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Romola de George Eliot

Romola

Autor George Eliot
en Limba Engleză Paperback
More than three centuries and a half ago, in the mid spring-time of 1492, we are sure that the angel of the dawn, as he travelled with broad slow wing from the Levant to the Pillars of Hercules, and from the summits of the Caucasus across all the snowy Alpine ridges to the dark nakedness of the Western isles, saw nearly the same outline of firm land and unstable sea-saw the same great mountain shadows on the same valleys as he has seen to-day-saw olive mounts, and pine forests, and the broad plains green with young corn or rain-freshened grass-saw the domes and spires of cities rising by the river-sides or mingled with the sedge-like masts on the many-curved sea-coast, in the same spots where they rise to-day.
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Specificații

ISBN-13: 9781517365622
ISBN-10: 1517365627
Pagini: 188
Dimensiuni: 216 x 279 x 10 mm
Greutate: 0.45 kg
Editura: CREATESPACE

Notă biografică

Mary Anne Evans (22 November 1819 - 22 December 1880; alternatively Mary Ann or Marian), known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. She wrote seven novels, including Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862-63), Middlemarch (1871-72), and Daniel Deronda (1876), most of which are set in provincial England and known for their realism and psychological insight. Although female authors were published under their own names during her lifetime, she wanted to escape the stereotype of women's writing being limited to lighthearted romances. She also wanted to have her fiction judged separately from her already extensive and widely known work as an editor and critic. Another factor in her use of a pen name may have been a desire to shield her private life from public scrutiny, thus avoiding the scandal that would have arisen because of her relationship with the married George Henry Lewes.

Descriere

Descriere de la o altă ediție sau format:
The most exotic of George Eliot’s works, Romola recounts the story of the famous religious leader Savonarola in Florence at the time of Machiavelli and the Medicis. Of all her novels, this was the author’s favourite.
No other Eliot novel was illustrated in its first edition. Romola, however, was sought by George Smith for serialization in the prestigious illustrated Cornhill Magazine. Smith commissioned illustrations for the novel from the rising young artist Frederick Leighton, who had studied in Florence in the 1840s and had frequently painted Florentine Renaissance subjects. Romola was serialised with the Leighton illustrations in the magazine from July 1862 to August 1863. It was first published in book form in 1863; the first edition was published by Smith, Elder in three volumes, and a one-volume edition in two-column format with all but one of the Leighton illustrations was published later that year by Harper & Brothers in the United States. This facsimile reprint is of the one-volume 1863 Harper & Brothers edition, and includes 8 pages of original advertisements from the back of the book.
This is one of a series from Broadview Press of facsimile reprint editions—editions that provide readers with a direct sense of these works as the Victorians themselves experienced them.

Recenzii

The most exotic of George Eliot’s works, Romola recounts the story of the famous religious leader Savonarola in Florence at the time of Machiavelli and the Medicis. Of all her novels, this was the author’s favourite.
No other Eliot novel was illustrated in its first edition. Romola, however, was sought by George Smith for serialization in the prestigious illustrated Cornhill Magazine. Smith commissioned illustrations for the novel from the rising young artist Frederick Leighton, who had studied in Florence in the 1840s and had frequently painted Florentine Renaissance subjects. Romola was serialised with the Leighton illustrations in the magazine from July 1862 to August 1863. It was first published in book form in 1863; the first edition was published by Smith, Elder in three volumes, and a one-volume edition in two-column format with all but one of the Leighton illustrations was published later that year by Harper & Brothers in the United States. This facsimile reprint is of the one-volume 1863 Harper & Brothers edition, and includes 8 pages of original advertisements from the back of the book.
This is one of a series from Broadview Press of facsimile reprint editions—editions that provide readers with a direct sense of these works as the Victorians themselves experienced them.