The Picture of Dorian Gray (Collins Classics)De (autor) Oscar Wilde
en Limba Engleză Paperback – 02 Jul 2013
Vezi toate premiile Carte premiată
HarperCollins is proud to present its new range of best-loved, essential classics.
'How sad it is I shall grow old, and horrid, and dreadful. But this picture will remain always young If it was only the other way '
Wilde's first and only published novel recounts the story of handsome Dorian Gray who upon having his portrait painted desires that it will age and grow ugly while he may remain eternally beautiful. The painting, which reflects each of Gray's sins and transgressions in its hideousness, haunts him until it finally becomes unbearable. In this dark tale of duplicity and mortality, Wilde creates a world where art and reality collide."
|Toate formatele și edițiile||Preț||Express|
|Paperback (175)||21.44 lei 22-34 zile||+6.97 lei 6-12 zile|
|Harper Collins Publishers – 02 Jul 2013||21.44 lei 22-34 zile||+6.97 lei 6-12 zile|
|HarperCollins Publishers – 17 Jun 2021||21.49 lei 22-34 zile||+9.89 lei 6-12 zile|
|Dover Publications – October 1993||25.77 lei 11-18 zile||+7.20 lei 6-12 zile|
|Arcturus Publishing – August 2009||27.27 lei 3-5 săpt.|
|Penguin Books – 30 Jan 2003||32.60 lei 22-33 zile||+9.28 lei 6-12 zile|
|Oxford University Press – 17 Apr 2008||33.44 lei 11-16 zile||+7.89 lei 6-12 zile|
|Penguin Random House Group – 2001||38.71 lei 3-5 săpt.||+2.69 lei 9-16 zile|
|Clydesdale – 02 Jan 2018||39.07 lei 3-5 săpt.||+2.71 lei 12-20 zile|
|–||39.77 lei 3-5 săpt.||+2.89 lei 12-20 zile|
|Random House (UK) – August 2007||40.45 lei 22-33 zile||+10.37 lei 6-12 zile|
|HarperCollins Publishers – 02 Sep 2021||41.52 lei 22-34 zile||+11.96 lei 6-12 zile|
|–||42.42 lei 3-5 săpt.||+3.10 lei 12-20 zile|
|Alma Books COMMIS – August 2014||42.58 lei 3-5 săpt.||+6.55 lei 6-12 zile|
|Penguin Books – 28 Jun 2012||45.72 lei 22-33 zile||+11.99 lei 6-12 zile|
|Penguin Books – April 2010||45.89 lei 22-33 zile||+12.23 lei 6-12 zile|
|CreateSpace Independent Publishing Platform –||48.90 lei 3-5 săpt.||+3.63 lei 12-20 zile|
|–||49.46 lei 3-5 săpt.||+3.67 lei 12-20 zile|
|–||49.69 lei 3-5 săpt.||+3.69 lei 12-20 zile|
|CreateSpace Independent Publishing Platform –||51.24 lei 3-5 săpt.||+3.82 lei 12-20 zile|
|–||52.76 lei 3-5 săpt.||+3.88 lei 12-20 zile|
|–||53.41 lei 3-5 săpt.||+4.00 lei 12-20 zile|
|VINTAGE BOOKS – July 2011||53.56 lei 21-27 zile||+6.14 lei 6-12 zile|
|–||53.70 lei 3-5 săpt.||+4.02 lei 12-20 zile|
|–||53.74 lei 3-5 săpt.||+4.02 lei 12-20 zile|
|CREATESPACE –||53.80 lei 3-5 săpt.||+4.03 lei 12-20 zile|
|CreateSpace Independent Publishing Platform –||54.14 lei 3-5 săpt.||+4.05 lei 12-20 zile|
|CREATESPACE –||54.23 lei 3-5 săpt.||+4.07 lei 12-20 zile|
|CREATESPACE –||54.73 lei 3-5 săpt.||+4.10 lei 12-20 zile|
|–||54.86 lei 3-5 săpt.||+4.12 lei 12-20 zile|
