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The King in Yellow

Autor Robert W. Chambers
en Limba Engleză Paperback – 31 dec 2009
The central cycle of macabre stories, set in a then-future 1920's Paris and America, center on a fictitious play "The King in Yellow" the reading of which drives one mad. The color yellow was an evocative element of the decadent movement-typified by the notorious literary journal The Yellow Book and Charlotte Perkins Gilman's short story "The Yellow Wallpaper." Chambers work bridges the gap between the decadent literature of the 19th century and the fantastic pulp fiction of the twentieth. Chambers can be viewed as a direct pre-cursor to H.P. Lovecraft and his particular style of fantastic horror. Lovecraft first read The King in Yellow in the late 1920's. The stories were highly influential on the younger writer-later incorporating references to them in his own works such as "The Call of Cthulhu" and his "History of the Necronomicon."
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Specificații

ISBN-13: 9781608640195
ISBN-10: 1608640191
Pagini: 250
Dimensiuni: 140 x 216 x 14 mm
Greutate: 0.32 kg
Editura: Rebel Satori Press

Descriere

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With its strange, imaginative blend of horror, science fiction, romance and lyrical prose, Robert W. Chambers' The King in Yellow is a classic masterpiece of weird fiction.


Notă biografică

Robert W. Chambers (1865-1933) is a minor figure in the American literary canon proper - he spent most of his long career writing popular romance and adventure fiction that sold well but is now largely forgotten - yet he holds an outsized and well-documented place in the history of weird and horror fiction on the strength of a single early book. The King in Yellow (1895), a linked story collection built around a fictional, forbidden play that drives its readers mad, directly influenced H. P. Lovecraft, who borrowed Chambers's invented god Hastur and the symbol of the Yellow Sign into his own mythos, and through that lineage Chambers's imagery has traveled far beyond what his own later career would suggest. The inclusion case here is not about representation but about a genre canon habitually underweighted on general-fiction shelves: cosmic horror and weird fiction trace a direct, documentable line from Poe through Chambers to Lovecraft and onward, and that lineage is incomplete without its middle link. Chambers is also a case study in how a writer can be simultaneously canonical to a genre and near-invisible to the literary mainstream - worth noting for any collection trying to represent horror's history rather than only its most famous names. Contemporary readers reliably rediscover The King in Yellow through pop culture: the HBO series True Detective (2014) named-checked its Carcosa and the Yellow Sign directly, sending a new generation of readers back to the 1895 source, and the book still unsettles on its own terms - atmospheric, fragmentary, more interested in dread than explanation. This Clearview Editions large-print printing - 18-point Atkinson Hyperlegible Next, ragged-right, no word-division - lets low-vision and aging horror readers follow that thread back to its origin without strain.