRAPHY