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Madame Bovary: Breakfast with Emma: Shared Experience

Autor Gustave Flaubert Adaptat de Fay Weldon
en Limba Engleză Paperback – sep 2004
Emma Bovary and her reviled husband are at breakfast on the morning of Emma’s last day alive. As they bicker, scenes from Emma’s past are called to mind and played out with all the passion for which Flaubert’s novel is famous. Weldon is the author of over 50 books, including Auto da Fay, Big Women and The Life and Loves of a She-Devil.
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Specificații

ISBN-13: 9781854597755
ISBN-10: 1854597752
Pagini: 64
Dimensiuni: 127 x 191 x 8 mm
Greutate: 0.09 kg
Editura: NICK HERN BOOKS
Colecția Nick Hern Books
Seria Shared Experience

Locul publicării:United Kingdom

Descriere

Flaubert's novel adapted for the stage by Fay Weldon, well-known novelist and controversialist.

Textul de pe ultima copertă

The year 1857 propelled Flaubert into the law courts and into celebrity. It was not exactly the kind of celebrity he had wished for. 'Madame Bovary' had appeared serially in 'La Revue de Paris'. Now the imperial prosecutor was attacking the work for being offensive to religion and morality. Not only the seduction scenes, but the episodes dealing with religion and the description of Emma's death, came under direct censure. More than the subject, the general tone of the novel was denounced as immoral: the pervasive eroticism, the poetry of adultery, the so-called 'realism' of the style. Flaubert, excellently defended by his lawyer, was acquitted. The book was published soon after, benefiting from the advance courtroom publicity.

Notă biografică

Gustave Flaubert was born in Rouen in 1821, the son of a distinguished surgeon and a doctor's daughter. After three unhappy years of studying law in Paris, an epileptic attack ushered him into a life of writing. Madame Bovary won instant acclaim upon book publication in 1857, but Flaubert's frank display of adultery in bourgeois France saw him go on trial for immorality, only narrowly escaping conviction. Both Salammbo (1862) and The Sentimental Education (1869) were poorly received, and Flaubert's genius was not publicly recognized until Three Tales (1877). His reputation among his fellow writers, however, was more constant and those who admired him included Turgenev, George Sand, Victor Hugo and Zola. Flaubert's obsession with his art is legendary: he would work for days on a single page, obsessively attuning sentences, seeking always le mot juste in a quest for both beauty and precise observation. His style moved Edmund Wilson to say,'Flaubert, by a single phrase - a notation of some commonplace object - can convey all the poignance of human desire, the pathos of human defeat; his description of some homely scene will close with a dying fall that reminds one of great verse or music.' Flaubert died suddenly in May 1880, leaving his last work, Bouvard and Pécuchet, unfinished.

Recenzii

Mr Moncrieff has succeeded in rendering Madame Bovary in a flowing, modern style while not losing the flavour of Flaubert's French.
It has a perfection that not only stamps it, but that makes it stand almost alone.