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Oliver Twist: CLASSICS ILLUSTRATED

Autor Charles Dickens Ilustrat de Reed Crandall, George Evans
en Limba Engleză Paperback – 25 oct 2008

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Listen Up (2010)
Dickens's tale of the young orphan, Oliver Twist, and his experiences in London. Classics Illustrated tells this wonderful tale in colorful comic strip form, providing an excellent introduction for younger readers. Also includes theme discussions and study questions.
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Specificații

ISBN-13: 9781906814038
ISBN-10: 1906814031
Pagini: 48
Ilustrații: Fully Illustrated
Dimensiuni: 165 x 244 x 3 mm
Greutate: 0.14 kg
Editura: Classics Illustrated Comics
Seriile CLASSICS ILLUSTRATED, Classics Illustrated

Locul publicării:United Kingdom

Textul de pe ultima copertă

One of the most swiftly moving and unified of Charles Dickens' great novels, Oliver Twist is also famous for its recreation through the splendidly realized figures of Fagin, Nancy, the Artful Dodger, and the evil Bill Sikes--of the vast London under--world of pickpockets, thieves, prostitutes, and abandoned children.


Descriere

Descriere de la o altă ediție sau format:
With a hungry, timid request of Please, sir. I want some more, orphan Oliver Twist takes his first step on a terrifying journey.In the dark, dangerous streets of Victorian London Oliver enters the world of people so poor and desperate that they will take any risk and know no mercy.Relentlessly pursued by the menacing criminal world, who should Oliver trust? Are his true friends strong enough to resist the determined plotting of desperate villains?In this gripping tale of kidnapping, shooting and murder, Charles Dickens shows the threats to a vulnerable boy s existence and asks the eternal question: which is more powerful, good or evil?"Real Reads" are accessible texts designed to support the literacy development of primary and lower secondary age children while introducing them to the riches of our international literary heritage. Each book is a retelling of a work of great literature from one of the world s greatest cultures, fitted into a 64-page book, making classic stories, dramas and histories available to intelligent young readers as a bridge to the full texts, to language students wanting access to other cultures, and to adult readers who are unlikely ever to read the original versions."

Extras

Chapter I

Treats of the place where Oliver Twist was Born; and of the Circumstances attending his Birth.

Among other public buildings in a certain town, which for many reasons it will be prudent to refrain from mentioning, and to which I will assign no fictitious name, there is one anciently common to most towns, great or small: to wit, a workhouse; and in this workhouse was born: on a day and date which I need not trouble myself to repeat, inasmuch as it can be of no possible consequence to the reader, in this stage of the business at all events: the item of mortality whose name is prefixed to the head of this chapter.

For a long time after it was ushered into this world of sorrow and trouble, by the parish surgeon, it remained a matter of considerable doubt whether the child would survive to bear any name at all; in which case it is somewhat more than probable that these memoirs would never have appeared; or, if they had, that being comprised within a couple of pages, they would have possessed the inestimable merit of being the most concise and faithful specimen of biography, extant in the literature of any age or country.

Although I am not disposed to maintain that the being born in a workhouse, is in itself the most fortunate and enviable circumstance that can possibly befal a human being, I do mean to say that in this particular instance, it was the best thing for Oliver Twist that could by possibility have occurred. The fact is, that there was considerable difficulty in inducing Oliver to take upon himself the office of respiration,-a troublesome practice, but one which custom has rendered necessary to our easy existence; and for some time he lay gasping on a little flock mattress, rather unequally poised between this world and the next: the balance being decidedly in favour of the latter. Now, if, during this brief period, Oliver had been surrounded by careful grandmothers, anxious aunts, experienced nurses, and doctors of profound wisdom, he would most inevitably and indubitably have been killed in no time. There being nobody by, however, but a pauper old woman, who was rendered rather misty by an unwonted allowance of beer; and a parish surgeon who did such matters by contract; Oliver and Nature fought out the point between them. The result was, that, after a few struggles, Oliver breathed, sneezed, and proceeded to advertise to the inmates of the workhouse the fact of a new burden having been imposed upon the parish, by setting up as loud a cry as could reasonably have been expected from a male infant who had not been possessed of that very useful appendage, a voice, for a much longer space of time than three minutes and a quarter.

