Cantitate/Preț
Produs

King Lear

Autor William Shakespeare Editat de Nick Newlin
en Limba Engleză Paperback – 26 oct 2010
King Lear: The 30-Minute Shakespeare renders six powerful scenes from this enduring tragedy. Starting with Lear’s banishment of Cordelia, the plot advances irresistibly, featuring scenes of brother Edmund’s villainous plotting and the Fool’s witty, weighty wordplay.
The action climaxes with the storm on the heath, where Lear and Poor Tom rail in exquisite madness. The abridgement concludes with moving scenes of Cordelia’s tender reconciliation with King Lear and their heart-rending demise.
The edition includes helpful advice by Nick Newlin on how to put on a Shakespeare production in a high school class with novice actors, as well as tips for performing the specific play and recommendations for further resources.
Citește tot Restrânge

Preț: 5291 lei

Puncte Express: 79

Paperback (72) de la 2917 lei

Carte tipărită la comandă

Livrare economică 13-27 noiembrie

Livrare prin curier în România Termenul estimat este afișat lângă disponibilitate.
Transport gratuit de la 40000 lei Plată online sau ramburs, în funcție de opțiunile comenzii.
Retur gratuit în 14 zile Comandă securizată și suport în română.

Specificații

ISBN-13: 9781935550099
ISBN-10: 1935550098
Pagini: 80
Dimensiuni: 140 x 216 x 5 mm
Greutate: 0.11 kg
Editura: Nicolo Whimsey Press

Notă biografică

William Shakespeare 26 April 1564 ¿ 23 April 1616was an English poet, playwright and actor, widely regarded as the greatest writer in the English language and the world's greatest dramatist.He is often called England's national poet and the "Bard of Avon".His extant works, including collaborations, consist of approximately 39 plays,154 sonnets, two long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright.[ Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. . Sometime between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. His early plays were primarily comedies and histories and are regarded as some of the best work produced in these genres. Until about 1608, he wrote mainly tragedies, among them Hamlet, Othello, King Lear, and Macbeth, all considered to be among the finest works in the English language. In the last phase of his life, he wrote tragicomedies (also known as romances) and collaborated with other playwrights. Throughout the 20th and 21st centuries, Shakespeare's works have been continually adapted and rediscovered by new movements in scholarship and performance. His plays remain popular and are studied, performed, and reinterpreted through various cultural and political contexts around the world.

Descriere

An abridgement for performance by young people and amateur adults, “road tested” at the Folger Shakespeare Library’s Student Shakespeare Festival.

Textul de pe ultima copertă

The general editors of the new series of forty-two volumes -- renowned Shakespeareans Stephen Orgel of Stanford University and A. R. Braunmuller of UCLA -- have assembled a team of six eminent scholars who have, along with the general editors themselves, prepared new introductions and notes to all of Shakespeare's plays and poems. Redesigned in an easy-to-read format that preserves the favorite features of the original -- and including an essay on the theatrical world of Shakespeare, an introduction to the individual play, and a note on the text used -- the new Pelican Shakespeare will be an excellent resource for students, teachers, and theater professionals well into the twenty-first century.

Cuprins

Introduction

  • William Shakespeare 1564–1616
    King Lear
King Lear
In Context
  • The Shakespearean Theater
    • The Swan Theatre
      Titus Andronicus in Performance
      The Plot of an Elizabethan Play
  • Early Editions of King Lear
    Source Material
    • from Geoffrey of Monmouth, The History of the Kings of Britain (12th century)
      Cap o’ Rushes
      from Anonymous, The True Chronicle History of King Leir and his Three Daughters (1605)
      from Raphael Holinshed, The Chronicles of England, Scotland, and Ireland (1577, 1587)
      from Edmund Spenser, The Faerie Queene (1590)
      The Annesley Case
      from Samuel Harsnett, A Declaration of Egregious Popish Impostures (1603)
  • King Lear on Stage in the Seventeenth Century
    • from Richard Johnson, “The Ballad of King Lear and his Three Daughters” (1620)
      from Nahum Tate, The History of King Lear (1681)

Recenzii

The text of the play included here, prepared by Craig Walker for The Broadview Anthology of British Literature, has been acclaimed for its outstanding introductory material and annotations, and for its inclusion of parellel text versions of key scenes for which the texts of the Quarto and the Folio versions of the play are substantially different.
Also included in this edition are excerpts from a variety of literary source materials (including Geoffrey on Monmouth’s Historia Regum Britanniae, the anonymous True Chronicle Historie of King Leir, and Samuel Harsnett’s A Declaration of Egregious Popish Impostures); material on the historical Annesley case that raised many of the same issues as does Shakespeare’s play; and the happy ending from Nahum Tate’s version of the play, which held the stage for 150 years after its first performance in 1681.

“The Broadview chooses the Folio as the basic text, but, significantly, adds notes throughout that point out the differences appearing in the Quarto version. In addition, in the case of the three scenes in which differences are most pronounced, the anthology prints both Folio and Quarto versions side by side. This method opens up illuminating and exciting possibilities in the classroom.... I regard the unhesitating confrontation with the difficulties of King Lear that is shown by the Broadview editors as a microcosmic illustration of the toughness, determination, and conscientiousness of the editors throughout this entire British literature anthology.” — Robert H. Ray, Baylor University (author of Approaches to Teaching Shakespeare’s King Lear)
“... an exciting achievement ... It sets a new standard by which all other anthologies of British Literature will now have to be measured.” — Graham Hammill, SUNY—Buffalo
“The Broadview Anthology of British Literature is no mere pretender to the throne long held by Norton; it is the new standard.” — Richard Nordquist, Armstrong Atlantic State University