Cantitate/Preț
Produs
Total produse
Vezi coșul
Twelfth Night: Or What You Will de William Shakespeare

Twelfth Night: Or What You Will: The New Cambridge Shakespeare

Autor William Shakespeare Editat de Elizabeth Story Donno Introducere de Penny Gay
Notă:  5.00 · o notă 
en Limba Engleză Paperback – 16 aug 2017
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This third edition of Twelfth Night retains the text edited and annotated by Elizabeth Story Donno for the first edition of 1985, and features an updated introduction by Penny Gay, which focuses on recent scholarship and performance history. Building on her Introduction to the second edition, Gay stresses the play's theatricality, its elaborate linguistic games and its complex use of Ovidian myths. She analyses the delicate balance Shakespeare strikes in Twelfth Night between romance and realism, and explores representations of gender, sexuality and identity in the text. A selection of new photographs completes the edition.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (57) 1691 lei  3-4 săpt.
  HarperCollins Publishers – 2020 2460 lei  24 ore
  Dover Publications – 31 dec 1996 1691 lei  3-4 săpt.
  HarperCollins Publishers – 31 aug 2011 2138 lei  3-5 săpt. +588 lei  6-12 zile
  Penguin Random House Group – 2001 3253 lei  3-5 săpt.
  Wordsworth Editions – 30 apr 1992 3389 lei  3-5 săpt. +325 lei  6-12 zile
  Simon&Schuster – iul 2004 3802 lei  3-5 săpt.
  Yale University Press – 24 mai 2007 3974 lei  3-5 săpt.
  Penguin Books – 25 iun 2015 4429 lei  21-33 zile +2572 lei  6-12 zile
  ACMRS Press – 7 mar 2024 5286 lei  3-5 săpt.
  Real Reads – mar 2014 5449 lei  3-5 săpt. +593 lei  6-12 zile
  Arcturus Publishing – aug 2025 5468 lei  3-5 săpt. +664 lei  6-12 zile
  Penguin Random House Group – 7 iul 2016 5493 lei  3-5 săpt. +1754 lei  6-12 zile
  Bloomsbury Publishing – 16 apr 2020 6687 lei  3-5 săpt. +3090 lei  6-12 zile
  Hackett Publishing Company,Inc – 16 aug 2012 6934 lei  3-5 săpt.
  Bloomsbury Publishing – 9 mai 2008 6940 lei  3-5 săpt. +3547 lei  6-12 zile
  Bloomsbury Publishing – 12 mar 2012 6954 lei  3-5 săpt.
  Cambridge University Pr. – 27 ian 2014 7768 lei  3-5 săpt. +1691 lei  6-12 zile
  HarperCollins Publishers – 20 oct 2020 9085 lei  3-5 săpt. +1531 lei  6-12 zile
  Klett Sprachen GmbH – 3 mar 2014 10648 lei  17-24 zile +989 lei  6-12 zile
  BEDFORD BOOKS – feb 2001 16688 lei  3-5 săpt.
  CREATESPACE – 3861 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 3866 lei  3-5 săpt.
  CREATESPACE – 4126 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 4459 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 4479 lei  3-5 săpt.
  CREATESPACE – 4577 lei  3-5 săpt.
  CreateSpace Independent Publishing Platform – 4733 lei  3-5 săpt.
  – 4900 lei  3-5 săpt.
  Nicolo Whimsey Press – 30 iun 2010 4949 lei  6-8 săpt.
  – 5042 lei  6-8 săpt.
  – 5224 lei  3-5 săpt.
  – 5506 lei  3-5 săpt.
  – 5612 lei  6-8 săpt.
  – 5925 lei  6-8 săpt.
  Lulu – 5 iun 2013 5964 lei  6-8 săpt.
  Lector House – 26 iul 2019 6299 lei  6-8 săpt.
  CreateSpace Independent Publishing Platform – 6942 lei  6-8 săpt.
  CREATESPACE – 7227 lei  3-5 săpt.
  CREATESPACE – 7254 lei  3-5 săpt.
  Blurb – 13 mai 2019 7282 lei  3-5 săpt.
  Cambridge University Press – 16 aug 2017 7313 lei  3-5 săpt. +2679 lei  6-12 zile
  Random House – 4 mai 2010 8080 lei  3-5 săpt.
  LIGHTNING SOURCE INC – 23 sep 2018 8105 lei  17-24 zile
  CREATESPACE – 9121 lei  3-5 săpt.
  BLURB INC – 25 feb 2019 9394 lei  17-24 zile
  – 9457 lei  3-5 săpt.
  Akasha Classics – 11 feb 2010 9507 lei  6-8 săpt.
  Prince Classics – 8 mai 2019 10865 lei  38-45 zile
  Read & Co. Classics – 22 mai 2018 10973 lei  6-8 săpt.
  Sovereign – 23 iul 2018 12307 lei  6-8 săpt.
  Tredition – 4 dec 2012 13907 lei  6-8 săpt.
  Tredition – 4 dec 2012 14160 lei  6-8 săpt.
  Tredition – 4 dec 2012 17548 lei  6-8 săpt.
  Cambridge University Press – 25 iun 2009 24289 lei  6-8 săpt.
  Cambridge University Press – 19 iul 2009 28696 lei  6-8 săpt.
  Penguin Books – 3 sep 2026 6190 lei  Precomandă
  Bloomsbury Publishing – 24 dec 2026 7485 lei  Precomandă
Hardback (11) 4311 lei  3-5 săpt. +3025 lei  6-12 zile
  Pan Macmillan – 11 aug 2016 4311 lei  3-5 săpt. +3025 lei  6-12 zile
  Bodleian Library – 16 mai 2024 19676 lei  3-5 săpt. +2662 lei  6-12 zile
  Prince Classics – 8 mai 2019 18337 lei  38-45 zile
  Throne Classics – 29 iun 2019 18337 lei  38-45 zile
  Akasha Publishing, LLC – 12 feb 2010 18904 lei  6-8 săpt.
  TREDITION CLASSICS – 30 noi 2012 21066 lei  6-8 săpt.
  TREDITION CLASSICS – 30 noi 2012 24600 lei  6-8 săpt.
  TREDITION CLASSICS – 30 noi 2012 24620 lei  6-8 săpt.
  Cambridge University Press – 16 aug 2017 48787 lei  6-8 săpt.
  Cambridge University Press – 24 iun 2009 68657 lei  6-8 săpt.
  Bloomsbury Publishing – 24 dec 2026 55739 lei  Precomandă

