Notes from the Underground
Autor Fyodor Dostoyevskyen Limba Engleză Paperback – 14 iun 2017
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Specificații
ISBN-13: 9789352662074
ISBN-10: 9352662075
Pagini: 146
Dimensiuni: 152 x 229 x 8 mm
Greutate: 0.22 kg
Editura: Prabhat Prakashan
ISBN-10: 9352662075
Pagini: 146
Dimensiuni: 152 x 229 x 8 mm
Greutate: 0.22 kg
Editura: Prabhat Prakashan
Notă biografică
Fyodor Mikhailovich Dostoyevsky (11 November 1821 - 9 February 1881) was a Russian novelist. Many scholars see Dostoyevsky as one of the greatest psychologists in literature. His works have had a big effect on twentieth-century fiction. Very often, he wrote about characters who live in poor conditions. Those characters are sometimes in extreme states of mind. They might show both a strange grasp of human psychology as well as good analyses of the political, social and spiritual states of Russia of Dostoevsky's time. Many of Dostoyevsky's best-known works are prophetic. He is sometimes considered to be a founder of existentialism, most frequently for Notes from Underground, which has been described as the best overture for existentialism ever written. He is also famous for writing The Brothers Karamazov, which many critics, such as Sigmund Freud, have said was one of the best novels ever written.
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Published in 1864, Notes from Underground is considered the author's first masterpiece - the book in which he "became" Dostoevsky - and is seen as the source of all his later works. Richard Pevear and Larissa Volokhonsky, whose acclaimed translations of The Brothers Karamazov and Crime and Punishment have become the standard versions in English, now give us a superb new rendering of this early classic. Presented as the fictional apology and confession of the underground man - formerly a minor official of mid-nineteenth-century Russia, whom Dostoevsky leaves nameless, as one critic wrote, "because 'I' is all of us" - the novel is divided into two parts: the first, a half-desperate, half-mocking political critique; the second, a powerful, at times absurdly comical account of the man's breakaway from society and descent "underground." The book's extraordinary style - brilliantly violating literary conventions in ways never before attempted - shocked its first readers and still shocks many Russians today. This magnificent new translation captures for the first time all the stunning idiosyncrasy of the original.
Published in 1864, Notes from Underground is considered the author's first masterpiece - the book in which he "became" Dostoevsky - and is seen as the source of all his later works. Richard Pevear and Larissa Volokhonsky, whose acclaimed translations of The Brothers Karamazov and Crime and Punishment have become the standard versions in English, now give us a superb new rendering of this early classic. Presented as the fictional apology and confession of the underground man - formerly a minor official of mid-nineteenth-century Russia, whom Dostoevsky leaves nameless, as one critic wrote, "because 'I' is all of us" - the novel is divided into two parts: the first, a half-desperate, half-mocking political critique; the second, a powerful, at times absurdly comical account of the man's breakaway from society and descent "underground." The book's extraordinary style - brilliantly violating literary conventions in ways never before attempted - shocked its first readers and still shocks many Russians today. This magnificent new translation captures for the first time all the stunning idiosyncrasy of the original.