Oliver Twist: Scholastic Classics

en Limba Engleză Paperback – 6 noi 2014

The story of orphaned Oliver, who runs away from the workhouse only to be taken in by a den of thieves and plunged into a dark criminal underworld of vivid and memorable characters - the arch-villain Fagin, the artful Dodger, the menacing Bill Sikes and kind-hearted Nancy.

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Specificații

ISBN-13: 9781407145457
ISBN-10: 1407145452
Pagini: 352
Dimensiuni: 126 x 198 x 43 mm
Greutate: 0.37 kg
Editura: Scholastic
Seria Scholastic Classics

Textul de pe ultima copertă

Charles Dickens's famous second novel recounts the story of a boy born in the workhouse and raised in an infant farm as he tries to make his way in the world. Intended to raise feeling against the Poor Law Amendment Act of 1834 (which had emphasized the workhouse as an appropriate means of dealing with the problem of poverty), Oliver Twist also provides a sweeping portrait of London life in the 1830s--including the life of the criminal elements in society.

Oliver Twist was first published in serialised form (with illustrations by George Cruikshank) in Bentley's Miscellany between February 1837 and April 1839. It was issued with some corrections and revisions in ten numbers in 1846 by Bradbury and Evans (which then also issued the same text in a single volume). Each of these ten numbers, including the Cruikshank illustrations and the advertisements, is included in this facsimile reprint of the 1846 edition.

This is one of a series from Broadview Press of facsimile reprint editions--editions that provide readers with a direct sense of these works as the Victorians themselves experienced them.

Notă biografică

Charles Dickens was perhaps the most popular English novelist of the nineteenth century. Born in Portsmouth, Hampshire, England in 1812, he had a happy early childhood, which was interrupted when his father was sent to debtors' prison. Young Dickens came to know not only hunger and privation but also the evils of child labor when he had to go to work in a factory at age twelve. After a turn of fortune in the shape of a legacy, Dickens was able to work as an attorney's clerk and newspaper reporter until his first novel, The Pickwick Papers(1837), brought him instant success at age twenty-five. Subsequent works were published serially in periodicals and cemented his reputation as a master of colorful characterization and a harsh critic of social evils and corrupt institutions. His many classic books include Oliver Twist, Great Expectations, A Tale of Two Cities, A Christmas Carol, and Bleak House. Dickens married Catherine Hogarth in 1836, and the couple had nine children before separating in 1858, when he began a long affair with Ellen Ternan, a young actress. Despite the scandal, Dickens remained a public figure, appearing often to read his fiction. He died in 1870, leaving his final novel, The Mystery of Edwin Drood, unfinished.

Distinguished writer, teacher, and critic Frederick Busch is the author of more than twenty works of fiction, including North, Girls, and The Mutual Friend, a novel about Charles Dickens.

Edward Le Comte (1916-2004) was professor of English at the State University of New York at Albany, and he also taught at Columbia, his alma mater, and the University of California at Berkley. He was the author of more than twenty books, including novels, a biography of John Donne, and two memoirs. His specialty, both in teaching and in numerous influential articles and books, was Milton.

Recenzii

"The image of little Oliver Twist victimised by poverty, almost seduced by the specious excitement of crime, and then offered the possibility of a lucrative career in authorship is always compelling."
—Guardian

"We leave him most reluctantly, and so will every reader who has any capacity to see and feel whatsoever is most loveable, hateful, or laughable, in the character of the everyday life about him."
—Examiner

"He deals truly with human nature, which never can degrade; he takes up everything, good, bad, or indifferent, which he works up into a rich alluvial deposit. He is natural, and that never can be ridiculous."
—Quarterly Review

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