|CREATESPACE –||54.89 lei 3-5 săpt.||+4.13 lei 12-20 zile|
|KUPERARD (BRAVO LTD) – 2000||55.77 lei 3-5 săpt.||+8.01 lei 6-12 zile|
|–||55.91 lei 3-5 săpt.||+4.20 lei 12-20 zile|
|–||56.01 lei 3-5 săpt.||+4.21 lei 12-20 zile|
|–||56.24 lei 3-5 săpt.||+4.23 lei 12-20 zile|
|–||56.34 lei 3-5 săpt.||+4.24 lei 12-20 zile|
|–||56.56 lei 3-5 săpt.||+4.26 lei 12-20 zile|
|CreateSpace Independent Publishing Platform –||56.74 lei 3-5 săpt.||+4.28 lei 12-20 zile|
|CREATESPACE –||56.85 lei 3-5 săpt.||+4.27 lei 12-20 zile|
|–||56.86 lei 3-5 săpt.||+4.27 lei 12-20 zile|
|Flame Tree Publishing – 30 May 2018||57.36 lei 22-27 zile|
|Serenity Publishers, LLC – August 2008||57.55 lei 3-5 săpt.||+5.92 lei 12-20 zile|
|–||57.88 lei 3-5 săpt.||+4.28 lei 12-20 zile|
|–||58.39 lei 3-5 săpt.||+4.41 lei 12-20 zile|
|Simon & Brown – September 2010||58.40 lei 3-5 săpt.||+6.03 lei 12-20 zile|
|–||59.07 lei 3-5 săpt.||+4.38 lei 12-20 zile|
|–||59.57 lei 3-5 săpt.||+4.49 lei 12-20 zile|
|–||59.62 lei 3-5 săpt.||+4.49 lei 12-20 zile|
|UNION SQUARE & CO – 07 May 2022||60.05 lei 21-27 zile||+7.37 lei 6-12 zile|
|Reclam Philipp Jun. – June 1995||60.84 lei 18-23 zile||+4.84 lei 6-12 zile|
|CreateSpace Independent Publishing Platform –||62.01 lei 3-5 săpt.||+4.71 lei 12-20 zile|
|Simon & Brown – 30 Sep 2018||62.01 lei 3-5 săpt.||+6.43 lei 12-20 zile|
|Simon & Brown – 08 Nov 2018||62.80 lei 3-5 săpt.||+6.51 lei 12-20 zile|
|Denton & White –||63.07 lei 3-5 săpt.||+4.79 lei 12-20 zile|
|–||63.36 lei 3-5 săpt.||+4.81 lei 12-20 zile|
|–||63.64 lei 3-5 săpt.||+4.74 lei 12-20 zile|
|CREATESPACE –||63.95 lei 3-5 săpt.||+4.86 lei 12-20 zile|
|CREATESPACE –||64.07 lei 3-5 săpt.||+4.86 lei 12-20 zile|
|CREATESPACE –||64.07 lei 3-5 săpt.||+4.86 lei 12-20 zile|
|Digireads.com – 2005||64.52 lei 3-5 săpt.||+5.95 lei 12-20 zile|
|Digireads.com – 19 Feb 2016||65.01 lei 3-5 săpt.||+6.75 lei 12-20 zile|
|CREATESPACE –||65.34 lei 3-5 săpt.||+4.97 lei 12-20 zile|
|CreateSpace Independent Publishing Platform –||65.39 lei 3-5 săpt.||+4.98 lei 12-20 zile|
|–||65.54 lei 3-5 săpt.||+4.99 lei 12-20 zile|
|CANTERBURY CLASSICS – 10 Mar 2013||66.51 lei 22-34 zile||+39.09 lei 9-16 zile|
|–||67.73 lei 3-5 săpt.||+5.15 lei 12-20 zile|
|–||67.73 lei 3-5 săpt.||+5.15 lei 12-20 zile|
|CREATESPACE –||68.06 lei 3-5 săpt.||+5.20 lei 12-20 zile|
|CREATESPACE –||68.50 lei 3-5 săpt.||+5.23 lei 12-20 zile|
|–||68.55 lei 3-5 săpt.||+5.23 lei 12-20 zile|
|Klett Sprachen GmbH – 11 Nov 2014||68.80 lei 18-23 zile||+6.36 lei 6-12 zile|
|CREATESPACE –||69.11 lei 3-5 săpt.||+5.27 lei 12-20 zile|
|CREATESPACE –||69.83 lei 3-5 săpt.||+5.33 lei 12-20 zile|
|–||70.05 lei 3-5 săpt.||+5.35 lei 12-20 zile|
|–||70.29 lei 3-5 săpt.||+5.36 lei 12-20 zile|
|CreateSpace Independent Publishing Platform –||70.62 lei 3-5 săpt.||+5.40 lei 12-20 zile|