Din seria The New Cambridge Shakespeare

  • The First Part of King Henry IV
    Preț: 7808 lei
  • The Two Gentlemen of Verona
    Preț: 7213 lei
  • 15% Much Ado about Nothing
    Preț: 6521 lei
  • Love's Labour's Lost
    Preț: 7509 lei
  • The Second Part of King Henry IV
    Preț: 8003 lei
  • The Third Part of King Henry VI
    Preț: 7746 lei
  • 19% King Richard III
    Preț: 49086 lei
  • Cymbeline
    Preț: 7984 lei
  • Troilus and Cressida
    Preț: 8120 lei
  • King John
    Preț: 7587 lei
  • Titus Andronicus
    Preț: 7313 lei
  • All's Well that Ends Well
    Preț: 7213 lei
  • 19% Macbeth
    Preț: 49384 lei
  • The Merry Wives of Windsor
    Preț: 7011 lei
  • The Two Noble Kinsmen
    Preț: 7706 lei
  • Measure for Measure
    Preț: 7313 lei
  • 19% The Tempest
    Preț: 49312 lei
  • Antony and Cleopatra
    Preț: 7675 lei
  • 8% A Midsummer Night's Dream
    Preț: 48157 lei
  • The Poems: Venus and Adonis, The Rape of Lucrece, The Phoenix and the Turtle, The Passionate Pilgrim, A Lover's Complaint
    Preț: 8299 lei
  • 19% The Tragedy of King Lear
    Preț: 46931 lei
  • King Henry VIII
    Preț: 7509 lei
  • The Winter's Tale
    Preț: 8103 lei
  • 19% The Sonnets
    Preț: 49282 lei
  • The Second Part of King Henry VI
    Preț: 7808 lei
  • Coriolanus
    Preț: 8299 lei
  • 19% Timon of Athens
    Preț: 48935 lei
  • King Edward III
    Preț: 7667 lei
  • King Henry V
    Preț: 7808 lei
  • The First Part of King Henry VI
    Preț: 7610 lei

Preț: 7313 lei

Puncte Express: 110
Preț estimativ în valută:
1292€ • 1498$ • 1127£

Carte disponibilă

Livrare economică 24 aprilie-08 mai
Livrare express 09-15 aprilie pentru 3678 lei

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă

Specificații

ISBN-13: 9781107565463
ISBN-10: 1107565464
Pagini: 194
Ilustrații: 20 b/w illus.
Dimensiuni: 152 x 228 x 9 mm
Greutate: 0.32 kg
Ediția:3Revizuită
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria The New Cambridge Shakespeare

Locul publicării:New York, United States

Cuprins

Preface to the first edition; Preface; Abbreviations and conventions; Introduction Penny Gay; Note on the text; List of characters; The play; Textual analysis; Reading list.

Notă biografică

Keir Elam is a Professor of English Literature at the University of Bologna, where he is Head of the Department of Modern Languages.

Descriere

The third New Cambridge edition of Shakespeare's Twelfth Night, updated by Penny Gay for the contemporary student reader.

Textul de pe ultima copertă

Twelfth Night has seldom been off the stage since Shakespeare's day. It has been performed for its romantic high comedy and its boisterous low comedy; with an emphasis on farce or on autumnal melancholy; as straightforward celebration of heterosexual love and marriage or as exploration of the complexity of gender. David Carnegie and Mark Houlahan's introduction to the play provides a lively discussion of the play's performance history, and encourages readers to think about stagecraft and the play as a performance text, while the historical appendices provide materials that illuminate different thematic elements of the play. Extended notes interleaved throughout the play present relevant illustrations and expand on mythological, historical, and religious references in the play. The accompanying online text will offer additional commentary on staging alternatives and more extensive visual materials.

