Dracula: Cambridge Library Collection - Fiction and Poetry
Autor Bram Stokeren Limba Engleză Hardback – 9 mai 2013
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Specificații
ISBN-13: 9781108060516
ISBN-10: 110806051X
Pagini: 406
Dimensiuni: 140 x 216 x 27 mm
Greutate: 0.66 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria Cambridge Library Collection - Fiction and Poetry
Locul publicării:Cambridge, United Kingdom
ISBN-10: 110806051X
Pagini: 406
Dimensiuni: 140 x 216 x 27 mm
Greutate: 0.66 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria Cambridge Library Collection - Fiction and Poetry
Locul publicării:Cambridge, United Kingdom
Recenzii de la cititorii Books Express
Cuprins
1. Jonathan Harker's journal; 2. Jonathan Harker's journal; 3. Jonathan Harker's journal; 4. Jonathan Harker's journal; 5. Letters - Lucy and Mina; 6. Mina Murray's journal; 7. Cutting from The Dailygraph, 8 August; 8. Mina Murray's journal; 9. Mina Murray's journal; 10. Mina Murray's journal; 11. Lucy Westenra's diary; 12. Dr Seward's diary; 13. Dr Seward's diary; 14. Mina Harker's journal; 15. Dr Seward's diary; 16. Dr Seward's diary; 17. Dr Seward's diary; 18. Dr Seward's diary; 19. Jonathan Harker's journal; 20. Jonathan Harker's journal; 21. Dr Seward's diary; 22. Jonathan Harker's journal; 23. Dr Seward's diary; 24. Dr Seward's phonograph diary, spoken by Van Helsing; 25. Dr Seward's diary; 26. Dr Seward's diary; 27. Mina Harker's journal.
Descriere
The infamous 1897 Gothic horror novel which brought its author international fame and spawned a global following.
Notă biografică
Abraham "Bram" Stoker (8 November 1847- 20 April 1912) was an Irish writer. He supplemented his income by writing a large number of sensational novels, his most famous being the vampire tale Dracula which he published in 1897. Before writing Dracula, Stoker spent eight years researching European folklore and stories of vampires. Dracula is an epistolary novel, written as collection of diary entries, telegrams, and letters from the characters, as well as fictional clippings from the Whitby and London newspapers. Stoker's inspiration for the story was a visit to Slains Castle near Aberdeen. The bleak spot provided an excellent backdrop for his creation.
Dracula has been the basis for countless movies and plays. The first was Nosferatu directed by Friedrich Wilhelm Murnau and starring Max Schreck as Count Orlock. Nosferatu was produced while Florence Stoker, Bram Stoker's widow and literary executrix, was still alive. Represented by the attorneys of the British Incorporated Society of Authors, she eventually sued the filmmakers. Her chief legal complaint was that she had been neither asked for permission for the adaptation nor paid any royalty. The case dragged on for some years, with Mrs Stoker demanding the destruction of the negative and all prints of the movie. The suit was finally resolved in the widow's favour in July 1925. Some copies of the movie survived, however, and Nosferatu is now widely regarded as an innovative classic. The most famous movie version of Dracula is the 1931 production starring Bela Lugosi and which spawned several sequels that had little to do with Stoker's novel.
Recenzii
"Those who cannot find their own reflection in Bram Stoker's still-living creation are surely the undead ."
— New York Times Review of Books
"An exercise in masculine anxiety and nationalist paranoia, Stoker's novel is filled with scenes that are staggeringly lurid and perverse.... The one in Highgate cemetery, where Arthur and Van Helsing drive a stake through the writhing body of the vampirised Lucy Westenra, is my favourite."
— Sarah Waters, author of The Little Stranger
"It is splendid. No book since Mrs. Shelley's Frankenstein or indeed any other at all has come near yours in originality, or terror."
— Bram Stoker's Mother
"The ultimate monster" Mirror " Dracula is about how suffocating Victorian times were. The bonus is, you get vampires!" -- Ryan Adams
— New York Times Review of Books
"An exercise in masculine anxiety and nationalist paranoia, Stoker's novel is filled with scenes that are staggeringly lurid and perverse.... The one in Highgate cemetery, where Arthur and Van Helsing drive a stake through the writhing body of the vampirised Lucy Westenra, is my favourite."
— Sarah Waters, author of The Little Stranger
"It is splendid. No book since Mrs. Shelley's Frankenstein or indeed any other at all has come near yours in originality, or terror."
— Bram Stoker's Mother
"The ultimate monster" Mirror " Dracula is about how suffocating Victorian times were. The bonus is, you get vampires!" -- Ryan Adams
Textul de pe ultima copertă
This revision of the popular critical edition of Bram Stoker's late Victorian gothic novel presents the 1897 first edition text along with critical essays that introduce students to Dracula from contemporary cultural, psychoanalytic, gender, queer, and postcolonial perspectives. An additional essay demonstrates how various critical perspectives can be combined. The text and essays are complemented by contextual documents, introductions (with bibliographies), and a glossary of critical and theoretical terms.
New to the second edition are essays that reflect cultural, queer, and postcolonial perspectives, plus an essay that combines several critical perspectives. The cultural documents section features new topics (the lesbian vampire, the new woman), and the updated editorial matter includes a selective bibliography of Dracula films of note.
New to the second edition are essays that reflect cultural, queer, and postcolonial perspectives, plus an essay that combines several critical perspectives. The cultural documents section features new topics (the lesbian vampire, the new woman), and the updated editorial matter includes a selective bibliography of Dracula films of note.
Caracteristici
This revision of the popular critical edition of Bram Stoker's late Victorian gothic novel presents the 1897 first edition text along with critical essays that introduce students to Dracula from contemporary cultural, psychoanalytic, gender, queer, and postcolonial perspectives. An additional essay demonstrates how various critical perspectives can be combined. The text and essays are complemented by contextual documents, introductions (with bibliographies), and a glossary of critical and theoretical terms.
New to the second edition are essays that reflect cultural, queer, and postcolonial perspectives, plus an essay that combines several critical perspectives. The cultural documents section features new topics (the lesbian vampire, the new woman), and the updated editorial matter includes a selective bibliography of Dracula films of note.
New to the second edition are essays that reflect cultural, queer, and postcolonial perspectives, plus an essay that combines several critical perspectives. The cultural documents section features new topics (the lesbian vampire, the new woman), and the updated editorial matter includes a selective bibliography of Dracula films of note.