|Lector House – 20 May 2019||71.87 lei 3-5 săpt.||+6.67 lei 12-20 zile|
|–||71.88 lei 3-5 săpt.||+5.49 lei 12-20 zile|
|CREATESPACE –||72.57 lei 3-5 săpt.||+5.55 lei 12-20 zile|
|–||73.21 lei 3-5 săpt.||+5.60 lei 12-20 zile|
|CREATESPACE –||73.27 lei 3-5 săpt.||+5.61 lei 12-20 zile|
|CreateSpace Independent Publishing Platform – 07 Dec 2015||73.49 lei 3-5 săpt.||+5.63 lei 12-20 zile|
|–||73.54 lei 3-5 săpt.||+5.64 lei 12-20 zile|
|Serenity Publishers, LLC – 16 Aug 2010||74.51 lei 3-5 săpt.||+7.81 lei 12-20 zile|
|CreateSpace Independent Publishing Platform –||75.10 lei 3-5 săpt.||+5.76 lei 12-20 zile|
|–||77.13 lei 3-5 săpt.||+5.82 lei 12-20 zile|
|–||77.97 lei 3-5 săpt.||+6.00 lei 12-20 zile|
|CREATESPACE –||78.94 lei 3-5 săpt.||+6.07 lei 12-20 zile|
|–||79.22 lei 3-5 săpt.||+6.10 lei 12-20 zile|
|CREATESPACE –||81.42 lei 3-5 săpt.||+6.28 lei 12-20 zile|
|CREATESPACE –||82.11 lei 3-5 săpt.||+6.33 lei 12-20 zile|
|CreateSpace Independent Publishing Platform –||83.37 lei 3-5 săpt.||+6.44 lei 12-20 zile|
|Bibliotech Press – 03 Aug 2019||83.66 lei 3-5 săpt.||+8.82 lei 12-20 zile|
|–||83.75 lei 3-5 săpt.||+6.34 lei 12-20 zile|
|Ancient Wisdom Publications – 18 Mar 2008||84.13 lei 3-5 săpt.||+8.88 lei 12-20 zile|
|Selfmadehero – September 2008||84.14 lei 21-27 zile||+9.54 lei 6-12 zile|
|FREDERICK SINGER & SONS – 08 Aug 2013||84.17 lei 3-5 săpt.||+8.88 lei 12-20 zile|
|–||84.64 lei 3-5 săpt.||+6.54 lei 12-20 zile|
|–||85.13 lei 3-5 săpt.||+6.58 lei 12-20 zile|
|CREATESPACE –||85.47 lei 3-5 săpt.||+6.60 lei 12-20 zile|
|CREATESPACE –||86.09 lei 3-5 săpt.||+6.65 lei 12-20 zile|
|CREATESPACE –||86.87 lei 3-5 săpt.||+6.72 lei 12-20 zile|
|Samuel French, Inc. – 2011||86.90 lei 3-5 săpt.||+9.19 lei 12-20 zile|
|–||87.14 lei 3-5 săpt.||+6.74 lei 12-20 zile|
|–||87.14 lei 3-5 săpt.||+6.61 lei 12-20 zile|
|–||88.52 lei 3-5 săpt.||+8.30 lei 12-20 zile|
|–||88.52 lei 3-5 săpt.||+6.84 lei 12-20 zile|
|Broadview Press – February 1998||88.79 lei 22-27 zile|
|CreateSpace Independent Publishing Platform – 16 Dec 2015||90.74 lei 3-5 săpt.||+7.04 lei 12-20 zile|
|Public Park Publishing – 04 Jan 2020||92.20 lei 3-5 săpt.||+9.78 lei 12-20 zile|
|–||92.68 lei 3-5 săpt.||+7.19 lei 12-20 zile|
|CREATESPACE –||93.63 lei 3-5 săpt.||+7.26 lei 12-20 zile|
|Binker North – 1890||93.80 lei 3-5 săpt.||+8.83 lei 12-20 zile|
|Lulu.Com – 12 Jul 2019||95.21 lei 3-5 săpt.||+8.97 lei 12-20 zile|
|FV éditions – 25 Nov 2020||95.28 lei 3-5 săpt.||+10.11 lei 12-20 zile|
|Susan Publishing Ltd – 31 May 2020||95.59 lei 3-5 săpt.||+10.17 lei 12-20 zile|
|USA Public Domain Books – 31 May 2020||95.59 lei 3-5 săpt.||+10.17 lei 12-20 zile|
|Camel Publishing House – 31 May 2020||95.59 lei 3-5 săpt.||+10.17 lei 12-20 zile|
|Public Publishing – 31 May 2020||95.59 lei 3-5 săpt.||+10.17 lei 12-20 zile|
|Barclays Public Books – 31 May 2020||95.59 lei 3-5 săpt.||+10.17 lei 12-20 zile|
