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Madame Bovary

De (autor) Traducere de Eleanor Marx-Aveling
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en Limba Engleză Hardback

Marcel Proust praised the "grammatical purity" of Flaubert's style, while Vladimir Nabokov said that "stylistically it is prose doing what poetry is supposed to do." Similarly, in his preface to his novel The Joke, Milan Kundera wrote, "Not until the work of Flaubert did prose lose the stigma of aesthetic inferiority. Ever since Madame Bovary, the art of the novel has been considered equal to the art of poetry." Giorgio de Chirico said that in his opinion "from the narrative point of view, the most perfect book is Madame Bovary by Flaubert."

The publication of Madame Bovary in 1856 was followed by more scandal than admiration; it was not understood at first that this novel was the beginning of something new: the scrupulously truthful portraiture of life. Gradually, this aspect of his genius was accepted, and it began to crowd out all others. At the time of his death he was widely regarded as the most influential French Realist. Under this aspect Flaubert exercised an extraordinary influence over Guy de Maupassant, Edmond de Goncourt, Alphonse Daudet, and Zola. Even after the decline of the Realist school, Flaubert did not lose prestige in the literary community; he continues to appeal to other writers because of his deep commitment to aesthetic principles, his devotion to style, and his indefatigable pursuit of the perfect expression.

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Specificații

ISBN-13: 9781940849508
ISBN-10: 1940849500
Pagini: 272
Dimensiuni: 152 x 229 x 16 mm
Greutate: 0.53 kg

Textul de pe ultima copertă

The year 1857 propelled Flaubert into the law courts and into celebrity. It was not exactly the kind of celebrity he had wished for. 'Madame Bovary' had appeared serially in 'La Revue de Paris'. Now the imperial prosecutor was attacking the work for being offensive to religion and morality. Not only the seduction scenes, but the episodes dealing with religion and the description of Emma's death, came under direct censure. More than the subject, the general tone of the novel was denounced as immoral: the pervasive eroticism, the poetry of adultery, the so-called 'realism' of the style. Flaubert, excellently defended by his lawyer, was acquitted. The book was published soon after, benefiting from the advance courtroom publicity.

Recenzii

After his beautiful translation of Baudelaire's Paris Spleen, Raymond N. MacKenzie now offers us a fresh, superb version of Madame Bovary by Flaubert. Impeccably transparent, this new translation captures the original's careful, precise language and admirably conveys the small-mindedness of nineteenth-century provincial French towns. MacKenzie's tour de force transports the reader to Yonville and compels him to look at Emma with Flaubert's calm, disenchanted eyes. --Thomas Pavel, Gordon J. Laing Distinguished Service Professor, University of Chicago
Raymond N. MacKenzie's fresh and faithful translation of Madame Bovary will enable a new generation of readers to discover the wonderful complexities of Flaubert's sardonic presentation of the yawning gulf between a woman's expectations of life and the realities she finds in nineteenth-century provincial France. By capturing the rhythms of the original French, and adopting a vocabulary which is neither too contemporary nor too dated, MacKenzie gives his readers the opportunity to enter into the heart of one of the great classics of world literature. --Rosemary Lloyd, Rudy Professor of French, Emerita, Indiana University

Notă biografică

Gustave Flaubert (1821ߝ80) was attracted to literature at an early age, and after his recovery from a nervous breakdown suffered while a law student, he turned his total energies to writing. Aside from journeys to the Near East, Greece, Italy, and North Africa and a stormy liaison with the poet Louise Colet, his life was dedicated to the practice of his art. The success of Madame Bovary (1857) was marred by government prosecution for “immorality.” Salammbô (1862) and The Sentimental Education (1869) received a cool public reception. Not until the publication of Three Tales (1877) was his genius popularly acknowledged. Among fellow writers, however, his reputation was supreme. His final bitterness and disillusion were vividly evidenced in the savagely satiric Bouvard and Pécuchet, left unfinished at his death.

An award-winning writer, feminist leader, political theorist, journalist, and editor, Robin Morgan has published seventeen books, including six of poetry, two of fiction, and the classic anthologies Sisterhood Is Powerful and Sisterhood Is Global. A founder of contemporary U.S. feminism, she has also been a leader in the international women’s movement for twenty-five years, and she is the author of a book of poetry, A Hot January: Poems 1996ߝ1999, and the acclaimed Saturday’s Child: A Memoir. In 1990, as Editor-in-Chief of Ms., she relaunched the magazine as an international, award-winning bimonthly free of advertising, then resigned in 1993 to become Consulting Editor. A recipient of the National Endowment for the Arts Prize (Poetry), the Front Page Award for Distinguished Journalism, the Feminist Majority Foundation Award, and numerous other honors, she lives in New York City.