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Romola de George Eliot

Romola

Autor George Eliot
en Limba Engleză Paperback – 30 oct 2018

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Renaissance Florence. Ending of the 15th Century - beginning of the 16th. A space where people like Girolamo Savonarola, Niccolo Machiavelli and the Medicis are the everyday pawns of an ongoing and complicated reality. Politics handled with ability and shrewdness, religion used for political ends and social movements are displayed with great talent in the background, while in the first plan we witness together with the omniscient author the path of an individual to fame brought by corruption and treachery.

In this context of great actuality, the main character, Romola, with a majestic stature and the countenance of a Goddess, experiences love and disappointment and copes with all the good and bad coming her way with the strength of a superior character.

Tito, a young Greek whose handsomeness is striking, has to face the consequences of a choice that is morally wrong and instead of trying to get redemption, he convinces himself that what he chose was the right thing, the thing that anyone in his right mind would have done. His secret pushes him to lie further and further and get deeply immersed in a world of corruption, lies and treachery.

Romola, the wife he chose because he thought he loved her at the beginning when his morality was still intact, has an integrity and moral strength that is a constant reminder to him of what he has done wrong.

And, because he would rather appear flawless in the eyes of the community and attempt to get higher and higher in social status, he prefers to never confess to his wife the truth of his shallow choice from the past and creates a wall between them, adding a stone to it with every new deed. He is a Dorian of Florence, but the flawless attractive version looking in the mirror, and his only real reflection is in Romola's consciousness while discovering that he is not what he pretends to be.

He avoids the past with fierceness, he runs from it, but he cannot get rid of it as the past follows him like his own shadow. The person whom he has wronged most and keeps on morally hurting, becomes his biggest enemy.

He pulls the political strings in his favor continually and although he is really skilled at that he ends up his efforts in an unexpected way. His other wife, a young cherubic and innocent blue-eyed "Contadina" with his two children are saved by Romola whose superiority of character is once again proved this way. The ending, the story she tells to Tito's little son, Lillo, is the advice no one has ever given to Tito and it makes us wonder if his son will be the same as Tito was (pursuing the pleasure) or if he will listen to Romola's advice.

Romola marks a significant shift in George Eliot's career.

An amazingly well written book and Eliot crafts a fascinating, first-rate historical fiction plot based in Florence, Italy, from the death of Lorenzo de' Medici (in 1492), through the time of Savonarola's influence, and culminating in an epilogue placed in 1509.

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Specificații

ISBN-13: 9781731701480
ISBN-10: 1731701489
Pagini: 708
Dimensiuni: 152 x 229 x 41 mm
Greutate: 1.13 kg
Editura: Simon & Brown

Notă biografică

Mary Anne Evans (22 November 1819 - 22 December 1880; alternatively Mary Ann or Marian), known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. She wrote seven novels, including Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862-63), Middlemarch (1871-72), and Daniel Deronda (1876), most of which are set in provincial England and known for their realism and psychological insight. Although female authors were published under their own names during her lifetime, she wanted to escape the stereotype of women's writing being limited to lighthearted romances. She also wanted to have her fiction judged separately from her already extensive and widely known work as an editor and critic. Another factor in her use of a pen name may have been a desire to shield her private life from public scrutiny, thus avoiding the scandal that would have arisen because of her relationship with the married George Henry Lewes.

Descriere

Descriere de la o altă ediție sau format:
The most exotic of George Eliot’s works, Romola recounts the story of the famous religious leader Savonarola in Florence at the time of Machiavelli and the Medicis. Of all her novels, this was the author’s favourite.
No other Eliot novel was illustrated in its first edition. Romola, however, was sought by George Smith for serialization in the prestigious illustrated Cornhill Magazine. Smith commissioned illustrations for the novel from the rising young artist Frederick Leighton, who had studied in Florence in the 1840s and had frequently painted Florentine Renaissance subjects. Romola was serialised with the Leighton illustrations in the magazine from July 1862 to August 1863. It was first published in book form in 1863; the first edition was published by Smith, Elder in three volumes, and a one-volume edition in two-column format with all but one of the Leighton illustrations was published later that year by Harper & Brothers in the United States. This facsimile reprint is of the one-volume 1863 Harper & Brothers edition, and includes 8 pages of original advertisements from the back of the book.
This is one of a series from Broadview Press of facsimile reprint editions—editions that provide readers with a direct sense of these works as the Victorians themselves experienced them.

Recenzii

The most exotic of George Eliot’s works, Romola recounts the story of the famous religious leader Savonarola in Florence at the time of Machiavelli and the Medicis. Of all her novels, this was the author’s favourite.
No other Eliot novel was illustrated in its first edition. Romola, however, was sought by George Smith for serialization in the prestigious illustrated Cornhill Magazine. Smith commissioned illustrations for the novel from the rising young artist Frederick Leighton, who had studied in Florence in the 1840s and had frequently painted Florentine Renaissance subjects. Romola was serialised with the Leighton illustrations in the magazine from July 1862 to August 1863. It was first published in book form in 1863; the first edition was published by Smith, Elder in three volumes, and a one-volume edition in two-column format with all but one of the Leighton illustrations was published later that year by Harper & Brothers in the United States. This facsimile reprint is of the one-volume 1863 Harper & Brothers edition, and includes 8 pages of original advertisements from the back of the book.
This is one of a series from Broadview Press of facsimile reprint editions—editions that provide readers with a direct sense of these works as the Victorians themselves experienced them.