|CREATESPACE –||95.85 lei 3-5 săpt.||+7.45 lei 12-20 zile|
|CREATESPACE –||95.90 lei 3-5 săpt.||+7.45 lei 12-20 zile|
|Texas Public Domain – 31 May 2020||96.60 lei 3-5 săpt.||+10.26 lei 12-20 zile|
|Public Public Books – 31 May 2020||96.60 lei 3-5 săpt.||+10.26 lei 12-20 zile|
|Toronto Public Domain Publishing – 31 May 2020||96.60 lei 3-5 săpt.||+10.26 lei 12-20 zile|
|Yorkshire Public Books – 31 May 2020||96.60 lei 3-5 săpt.||+10.26 lei 12-20 zile|
|1st World Library –||96.82 lei 3-5 săpt.||+9.48 lei 12-20 zile|
|CREATESPACE –||97.15 lei 3-5 săpt.||+7.55 lei 12-20 zile|
|CREATESPACE –||98.07 lei 3-5 săpt.||+7.62 lei 12-20 zile|
|Norilana Books – 10 Feb 2007||98.47 lei 3-5 săpt.||+9.28 lei 12-20 zile|
|CREATESPACE –||99.79 lei 3-5 săpt.||+7.77 lei 12-20 zile|
|–||100.30 lei 3-5 săpt.||+7.81 lei 12-20 zile|
|–||102.45 lei 3-5 săpt.||+7.84 lei 12-20 zile|
|Book Jungle – 13 Mar 2008||102.84 lei 3-5 săpt.||+10.96 lei 12-20 zile|
|CREATESPACE –||103.22 lei 3-5 săpt.||+7.71 lei 12-20 zile|
|Simon & Brown – 20 Nov 2018||104.10 lei 3-5 săpt.||+7.78 lei 12-20 zile|
|–||105.20 lei 3-5 săpt.||+8.05 lei 12-20 zile|
|Greyhound Press – 29 Sep 2014||105.23 lei 3-5 săpt.||+7.87 lei 12-20 zile|
|Adelphi Press – 10 Jun 2018||105.71 lei 3-5 săpt.||+7.91 lei 12-20 zile|
|CREATESPACE –||105.84 lei 3-5 săpt.||+8.25 lei 12-20 zile|
|Read & Co. Classics – 21 Jun 2018||110.73 lei 3-5 săpt.||+10.90 lei 12-20 zile|
|CreateSpace Independent Publishing Platform –||110.82 lei 3-5 săpt.||+8.66 lei 12-20 zile|
|Spastic Cat Press – August 2011||111.47 lei 3-5 săpt.||+8.35 lei 12-20 zile|
|–||112.75 lei 3-5 săpt.||+12.06 lei 12-20 zile|
|CreateSpace Independent Publishing Platform –||114.43 lei 3-5 săpt.||+8.96 lei 12-20 zile|
|–||117.87 lei 3-5 săpt.||+9.23 lei 12-20 zile|
|CREATESPACE –||119.15 lei 3-5 săpt.||+9.34 lei 12-20 zile|
|–||121.39 lei 3-5 săpt.||+9.35 lei 12-20 zile|
|–||124.13 lei 3-5 săpt.||+9.74 lei 12-20 zile|
|Les prairies numériques – 26 Jul 2020||131.04 lei 3-5 săpt.||+9.87 lei 12-20 zile|
|Les prairies numériques – 27 Nov 2020||132.37 lei 3-5 săpt.||+9.99 lei 12-20 zile|
|Sleeping Cat Books –||133.40 lei 3-5 săpt.||+14.36 lei 12-20 zile|
|Idylls Press – 12 Dec 2008||136.53 lei 3-5 săpt.||+14.71 lei 12-20 zile|
|CreateSpace Independent Publishing Platform –||138.23 lei 3-5 săpt.||+10.89 lei 12-20 zile|
|TREDITION CLASSICS – 2013||164.20 lei 3-5 săpt.||+17.78 lei 12-20 zile|
|West Margin Press – 30 Aug 2022||189.13 lei 3-5 săpt.||+14.39 lei 12-20 zile|
|Hansebooks – 21 Apr 2021||228.32 lei 3-5 săpt.||+17.45 lei 12-20 zile|
|Martino Fine Books – 15 Jun 2011||33.94 lei 6-8 săpt.|
|LIGHTNING SOURCE INC – 31 Jul 2017||48.31 lei 42-48 zile|
|Elsinor Verlag – 03 Jun 2014||56.64 lei 39-44 zile|
|LIGHTNING SOURCE INC – 23 Sep 2018||64.44 lei 18-23 zile|
