Othello: A Broadview Internet Shakespeare Edition
Autor William Shakespeare Editat de Jessica Slightsen Limba Engleză Paperback – 4 oct 2017
This edition features a variety of interleaved materials—from maps and manuscripts to illustrations and extended discussions of myth and politics—that provide a context for the social and cultural allusions in the play. Appendices offer excerpts from Shakespeare’s key sources and historical materials on marriage, jealousy, and the treatment of people of African descent in Renaissance England.
A collaboration between Broadview Press and the Internet Shakespeare Editions project at the University of Victoria, the editions developed for this series have been comprehensively annotated and draw on the authoritative texts newly edited for the ISE. This innovative series allows readers to access extensive and reliable online resources linked to the print edition.
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Specificații
ISBN-13: 9781554813261
ISBN-10: 1554813263
Pagini: 360
Ilustrații: 25 illustrations
Dimensiuni: 140 x 216 x 17 mm
Greutate: 0.67 kg
Editura: BROADVIEW PR
Colecția Broadview Press
Locul publicării:Peterborough, Canada
ISBN-10: 1554813263
Pagini: 360
Ilustrații: 25 illustrations
Dimensiuni: 140 x 216 x 17 mm
Greutate: 0.67 kg
Editura: BROADVIEW PR
Colecția Broadview Press
Locul publicării:Peterborough, Canada
Recenzii
Although other Shakespeare plays offer higher body counts, more gore, and more plentiful scenes of heartbreak, Othello packs an unusually powerful affective punch, stunning us with its depiction of the swiftness and thoroughness with which love can be converted to hatred, and forcing us to confront our complicity with social and political institutions that can put all of us—but especially the most vulnerable among us—at risk.
This edition features a variety of interleaved materials—from maps and manuscripts to illustrations and extended discussions of myth and politics—that provide a context for the social and cultural allusions in the play. Appendices offer excerpts from Shakespeare’s key sources and historical materials on marriage, jealousy, and the treatment of people of African descent in Renaissance England.
A collaboration between Broadview Press and the Internet Shakespeare Editions project at the University of Victoria, the editions developed for this series have been comprehensively annotated and draw on the authoritative texts newly edited for the ISE. This innovative series allows readers to access extensive and reliable online resources linked to the print edition.
“The Tragedy of Othello, the Moor of Venice has found here its ideal edition for our times. In addition to Jessica Slight’s unfussy and accessible text, the Broadview/Internet Shakespeare Edition offers an up-to-date selection of images, sources, analogs, and historical readings, many of them not seen before in connection with Othello. Race, ethnicity, sexuality, religion, household governance, and early modern psychology receive broad and deep attention, inviting readers to encounter Shakespeare’s play in strikingly contemporary terms.” — Bruce R. Smith, University of Southern California
This edition features a variety of interleaved materials—from maps and manuscripts to illustrations and extended discussions of myth and politics—that provide a context for the social and cultural allusions in the play. Appendices offer excerpts from Shakespeare’s key sources and historical materials on marriage, jealousy, and the treatment of people of African descent in Renaissance England.
A collaboration between Broadview Press and the Internet Shakespeare Editions project at the University of Victoria, the editions developed for this series have been comprehensively annotated and draw on the authoritative texts newly edited for the ISE. This innovative series allows readers to access extensive and reliable online resources linked to the print edition.
