Tempest
Autor William Shakespeareen Limba Engleză Paperback – 22 apr 2022
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Specificații
ISBN-13: 9789394973473
ISBN-10: 9394973478
Pagini: 96
Dimensiuni: 140 x 216 x 7 mm
Greutate: 0.12 kg
Editura: DOUBLE 9 BOOKSLLP
ISBN-10: 9394973478
Pagini: 96
Dimensiuni: 140 x 216 x 7 mm
Greutate: 0.12 kg
Editura: DOUBLE 9 BOOKSLLP
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Descriere
Descriere de la o altă ediție sau format:
'How beauteous mankind is! O brave new worldThat has such people in't!'Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare's genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright's most penetrating statement about his art.The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
'How beauteous mankind is! O brave new worldThat has such people in't!'Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare's genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright's most penetrating statement about his art.The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Notă biografică
William Shakespeare (bapt. 26 April 1564 - 23 April 1616) was an English playwright, poet, and actor, widely regarded as the greatest writer in the English language and the world's greatest dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, two long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. They also continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. At age 49 (around 1613), he appears to have retired to Stratford, where he died three years later. Few records of Shakespeare's private life survive; this has stimulated considerable speculation about such matters as his physical appearance, his sexuality, his religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known works between 1589 and 1613.His early plays were primarily comedies and histories and are regarded as some of the best work produced in these genres. Until about 1608, he wrote mainly tragedies, among them Hamlet, Romeo and Juliet, Othello, King Lear, and Macbeth, all considered to be among the finest works in the English language. In the last phase of his life, he wrote tragicomedies (also known as romances) and collaborated with other playwrights. Many of Shakespeare's plays were published in editions of varying quality and accuracy in his lifetime. However, in 1623, two fellow actors and friends of Shakespeare's, John Heminges and Henry Condell, published a more definitive text known as the First Folio, a posthumous collected edition of Shakespeare's dramatic works that included all but two of his plays. The volume was prefaced with a poem by Ben Jonson, in which Jonson presciently hails Shakespeare in a now-famous quote as "not of an age, but for all time".
Recenzii
The world that William Shakespeare creates in The Tempest has many features that make it recognizably like our own. There are bad, self-seeking people; brothers fall out with brothers; people who have power are reluctant to give it up; people fall in love; children love their fathers but want to break free. But there is also a fairy-spirit, music in the very air of the island, and a powerful magician who can command the elements and even, he tells us, bring the dead back to life. Combining reality and magic, Shakespeare creates an uncanny but morally coherent world.
This edition features interleaved materials that expand upon allusions in the play and explore elements of its stagecraft. Appendices offer excerpts from Shakespeare’s key sources and inspirations, along with historical materials on exploration and colonialism.
“I heartily welcome this new edition of The Tempest. In their introduction, the editors offer a deftly balanced, deeply nuanced interpretation of the play. While fully explicating its historical context, sources, and afterlife, the editors engage deeply with the play’s ethical ambiguities. They reveal The Tempest as a canonical play that speaks powerfully to today’s social concerns about justice, memory, revenge, service, freedom, and power. As the editors put it beautifully, ‘it is a quality of great works of art that they—unlike the people who make them—grow younger, stronger, more various, and more influential as they grow older.’ Long may it be so.” — Gail Kern Paster, Director Emerita, Folger Shakespeare Library
“This stellar edition of The Tempest does an excellent job of situating the play in its historical contexts. A splendid introduction and a well-chosen set of secondary materials will give students and teachers alike a clear entry point into the play’s noted interests in political and ethical questions posed by colonial conquest and other forms of usurpation. The vivid illustrations and longer notes interspersed throughout the playtext itself offer the reader an experience unique to this edition, beautifully illuminating the importance of visual art and staged image to The Tempest, Shakespeare’s most spectacular play.” — Adam Zucker, University of Massachusetts Amherst
“Despite there being many fine editions of this play, past and present, this one is a good choice for both the classroom and the study, and one that scholars should consult when considering editing, interpreting, or teaching The Tempest, a play that has been a favourite of many… Bernard and Yachnin have produced a balanced, measured, thoughtful, scholarly, clear, and well-considered edition, and they and their publisher are to be commended.” — Jonathan Locke Hart, Renaissance and Reformation
This edition features interleaved materials that expand upon allusions in the play and explore elements of its stagecraft. Appendices offer excerpts from Shakespeare’s key sources and inspirations, along with historical materials on exploration and colonialism.