|LIGHTNING SOURCE INC – 29 Sep 2018||64.44 lei 18-23 zile|
|–||66.33 lei 39-44 zile|
|Elsinor Verlag – 29 Jul 2014||68.13 lei 39-44 zile|
|LIGHTNING SOURCE INC – 29 Sep 2018||69.10 lei 18-23 zile|
|LIGHTNING SOURCE INC – 10 Oct 2018||75.35 lei 18-23 zile|
|–||77.99 lei 39-44 zile|
|SC Active Business Development SRL – 13 Oct 2016||81.51 lei 39-44 zile|
|Martino Fine Books – 26 Mar 2019||83.49 lei 39-44 zile|
|Ali Ribelli Edizioni – 27 Apr 2020||94.32 lei 39-44 zile|
|Throne Classics – 30 May 2019||110.92 lei 39-44 zile|
|Prince Classics – 11 May 2019||110.92 lei 39-44 zile|
|Antiquarius – 22 Sep 2020||111.95 lei 39-44 zile|
|Antediluvian Books – 22 Dec 2016||116.26 lei 39-44 zile|
|Echo Library – 23 Jan 2006||116.58 lei 42-48 zile|
|Urban Romantics – 12 Aug 2011||119.47 lei 39-44 zile|
|Hardback (28)||45.92 lei 22-27 zile|
|Collectors Library – September 2003||45.92 lei 22-27 zile|
|Pan Macmillan – 21 Mar 2017||47.45 lei 3-5 săpt.||+26.75 lei 6-12 zile|
|CHARTWELL BOOKS – 14 Dec 2021||56.04 lei 3-5 săpt.||+11.05 lei 6-12 zile|
|Flame Tree Publishing – 15 Sep 2020||64.29 lei 21-27 zile||+5.40 lei 6-12 zile|
|UNION SQUARE & CO – 07 Jun 2022||83.88 lei 21-27 zile||+9.19 lei 6-12 zile|
|Sirius Entertainment – November 2022||86.21 lei 3-5 săpt.||+6.38 lei 12-20 zile|
|chiltern publishing – 14 Aug 2020||87.87 lei 21-27 zile||+8.60 lei 6-12 zile|
|Penguin Books – 06 Nov 2008||92.88 lei 22-33 zile||+26.11 lei 6-12 zile|
|12th Media Services – 07 Mar 2019||100.67 lei 3-5 săpt.||+10.72 lei 12-20 zile|
|–||118.34 lei 3-5 săpt.||+12.68 lei 12-20 zile|
|–||123.78 lei 3-5 săpt.||+13.30 lei 12-20 zile|
|Public Park Publishing – 16 Jan 2020||124.01 lei 3-5 săpt.||+13.31 lei 12-20 zile|
|–||126.20 lei 3-5 săpt.||+13.55 lei 12-20 zile|
|FV éditions – 25 Nov 2020||137.03 lei 3-5 săpt.||+14.76 lei 12-20 zile|
|Calla Editions – 24 Jun 2016||145.50 lei 11-18 zile||+54.07 lei 6-12 zile|
|Norilana Books – 10 Feb 2007||168.20 lei 3-5 săpt.||+16.16 lei 12-20 zile|
|Simon & Brown – 20 Nov 2018||176.74 lei 3-5 săpt.||+13.43 lei 12-20 zile|
|–||180.06 lei 3-5 săpt.||+19.53 lei 12-20 zile|
|1st World Library –||196.11 lei 3-5 săpt.||+19.64 lei 12-20 zile|
|Borgo Press –||208.02 lei 3-5 săpt.||+20.06 lei 12-20 zile|
|TREDITION CLASSICS – 2013||232.82 lei 3-5 săpt.||+25.41 lei 12-20 zile|
|Simon & Brown – 08 Nov 2018||164.10 lei 39-44 zile|
|Simon & Brown – 30 Sep 2018||165.23 lei 39-44 zile|
|Echo Library – 2007||166.05 lei 42-48 zile|
|Prince Classics – 11 May 2019||185.75 lei 39-44 zile|
|Throne Classics – 30 May 2019||185.75 lei 39-44 zile|
|Antiquarius – 22 Sep 2020||191.05 lei 39-44 zile|
|Lulu – 29 Sep 2015||211.79 lei 39-44 zile|
|Legat în piele (1)||116.09 lei 3-5 săpt.||+7.97 lei 6-12 zile|
|Sterling Publishing – February 2016||116.09 lei 3-5 săpt.||+7.97 lei 6-12 zile|
|CD-Audio (2)||87.77 lei 22-33 zile||+39.41 lei 6-12 zile|