Recenzii

Gayle Gaskill offers appropriate tribute to G.L. Kittredge by updating his classic edition with a mastery, thoroughness, and verve worthy of the original. This excellent edition is marked by impeccable scholarship that everywhere displays careful attention to detail and keen sensitivity to the needs of modern readers.

—John W. Mahon, Co-Editor, The Shakespeare Newsletter, and Professor of English, Iona College.

Even as the New Kittredge Shakespeare series glances back to George Lyman Kittredge's student editions of the plays, it is very much of our current moment: the slim editions are targeted largely at high school and first-year college students who are more versed in visual than in print culture. Not only are the texts of the plays accompanied by photographs or stills from various stage and cinema performances: the editorial contributions are performance-oriented, offering surveys of contemporary film interpretations, essays on the plays as performance pieces, and an annotated filmography. Traditional editorial issues (competing versions of the text, cruxes, editorial emendation history) are for the most part excluded; the editions focus instead on clarifying the text with an eye to performing it. There is no disputing the pedagogic usefulness of the New Kittredge Shakespeare's performance-oriented approach. At times, however, it can run the risk of treating textual issues as impediments, rather than partners, to issues of performance. This is particularly the case with a textually vexed play such as Pericles: Prince of Tyre. In the introduction to the latter, Jeffrey Kahan notes the frequent unintelligibility of the play as originally published: "the chances of a reconstructed text matching what Shakespeare actually wrote are about 'nil'" (p. xiii) But his solution — to use a "traditional text" rather than one corrected as are the Oxford and Norton Pericles — obscures how this "traditional text," including its act and scene division, is itself a palimpsest produced through three centuries of editorial intervention. Nevertheless, the series does a service to its target audience with its emphasis on performance and dramaturgy. Kahan's own essay about his experiences as dramaturge for a college production of Pericles is very good indeed, particularly on the play's inability to purge the trace of incestuous desire that Pericles first encounters in Antioch. Other plays' cinematic histories: Annalisa Castaldo's edition of Henry V contrasts Laurence Oliver's and Branagh's film productions; Samuel Crowl's and James Wells's edition of (respectively) I and 2 Henry IV concentrate on Welle's Chimes at Midnight and Gus Van Sant's My Own Private Idaho; Patricia Lennox's edition of As You Like It offers an overview of four Hollywood and British film adaptations; and John R. Ford's edition of A Midsummer Night's Dream provides a spirited survey of the play's rich film history.
The differences between, and comparative merits of, various editorial series are suggested by the three editions of The Taming of the Shrew published this year. Laury Magnus's New Kittredge Shakespeare edition is, like the other New Kittredge volumes, a workable text for high school and first year college students interested in film and theater. The introduction elaborates on one theme — Elizabethan constructions of gender — and offers a very broad performance history, focusing on Sam Taylor's and Zeffirelli's film versions as well as adaptations such as Kiss Me Kate and Ten Things I Hate About You (accompanied by a still of ten hearthtrobs Heath Ledger and Julia Stiles). The volume is determined to eradicate any confusion that a first time reader of the play might experience: the dramatis personae page explains that "Bianca Minola" is "younger daughter to Baptista, wooed by Lucentio-in-disguise (as Cambio) and then wife to him, also wooed by the elderly Gremio and Hortensio-in-disguise (as Licio)" (p.1). Other editorial notes, based on Kittredge's own, are confined mostly to explaining individual words and phrases: additional footnotes discuss interpretive choices made by film and stage productions. Throughout, the editorial emphasis is on the play less as text than as performance piece, culminating in fifteen largely performance-oriented "study questions" on topics such as disguise, misogyny, and violence.
Studies in English Literature, Tudor and Stuart Drama, Volume 51, Spring 2011, Number 2, pages 497-499.

“Gayle Gaskill offers appropriate tribute to G.L. Kittredge by updating his classic tradition with a mastery, thoroughness, and verve worthy of the original. This excellent edition is marked by impeccable scholarship that everywhere displays careful attention to detail and keen sensitivity to the needs of modern readers.” —John W. Mahon, Co-Editor, The Shakespearean Newsletter and Professor of English, Iona College
George Lyman Kittredge’s insightful editions of Shakespeare have endured in part because of this eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials.
These plays are being made available by Focus Publishing with the permission of the Kittredge heirs.
Gayle Gaskill is professor of English at St. Catherine University in St. Paul, Minnesota. She has contributed articles to Who Hears in Shakespeare?: Auditory Worlds on Stage and Screen (Fairleigh Dickinson 2012), The Merchant of Venice: Critical Essays (Routledge 2002), The Shakespeare Newsletter, and the Greenwood Companion to Shakespeare. Her reviews have appeared in Renaissance Quarterly and Cahiers Élisabéthains.