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Aeschylus

Autor Aeschylus
en Limba Engleză Paperback – 14 iul 2014
An extraordinary drama of flight and rescue arising from women's resistance to marriage, The Suppliants is surprising both for its exotic color and for its forceful enactment of the primal struggle between male and female, lust and terror, brutality and cunning. In his translation of this ancient Greek drama, Peter Burian introduces a new generation of readers to a powerful work of Aeschylus' later years. He conveys the strength and daring of Aeschylus' language in the idiom of our own time, while respecting what is essentially classical in this dramatist's art: the rigor of the formal constraint with which he compresses high emotion to the bursting point. The Suppliants, which is the first and only surviving part of a trilogy, does not conform to our expectations of Greek drama in that it has neither hero, nor downfall, nor tragic conclusion. Instead the play portrays unresolved conflicts of sexuality, love, and emotional maturity. These distinctly modern themes come alive in a translation that re-creates the psychological immediacy as well as the dramatic tension of this ancient work. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Specificații

ISBN-13: 9780691607337
ISBN-10: 0691607338
Pagini: 90
Ilustrații: black & white illustrations
Dimensiuni: 156 x 234 x 5 mm
Greutate: 0.15 kg
Editura: Princeton University Press

Cuprins

  • The Oresteia: summary of the stage-action
  • Abbreviations: play-titles and works frequently cited
  • Introduction
  • Advice on the Text, Translation, and Explanatory Notes
  • Bibliography and Further Reading
  • A Chronology of Aeschylus
  • Map of Greece and the Aegean Sea
  • The Plays of the Oresteia:
  • Libation Bearers
  • Eumenides
  • Explanatory Notes
  • Textual Appendix

Descriere

Descriere de la o altă ediție sau format:
Produced in 458 BC, Aeschylus' Choephori is the second play in the Oresteian trilogy. The bloodshed begun in the first play with the murder of Agamemnon by his wife Clytemnestra is here continued when Agamemnon's son Orestes avenges his father's death by killing Clytemnestra. It is not until the third and final play, Eumenides, that peace is restored to the family of the Atreidae. This edition takes into account the large amount of recent research on the play and tackles the problems presented by an unusually corrupt text. The introduction discusses the pre-Aeschylean 'Orestes' tradition in literature and art, as well as the place of Choephori within the Oresteia, its imagery and dramatic structure, the questions of staging the play, and the manuscript tradition. The Greek text and critical apparatus are those of D.L. Page (OCT). The commentary looks at problems of style, dramatic technique, and interpretation of the play, and before each scene is discussed an analysis of its contribution to the drama as a whole is supplied.

Notă biografică

Aeschylus (525-456 BC) The father of Greek tragic drama, usually considered the first great writer in the Western theatrical tradition. Only seven plays, of over 70 known titles, are extant. These are The Persians (472 BC), Seven Against Thebes (469 BC), Prometheus Bound (c. 460 BC), The Suppliant Women (c. 460 BC), and the Oresteia trilogy (458 BC), comprising Agamemnon, Choephoroi, and Eumenides. He also wrote numerous satyr plays, which have only survived in fragmentary form. Aeschylus's work is powerful and operatic, using majestic but often innovative language. His attitude to Greek society and religion was generally conservative, although he boldly depicted the sufferings of men and woman when moral systems, and the gods themselves, are in conflict. Legend says he was killed by a tortoise dropped by an eagle (to break the shell) on his bald head (mistaken for a stone). His tombstone makes no mention of his literary works, referring only to his service at the Battle of Marathon (490 BC).