As Oliver gave this first proof of the free and proper action of his lungs, the patchwork coverlet which was carelessly flung over the iron bedstead, rustled; the pale face of a young woman was raised feebly from the pillow; and a faint voice imperfectly articulated the words, "Let me see the child, and die."

The surgeon had been sitting with his face turned towards the fire: giving the palms of his hands, a warm and a rub alternately. As the young woman spoke, he rose, and advancing to the bed's head, said, with more kindness than might have been expected of him:

"Oh, you must not talk about dying yet."

"Lor bless her dear heart, no!" interposed the nurse, hastily depositing in her pocket a green glass bottle, the contents of which she had been tasting in a corner with evident satisfaction. "Lor bless her dear heart, when she has lived as long as I have, sir, and had thirteen children of her own, and all on 'em dead except two, and them in the wurkus with me, she'll know better than to take on in that way, bless her dear heart! Think what it is to be a mother, there's a dear young lamb, do."

Apparently this consolatory perspective of a mother's prospects, failed in producing its due effect. The patient shook her head, and stretched out her hand towards the child.

The surgeon deposited it in her arms. She imprinted her cold white lips passionately on its forehead; passed her hands over her face; gazed wildly round; shuddered; fell back-and died. They chafed her breast, hands, and temples; but the blood had stopped for ever. They talked of hope and comfort. They had been strangers too long.

"It's all over, Mrs. Thingummy!" said the surgeon at last.

"Ah, poor dear, so it is!" said the nurse, picking up the cork of the green bottle which had fallen out on the pillow as she stooped to take up the child. "Poor dear!"

"You needn't mind sending up to me, if the child cries, nurse," said the surgeon, putting on his gloves with great deliberation. "It's very likely it will be troublesome. Give it a little gruel7 if it is." He put on his hat, and, pausing by the bed-side on his way to the door, added "She was a good-looking girl, too; where did she come from?"

"She was brought here last night," replied the old woman, "by the overseer's order. She was found lying in the street. She had walked some distance, for her shoes were worn to pieces; but where she came from, or where she was going to, nobody knows."


From the Trade Paperback edition.

Recenzii

"The image of little Oliver Twist victimised by poverty, almost seduced by the specious excitement of crime, and then offered the possibility of a lucrative career in authorship is always compelling."
Guardian
 
"We leave him most reluctantly, and so will every reader who has any capacity to see and feel whatsoever is most loveable, hateful, or laughable, in the character of the everyday life about him."
Examiner
 
"He deals truly with human nature, which never can degrade; he takes up everything, good, bad, or indifferent, which he works up into a rich alluvial deposit. He is natural, and that never can be ridiculous."
Quarterly Review

Notă biografică

Charles Dickens was born in a little house in Landport, Portsea, England, on February 7, 1812. The second of eight children, he grew up in a family frequently beset by financial insecurity. At age eleven, Dickens was taken out of school and sent to work in London backing warehouse, where his job was to paste labels on bottles for six shillings a week. His father John Dickens, was a warmhearted but improvident man. When he was condemned the Marshela Prison for unpaid debts, he unwisely agreed that Charles should stay in lodgings and continue working while the rest of the family joined him in jail. This three-month separation caused Charles much pain; his experiences as a child alone in a huge city–cold, isolated with barely enough to eat–haunted him for the rest of his life.

When the family fortunes improved, Charles went back to school, after which he became an office boy, a freelance reporter and finally an author. WithPickwick Papers(1836-7) he achieved immediate fame; in a few years he was easily the post popular and respected writer of his time. It has been estimated that one out of every ten persons in Victorian England was a Dickens reader.Oliver Twist(1837),Nicholas Nickleby(1838-9) andThe Old Curiosity Shop(1840-41) were huge successes.Martin Chuzzlewit(1843-4) was less so, but Dickens followed it with his unforgettable,A Christmas Carol(1843),Bleak House(1852-3),Hard Times(1854) andLittle Dorrit(1855-7)reveal his deepening concern for the injustices of British Society.A Tale of Two Cities(1859),Great Expectations(1860-1) andOur Mutual Friend(1864-5) complete his major works.

Dickens's marriage to Catherine Hoggarth produced ten children but ended in separation in 1858. In that year he began a series of exhausting public readings; his health gradually declined. After putting in a full day's work at his home at Gads Hill, Kent on June 8, 1870, Dickens suffered a stroke, and he died the following day.

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