“The Tragedy of Othello, the Moor of Venice has found here its ideal edition for our times. In addition to Jessica Slight’s unfussy and accessible text, the Broadview/Internet Shakespeare Edition offers an up-to-date selection of images, sources, analogs, and historical readings, many of them not seen before in connection with Othello. Race, ethnicity, sexuality, religion, household governance, and early modern psychology receive broad and deep attention, inviting readers to encounter Shakespeare’s play in strikingly contemporary terms.” — Bruce R. Smith, University of Southern California
Cuprins
FOREWORD
ACKNOWLEDGEMENTS
INTRODUCTION
SHAKESPEARE’S LIFE
SHAKESPEARE’S THEATER
WILLIAM SHAKESPEARE AND OTHELLO
A BRIEF CHRONOLOGY
THE DATE OF THE PLAY
A NOTE ON THE TEXT
THE TRAGEDY OF OTHELLO, THE MOOR OF VENICE
APPENDIX A: SOURCES AND EARLY ANALOGS
ACKNOWLEDGEMENTS
INTRODUCTION
SHAKESPEARE’S LIFE
SHAKESPEARE’S THEATER
WILLIAM SHAKESPEARE AND OTHELLO
A BRIEF CHRONOLOGY
THE DATE OF THE PLAY
A NOTE ON THE TEXT
THE TRAGEDY OF OTHELLO, THE MOOR OF VENICE
APPENDIX A: SOURCES AND EARLY ANALOGS
- From Cinthio, Gli Heccatommithi (1565)
- From Geoffrey Fenton, Certain Tragical Discourses (1567)
- From George Peele, The Battle of Alcazar (1588–89)
- From Robert Greene, Selimus (1594)
- From William Shakespeare, Titus Andronicus (1594)
- From William Shakespeare, Shakespeare’s Sonnets, Sonnets 57 and 58 (1609)
- From Thomas Coryate, Coryats Crudities (1611)
- From Maurice G. Dowling, Othello Travestie (1836)
- Prayers for Protection against Ottoman Attacks
- a. A form to be used in common prayer (1565)
b. Matthew Parker, Archbishop of Canterbury,A form to be used in common prayer (1566) - Elizabeth I, Letters Permitting Deportation of Blackamoors from England (1596–97)
- a. 11 July 1596
b. 18 July 1596 - From Robert Cleaver, A Godly Form of Household Government for the Ordering of Private Families (1598)
- From Thomas Wright, The Passions of the Mind in General (1604)
- From Ste[phen?] B., Counsel to the Husband: To the Wife Instruction (1608)
- From Nicholas Coeffeteau, “Of Jealousy, Whether it Be an Effect and Sign of Love” (1621)
Textul de pe ultima copertă
One of the greatest of Shakespeare's tragedies, Othello tells the story of a Moorish general in command of the armed forces of Venice who earns the enmity of his ensign Iago by passing him over for a promotion. Partly for revenge and partly out of pure evil, Iago plots to convince Othello that Desdemona, his wife, has been unfaithful to him.
Iago succeeds in his evil aims only too well, for the enraged Othello murders Desdemona. When Othello later learns of her innocence, he takes his own life. Bleak and unsparing, this play offers a stunning portrait of an arch-villain and an astute psychological study of the nature of evil.
Iago succeeds in his evil aims only too well, for the enraged Othello murders Desdemona. When Othello later learns of her innocence, he takes his own life. Bleak and unsparing, this play offers a stunning portrait of an arch-villain and an astute psychological study of the nature of evil.
Notă biografică
William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He was one of eight children born to John Shakespeare, a merchant of some standing in his community. William probably went to the King’s New School in Stratford, but he had no university education. In November 1582, at the age of eighteen, he married Anne Hathaway, eight years his senior, who was pregnant with their first child, Susanna. She was born on May 26, 1583. Twins, a boy, Hamnet ( who would die at age eleven), and a girl, Judith, were born in 1585. By 1592 Shakespeare had gone to London working as an actor and already known as a playwright. A rival dramatist, Robert Greene, referred to him as “an upstart crow, beautified with our feathers.” Shakespeare became a principal shareholder and playwright of the successful acting troupe, the Lord Chamberlain’s Men (later under James I, called the King’s Men). In 1599 the Lord Chamberlain’s Men built and occupied the Globe Theater in Southwark near the Thames River. Here many of Shakespeare’s plays were performed by the most famous actors of his time, including Richard Burbage, Will Kempe, and Robert Armin. In addition to his 37 plays, Shakespeare had a hand in others, including Sir Thomas More and The Two Noble Kinsmen, and he wrote poems, including Venus and Adonis and The Rape of Lucrece. His 154 sonnets were published, probably without his authorization, in 1609. In 1611 or 1612 he gave up his lodgings in London and devoted more and more time to retirement in Stratford, though he continued writing such plays as The Tempest and Henry VII until about 1613. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford. No collected edition of his plays was published during his life-time, but in 1623 two members of his acting company, John Heminges and Henry Condell, put together the great collection now called the First Folio.