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Notes from the Underground de Fyodor Dostoyevsky

Notes from the Underground

Autor Fyodor Dostoyevsky
en Limba Engleză Paperback – 31 oct 2014
Notes from Underground is considered by many to be the first existentialist novel consisting of excerpts from the rambling memoirs of a bitter, isolated, unnamed narrator who is a retired civil servant living in St. Petersburg. The first part of the story is told from the man's diary, and attacks emerging Western philosophy. The second part describes events that are destroying and sometimes renewing the man. Fyodor Dostoyevsky was a Russian writer and philosopher whose literary works explore human psychology in the context of the troubled political, social, and spiritual atmosphere of 19th-century Russia.
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Specificații

ISBN-13: 9781483706511
ISBN-10: 1483706516
Pagini: 102
Dimensiuni: 152 x 229 x 5 mm
Greutate: 0.15 kg
Editura: Bottom of the Hill Publishing

Notă biografică

Fyodor Mikhailovich Dostoevsky was born in Moscow in 1821. His debut, the epistolary novella Poor Folk (1846), made his name. In 1849 he was arrested for involvement with the politically subversive 'Petrashevsky circle' and until 1854 he lived in a convict prison in Omsk, Siberia. From this experience came The House of the Dead (1860-2). In 1860 he began the journal Vremya (Time). Already married, he fell in love with one of his contributors, Appollinaria Suslova, eighteen years his junior, and developed a ruinous passion for roulette. After the death of his first wife, Maria, in 1864, Dostoevsky completed Notes from Underground and began work towards Crime and Punishment (1866). The major novels of his late period are The Idiot (1868), Demons (1871-2) and The Brothers Karamazov (1879-80). He died in 1881.

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Published in 1864, Notes from Underground is considered the author's first masterpiece - the book in which he "became" Dostoevsky - and is seen as the source of all his later works. Richard Pevear and Larissa Volokhonsky, whose acclaimed translations of The Brothers Karamazov and Crime and Punishment have become the standard versions in English, now give us a superb new rendering of this early classic. Presented as the fictional apology and confession of the underground man - formerly a minor official of mid-nineteenth-century Russia, whom Dostoevsky leaves nameless, as one critic wrote, "because 'I' is all of us" - the novel is divided into two parts: the first, a half-desperate, half-mocking political critique; the second, a powerful, at times absurdly comical account of the man's breakaway from society and descent "underground." The book's extraordinary style - brilliantly violating literary conventions in ways never before attempted - shocked its first readers and still shocks many Russians today. This magnificent new translation captures for the first time all the stunning idiosyncrasy of the original.