The King in Yellow
Autor Robert W. Chambers Ilustrat de Luke Spooneren Limba Engleză Paperback – 8 mar 2017
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Specificații
ISBN-13: 9780983001973
ISBN-10: 0983001979
Pagini: 232
Dimensiuni: 154 x 230 x 22 mm
Greutate: 0.36 kg
Editura: Amazon Digital Services LLC - Kdp
ISBN-10: 0983001979
Pagini: 232
Dimensiuni: 154 x 230 x 22 mm
Greutate: 0.36 kg
Editura: Amazon Digital Services LLC - Kdp
Descriere
Descriere de la o altă ediție sau format:
With its strange, imaginative blend of horror, science fiction, romance and lyrical prose, Robert W. Chambers' The King in Yellow is a classic masterpiece of weird fiction.
Notă biografică
Robert W. Chambers (1865-1933) is a minor figure in the American literary canon proper - he spent most of his long career writing popular romance and adventure fiction that sold well but is now largely forgotten - yet he holds an outsized and well-documented place in the history of weird and horror fiction on the strength of a single early book. The King in Yellow (1895), a linked story collection built around a fictional, forbidden play that drives its readers mad, directly influenced H. P. Lovecraft, who borrowed Chambers's invented god Hastur and the symbol of the Yellow Sign into his own mythos, and through that lineage Chambers's imagery has traveled far beyond what his own later career would suggest. The inclusion case here is not about representation but about a genre canon habitually underweighted on general-fiction shelves: cosmic horror and weird fiction trace a direct, documentable line from Poe through Chambers to Lovecraft and onward, and that lineage is incomplete without its middle link. Chambers is also a case study in how a writer can be simultaneously canonical to a genre and near-invisible to the literary mainstream - worth noting for any collection trying to represent horror's history rather than only its most famous names. Contemporary readers reliably rediscover The King in Yellow through pop culture: the HBO series True Detective (2014) named-checked its Carcosa and the Yellow Sign directly, sending a new generation of readers back to the 1895 source, and the book still unsettles on its own terms - atmospheric, fragmentary, more interested in dread than explanation. This Clearview Editions large-print printing - 18-point Atkinson Hyperlegible Next, ragged-right, no word-division - lets low-vision and aging horror readers follow that thread back to its origin without strain.