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The King in Yellow

Autor Robert W. Chambers Design de Sarah Kassem Editat de Dennis Mombauer
en Limba Engleză Paperback
Novelle - Library of Experimentalism presents: "Robert W. Chambers' King in Yellow stories are among the few and most laudable eruptions by an American of the Decadent movement that flourished in England during the 1890s. One laments there were not more of such works." Thomas Ligotti - author of "Teatro Grottesco" THE KING IN YELLOW is a work of supernatural fiction that has influenced much and many, from Lovecraft to Nic Pizzolatto's True Detective. First published in 1895, the book is a collection of short stories: but of the ten stories included, only four actually revolve around THE KING IN YELLOW, that unearthly play which is "the very supreme essence of art", and whose second act undoes the minds of its readers. The present collection features only these essential four stories, the original source for all subsequent tales about THE KING IN YELLOW: the core of this fascinating and undying myth that Robert W. Chambers has brought into being more than a hundred years ago. "This is the thing that troubles me, for I cannot forget Carcosa where black stars hang in the heavens; where the shadows of men's thoughts lengthen in the afternoon, when the twin suns sink into the lake of Hali; and my mind will bear for ever the memory of the Pallid Mask."
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Specificații

ISBN-13: 9781533334329
ISBN-10: 1533334323
Pagini: 94
Dimensiuni: 152 x 229 x 6 mm
Greutate: 0.19 kg

Descriere

Descriere de la o altă ediție sau format:

With its strange, imaginative blend of horror, science fiction, romance and lyrical prose, Robert W. Chambers' The King in Yellow is a classic masterpiece of weird fiction.


Notă biografică

Robert W. Chambers (1865-1933) is a minor figure in the American literary canon proper - he spent most of his long career writing popular romance and adventure fiction that sold well but is now largely forgotten - yet he holds an outsized and well-documented place in the history of weird and horror fiction on the strength of a single early book. The King in Yellow (1895), a linked story collection built around a fictional, forbidden play that drives its readers mad, directly influenced H. P. Lovecraft, who borrowed Chambers's invented god Hastur and the symbol of the Yellow Sign into his own mythos, and through that lineage Chambers's imagery has traveled far beyond what his own later career would suggest. The inclusion case here is not about representation but about a genre canon habitually underweighted on general-fiction shelves: cosmic horror and weird fiction trace a direct, documentable line from Poe through Chambers to Lovecraft and onward, and that lineage is incomplete without its middle link. Chambers is also a case study in how a writer can be simultaneously canonical to a genre and near-invisible to the literary mainstream - worth noting for any collection trying to represent horror's history rather than only its most famous names. Contemporary readers reliably rediscover The King in Yellow through pop culture: the HBO series True Detective (2014) named-checked its Carcosa and the Yellow Sign directly, sending a new generation of readers back to the 1895 source, and the book still unsettles on its own terms - atmospheric, fragmentary, more interested in dread than explanation. This Clearview Editions large-print printing - 18-point Atkinson Hyperlegible Next, ragged-right, no word-division - lets low-vision and aging horror readers follow that thread back to its origin without strain.