|Penguin Books – 26 Sep 2019||87.77 lei 22-33 zile||+39.41 lei 6-12 zile|
|BBC AUDIOBOOKS – August 2010||126.76 lei 42-48 zile|
|Electronic book text (1)||21.05 lei 22-27 zile|
|Flame Tree Publishing – June 2012||21.05 lei 22-27 zile|
Preț: 95.81 lei
Preț: 21.82 lei
Preț: 21.35 lei
Preț: 21.19 lei
Preț: 22.41 lei
Preț: 23.76 lei
Preț: 21.32 lei
Preț: 21.23 lei
Preț: 20.81 lei
Preț: 20.52 lei
Preț: 23.97 lei
Preț: 22.38 lei
Preț: 22.01 lei
Preț: 24.70 lei
Preț: 22.68 lei
Preț: 22.73 lei
Preț: 21.35 lei
Preț: 21.21 lei
Preț: 22.47 lei
Preț: 20.33 lei
Preț: 23.22 lei
Preț: 22.83 lei
Preț: 25.17 lei
Preț: 21.07 lei
Preț: 20.25 lei
Preț: 21.65 lei
Preț: 23.98 lei
Preț: 17.24 lei
Preț: 53.34 lei
Preț: 41.66 lei
Preț: 39.13 lei
Preț: 23.10 lei
Preț: 21.19 lei
Preț: 20.37 lei
Preț: 21.77 lei
Preț: 20.67 lei
Preț: 20.56 lei
Preț: 20.37 lei
Preț: 22.26 lei
Preț: 20.91 lei
Preț: 20.15 lei
Preț: 20.81 lei
Preț: 45.31 lei
Preț: 44.09 lei
Preț: 43.45 lei
Preț: 40.99 lei
Preț: 39.80 lei
Preț: 39.76 lei
Preț: 24.89 lei
Preț: 23.56 lei
Oscar Fingal O'Flahertie Wills Wilde was born on the 16th October 1854 and died on the 30th November 1900. He was an Irish playwright, poet, and author of numerous short stories and one novel. Known for his biting wit, he became one of the most successful playwrights of the late Victorian era in London, and one of the greatest celebrities of his day. Several of his plays continue to be widely performed, especially The Importance of Being Earnest.
Textul de pe ultima copertă
In Oscar Wilde's famous novel, Dorian Gray is tempted by Henry Wotton to sell his soul in order to hold on to beauty and youth. Dorian succumbs and murders the portrait painter Basil Haliward, who stands between him and his goal. Though in the end vice is punished and virtue rewarded, the novel remains one of the most important expressions of fin de siecle decadence. It is in the preface to the expanded edition of The Picture of Dorian Gray that Wilde coined the most famous expression of his aesthetic: "There is no such thing as a moral or an immoral book. Books are well-written or badly-written. That is all."
Like other Broadview Editions, this edition includes a wide range of materials from the period that help to set the text in context. In particular, the editor locates the text both in relation to elements in the mainstream culture of the day (such as the aesthetes); and in relation to the gay subculture.
A Note on the Text
The Picture of Dorian Gray
Appendix 1: Selected Contemporary Reviews of The Picture of Dorian Gray
Appendix 2: Introduction to the First Penguin Classics Edition, by Peter Ackroyd
Wilde stood for art. He stood for nothing less all his life... He is still enormously underestimated as an artist and thinker... Wilde was a great writer and a great man.