“I heartily welcome this new edition of The Tempest. In their introduction, the editors offer a deftly balanced, deeply nuanced interpretation of the play. While fully explicating its historical context, sources, and afterlife, the editors engage deeply with the play’s ethical ambiguities. They reveal The Tempest as a canonical play that speaks powerfully to today’s social concerns about justice, memory, revenge, service, freedom, and power. As the editors put it beautifully, ‘it is a quality of great works of art that they—unlike the people who make them—grow younger, stronger, more various, and more influential as they grow older.’ Long may it be so.” — Gail Kern Paster, Director Emerita, Folger Shakespeare Library
“This stellar edition of The Tempest does an excellent job of situating the play in its historical contexts. A splendid introduction and a well-chosen set of secondary materials will give students and teachers alike a clear entry point into the play’s noted interests in political and ethical questions posed by colonial conquest and other forms of usurpation. The vivid illustrations and longer notes interspersed throughout the playtext itself offer the reader an experience unique to this edition, beautifully illuminating the importance of visual art and staged image to The Tempest, Shakespeare’s most spectacular play.” — Adam Zucker, University of Massachusetts Amherst
“Despite there being many fine editions of this play, past and present, this one is a good choice for both the classroom and the study, and one that scholars should consult when considering editing, interpreting, or teaching The Tempest, a play that has been a favourite of many… Bernard and Yachnin have produced a balanced, measured, thoughtful, scholarly, clear, and well-considered edition, and they and their publisher are to be commended.” — Jonathan Locke Hart, Renaissance and Reformation
Cuprins
Acknowledgements
Introduction
Shakespeare’s Life
Shakespeare’s Theater
William Shakespeare and The Tempest: A Brief Chronology
A Note on the Text
The Tempest
Appendix A
From Aristotle, Politics (fourth century BCE)
Appendix B
From Ovid, Metamorphoses (8 CE)
Appendix C
From Juan Ginés de Sepúlveda, The Second Democrate; or, The Just Causes of the War against the Indians (1547)
Appendix D
From Bartolomé de las Casas, A Short Account of the Destruction of the Indies (1552)
Appendix E
From Michel de Montaigne, “Of the Cannibals” (1578–80)
Appendix F
From William Strachey, A True Reportory of the Wracke (1610)
Appendix G
From John Dryden and William Davenant, The Tempest; or, The Enchanted Island (1670)
Works Cited and Select Bibliography
Introduction
Shakespeare’s Life
Shakespeare’s Theater
William Shakespeare and The Tempest: A Brief Chronology
A Note on the Text
The Tempest
Appendix A
From Aristotle, Politics (fourth century BCE)
Appendix B
From Ovid, Metamorphoses (8 CE)
Appendix C
From Juan Ginés de Sepúlveda, The Second Democrate; or, The Just Causes of the War against the Indians (1547)
Appendix D
From Bartolomé de las Casas, A Short Account of the Destruction of the Indies (1552)
Appendix E
From Michel de Montaigne, “Of the Cannibals” (1578–80)
Appendix F
From William Strachey, A True Reportory of the Wracke (1610)
Appendix G
From John Dryden and William Davenant, The Tempest; or, The Enchanted Island (1670)
Works Cited and Select Bibliography
Caracteristici
This is the first edition of The Tempest to be developed by and for the RSC, the world's leading Shakespeare theatre company and it includes unique material to help the reader understand and enjoy Shakespeare on the stage as well as on the page
Illustrated with photographs of classic and unusual performances
Outstanding on-page notes which explain words and phrases unfamiliar to a modern audience, including the slang, political references and bawdy humour often ignored or censored in competing editions
Includes scene-by-scene summary, offering an easily understandable way into the play
Completely new introduction by Jonathan Bate, exploring the text and critical debates around it
Summary of the play's performance history at the RSC and elsewhere
Interviews with important Shakespearean directors Peter Brook, Sam Mendes and Rupert Goold discussing key productions at the RSC
Illustrated with photographs of classic and unusual performances
Outstanding on-page notes which explain words and phrases unfamiliar to a modern audience, including the slang, political references and bawdy humour often ignored or censored in competing editions
Includes scene-by-scene summary, offering an easily understandable way into the play
Completely new introduction by Jonathan Bate, exploring the text and critical debates around it
Summary of the play's performance history at the RSC and elsewhere
Interviews with important Shakespearean directors Peter Brook, Sam Mendes and Rupert Goold discussing key productions at the RSC