Name: Shakespeare Survey
Price: 340.8 RON
Availability: OnlineOnly
Author: Peter Holland
ISBN: 9781316611869

Shakespeare Survey

Peter Holland

Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies, and of the year's major British performances. The theme for volume 62 is 'Close Encounters with Shakespeare's Text'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully-searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.

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Cuprins

1. Shakespeare, text and paratext Sonia Massai; 2. The popularity of Shakespeare in print Lukas Erne; 3. The continuing importance of new bibliographical method Paul Werstine; 4. 'Honour the real thing': Shakespeare, trauma and Titus Andronicus in South Africa Catherine Silverstone; 5. 'O, these encounterers': on Shakespeare's meetings and partings David Hillman; 6. A play of modals: grammar and potential action in early Shakespeare Lynne Magnusson; 7. Merry, Marry, Mary: Shakespearean word-play and Twelfth Night Thomas Rist; 8. A subtle point: sleeves, tents, and 'Ariachne's broken woof' (again) Hester Lees-Jeffries; 9. The look of Othello Michael Neill; 10. Red button Shakespeare Rob Conkie; 11. 'Mark you/His absolute shall?': multitudinous tongues and contested words in Coriolanus Alysia Kolentsis; 12. Chagall's Tempest: an autobiographical reading Hanna Scolnicov; 13. Reading illustrated editions: methodology and the limits of interpretation Stuart Sillars; 14. Close encounters with Anne Brontë's Shakespeare Paul Edmondson; 15. Shakespeare and the magic lantern Judith Buchanan; 16. Shakespeare and the coconuts: close encounters in post-apartheid South Africa Natasha Distiller; 17. The Schrödinger effect: reading and misreading performance Andrew James Hartley; 18. Behind the scenes Robert Shaughnessy; 19. Inner monologues: realist acting and/as Shakespearean performance text Roberta Barker; 20. More Japanized, casual and transgender Shakespeares Shoichiro Kawai; 21. Translation futures: are Shakespeareans in search of the foreign text? Ton Hoenselaars; 22. After translation Yong Li Lan; 23. 'The single and peculiar life': Hamlet's heart and the early modern subject Graham Holderness; 24. Mapping King Lear Robert B. Pierce; 25. 'Last on the stage': the place of Shakespeare in Charles Darwin's ethology Reiko Oya; 26. Sense/memory/sense-memory: reading narratives of Shakespearean rehearsals Cary M. Mazer; Shakespeare performances in England, 2008 Carol Chillington Rutter; Professional Shakespeare productions in the British Isles, January-December 2007 James Shaw; The year's contribution to Shakespeare studies: 1. Critical studies reviewed by Julie Sanders; 2. Shakespeare in performance reviewed by Emma Smith; 3. Editions and textual studies reviewed by (a) Eric Rasmussen (b) Peter Holland.

Recenzii

'Tiffany Stern's essay, 'Sermons, Plays and Note-Takers: Hamlet Q1 as a 'Noted' Text', reads like an especially well-written and deftly plotted mystery novel. Taking as her subject the so-called 'bad quarto' of Hamlet, Stern leads the reader through a thoroughly documented and totally compelling rethinking of Q1's origins. [She] persuasively argues that this text is the product of a note-taking scribal audience who employed contemporary notational habits to produce a 'pirated' text for publication … [She] brings to life a new world of early modern performance through descriptions and details that offer many small openings onto the textual culture of the period … this essay not only offers a significant reassessment of Hamlet Q1, but also makes a claim for the cultural importance of note-taking practices in the early modern period more generally.' Medieval and Renaissance Drama Society