Every line that Wilde ever wrote affected me so enormously.
I think The Picture of Dorian Gray stands as high as it ever has.
A heady late-Victorian tale of double-living, in which Dorian's fatal, corruptive influence over women and men alike is left suggestively indistinct.
The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn.
From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as was his custom, innumerable cigarettes, Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-coloured blossoms of a laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flame-like as theirs; and now and then the fantastic shadows of birds in flight flitted across the tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid jade-faced painters of Tokio who, through the medium of an art that is necessarily immobile, seek to convey the sense of swiftness and motion. The sullen murmur of the bees shouldering their way through the long unmown grass, or circling with monotonous insistence round the dusty gilt horns of the straggling woodbine, seemed to make the stillness more oppressive. The dim roar of London was like the bourdon note of a distant organ.
In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement, and gave rise to so many strange conjectures.
As the painter looked at the gracious and comely form he had so skilfully mirrored in his art, a smile of pleasure passed across his face, and seemed about to linger there. But he suddenly started up, and, closing his eyes, placed his fingers upon the lids, as though he sought to imprison within his brain some curious dream from which he feared he might awake.
"It is your best work, Basil, the best thing you have ever done," said Lord Henry, languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. Whenever I have gone there, there have been either so many people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse. The Grosvenor is really the only place."
"I don't think I shall send it anywhere," he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No: I won't send it anywhere."
Lord Henry elevated his eyebrows, and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy opium-tainted cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion."
"I know you will laugh at me," he replied, "but I really can't exhibit it I have put too much of myself into it."
Lord Henry stretched himself out on the divan and laughed.
"Yes, I knew you would; but it is quite true, all the same."
"Too much of yourself in it! Upon my word, Basil, I didn't know you were so vain; and I really can't see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made out of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you — well, of course you have an intellectual expression, and all that. But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the Church. But then in the Church they don't think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and as a natural consequence he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really fascinates me, never thinks. I feel quite sure of that. He is some brainless, beautiful creature, who should be always here in winter when we have no flowers to look at, and always here in summer when we want something to chill our intelligence. Don't flatter yourself, Basil: you are not in the least like him.
"You don't understand me, Harry," answered the artist. "Of course I am not like him. I know that perfectly well. Indeed, I should be sorry to look like him. You shrug your shoulders? I am telling you the truth. There is a fatality about all physical and intellectual distinction, the sort of fatality that seems to dog through history the faltering steps of kings. It is better not to be different from one's fellows. The ugly and the stupid have the best of it in this world. They can sit at their ease and gape at the play. If they know nothing of victory, they are at least spared the knowledge of defeat. They live as we all should live, undisturbed, indifferent, and without disquiet. They neither bring ruin upon others, nor ever receive it from alien hands. Your rank and wealth, Harry; my brains, such as they are — my art, whatever it may be worth; Dorian Gray's good looks — we shall all suffer for what the gods have given us, suffer terribly."
"Dorian Gray? Is that his name?" asked Lord Henry, walking across the studio towards Basil Hallward.
"Yes, that is his name. I didn't intend to tell it to you."
"But why not?"
"Oh, I can't explain. When I like people immensely I never tell their names to any one. It is like surrendering a part of them. I have grown to love secrecy. It seems to be the one thing that can make modern life mysterious or marvellous to us. The commonest thing is delightful if one only hides it. When I leave town now I never tell my people where I am going. If I did, I would lose all my pleasure. It is a silly habit, I dare say, but somehow it seems to bring a great deal of romance to one's life. I suppose you think me awful foolish about it?"
"Not at all," answered Lord Henry, "not at all, my dear Basil. You seem to forget that I am married, and the one charm of marriage is that it makes a life of deception absolutely necessary for both parties. I never know where my wife is, and my wife never knows what I am doing. When we meet — we do meet occasionally, when we dine out together, or go down to the Duke's — we tell each other the most absurd stories with the most serious faces. My wife is very good at it, much better, in fact, than I am. She never gets confused over her dates, and I always do. But when she does find me out, she makes no row at all. I sometimes wish she would; but she merely laughs at me."
"I hate the way you talk about your married life, Harry," said Basil Hallward, strolling towards the door that led into the garden. "I believe that you are really a very good husband, but that you are thoroughly ashamed of your own virtues. You are an extraordinary fellow. You never say a moral thing, and you never do a wrong thing. Your cynicism is simply a pose."
"Being natural is simply a pose, and the most irritating pose I know," cried Lord Henry, laughing; and the two young men went out into the garden together, and ensconced themselves on a long bamboo seat that stood in the shade of a tall laurel bush. The sunlight slipped over the polished leaves. In the grass, white daisies were tremulous.
After a pause, Lord Henry pulled out his watch. "I am afraid I must be going, Basil," he murmured, "and before you go, I insist on your answering a question I put to you some time ago."
"What is that?" said the painter, keeping his eyes fixed on the ground.
"You know quite well."
"I do not, Harry."
"Well, I will tell you what it is. I want you to explain to me why you won't exhibit Dorian Gray's picture. I want the real reason."
"I told you the real reason."
"No you did not. You said it was because there was too much of yourself in it. Now, that is childish."
"Harry," said Basil Hallward, looking him straight in the face, "every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it rather the painter who, on the coloured canvas, reveals himself. The reason I will not exhibit the picture is that I am afraid that I have shown in it the secret of my soul."
Lord Henry laughed. "And what is that?" he asked.
"I will tell you," said Hallward; but an expression of perplexity came over his face.
"I am all expectation, Basil," continued his companion, glancing at him.
"Oh, there is really very little to tell, Harry," answered the painter; "and I am afraid you will hardly understand it. Perhaps you will hardly believe it."
Lord Henry smiled, and, leaning down, plucked a pink-petalled daisy from the grass, and examined it. "I am quite sure I shall understand it," he replied, gazing intently at the little golden white-feathered disk, "and as for believing things, I can believe anything, provided that it is quite incredible."
The wind shook some blossoms from the trees, and the heavy lilac-blooms, with their clustering stars, moved to and fro in the languid air. A grasshopper began to chirrup by the wall, and like a blue thread a long thing dragon-fly floated past on its brown gauze wings. Lord Henry felt as if he could hear Basil Hallward's heart beating, and wondered what was coming.
"The story is simply this," and the painter after some time. "Two months ago I went to a crush at Lady Brandon's. You know we poor artists have to show ourselves in society from time to time, just to remind the public that we are not savages. With an evening coat and a white tie, as you told me once, anybody, even a stockbroker, can gain a reputation for being civilized. Well, after I had been in the room about ten minutes, talking to huge over-dressed dowagers and tedious Academicians, I suddenly became conscious that some one was looking at me. I turned half-way round, and saw Dorian Gray for the first time. When our eyes met, I felt that I was growing pale. A curious sensation of terror came over me. I knew that I had come face to face with some one whose mere personality was so fascinating that, if I allowed it to do so, it would absorb my whole nature, my soul, my very art itself. I did not want any external influence in my life. You know I did not want any external influence in my life. I have always been my own master; had at least always been so, till I met Dorian Gray. Then— but I don't know how to explain it to you. Something seemed to tell me that I was on the verge of a terrible crisis in my life. I had a strange feeling that Fate had in store for me exquisite joys and exquisite sorrows. I grew afraid, and turned to quite the room. It was not conscience that made me do so; it was a sort of cowardice. I take no credit to myself for trying to escape."
"Conscience and cowardice are really the same things, Basil. Conscience is the trade-name of the firm. That is all."
"I don't believe that, Harry, and I don't believe you do either. However, whatever was my motive — and it may have been pride, for I used to be very proud — I certainly struggled to the door. There, of course, I stumbled against Lady Brandon. 'You are not going to run away so soon, Mr. Hallward?' she screamed out. You know her curiously shrill voice?"
"Yes; she is a peacock in everything but beauty," said Lord Henry, pulling the daisy to bits with his long, nervous fingers.
"I could not get rid of her. She brought me up to Royalties, and people with Stars and Garters, and elderly ladies with gigantic tiaras and parrot noses. She spoke of me as her dearest friend. I had only met her once before, but she took it into her head to lionize me. I believe some picture of mine had made a great success at the time, at least had been chattered about in the penny newspapers, which is the nineteenth-century standard of immortality. Suddenly I found myself face to face with the young man whose personality had so strangely stirred me. We were quite close, almost touching. Our eyes met again. It was reckless of me, but I asked Lady Brandon to introduce me to him. perhaps it was not so reckless, after all. It was simply inevitable. We would have spoken to each other without any introduction. I am sure of that. Dorian told me so afterwards. He, too, felt that we were destined to know each other."
- Audies Finalist, 2009