A Doll's House
Autor Henrik Ibsenen Limba Engleză Hardback – 30 mai 2019
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Preț: 175.37 lei
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Preț estimativ în valută:
31.04€ • 36.12$ • 26.92£
31.04€ • 36.12$ • 26.92£
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Specificații
ISBN-13: 9781644391815
ISBN-10: 1644391813
Pagini: 126
Dimensiuni: 157 x 235 x 12 mm
Greutate: 0.35 kg
Editura: Indoeuropeanpublishing.com
ISBN-10: 1644391813
Pagini: 126
Dimensiuni: 157 x 235 x 12 mm
Greutate: 0.35 kg
Editura: Indoeuropeanpublishing.com
Notă biografică
Henrik Ibsen (20 March 1828 - 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playwrights of his time. He is the most frequently performed dramatist in the world after Shakespeare, and was nominated for the Nobel Prize in Literature in 1902, 1903, and 1904. Ibsen spent several years employed at Det norske Theater, where he was involved in the production of more than 145 plays as a writer, director, and producer. During this period, he published five new, though largely unremarkable, plays. In 1858, Ibsen became the creative director of the Christiania Theatre. He married Suzannah Thoresen later that year, but the couple lived in poor financial circumstances and Ibsen became very disenchanted with life. Ibsen left Christiania and went to Sorrento in Italy in self-imposed exile. He didn't return to his native land for the next 27 years, and when he returned, it was as a noted, but controversial, playwright.
Descriere
Descriere de la o altă ediție sau format:
'I think I'm a human being before anything else. I don't care what other people say. I don't care what people write in books. I need to think for myself.'
Henrik Ibsen's A Doll's House premiered in 1879 in Copenhagen, the second in a series of realist plays by Ibsen, and immediately provoked controversy with its apparently feminist message and exposure of the hypocrisy of Victorian middle-class marriage. In Ibsen's play, Nora Helmer has secretly (and deceptively) borrowed a large sum of money to pay for her husband, Torvald, to recover from illness on a sabbatical in Italy. Torvald's perception of Nora is of a silly, naive spendthrift, so it is only when the truth begins to emerge, and Torvald appreciates the initiative behind his wife, that unmendable cracks appear in their marriage.
This compelling new version of Ibsen's masterpiece by playwright Simon Stephens premiered at the Young Vic Theatre, London, on 29 June 2012. It was updated with minor changes in 2013.
'I think I'm a human being before anything else. I don't care what other people say. I don't care what people write in books. I need to think for myself.'
Henrik Ibsen's A Doll's House premiered in 1879 in Copenhagen, the second in a series of realist plays by Ibsen, and immediately provoked controversy with its apparently feminist message and exposure of the hypocrisy of Victorian middle-class marriage. In Ibsen's play, Nora Helmer has secretly (and deceptively) borrowed a large sum of money to pay for her husband, Torvald, to recover from illness on a sabbatical in Italy. Torvald's perception of Nora is of a silly, naive spendthrift, so it is only when the truth begins to emerge, and Torvald appreciates the initiative behind his wife, that unmendable cracks appear in their marriage.
This compelling new version of Ibsen's masterpiece by playwright Simon Stephens premiered at the Young Vic Theatre, London, on 29 June 2012. It was updated with minor changes in 2013.
Recenzii
Simon Stephens's agile new version [is] . . . quick and clear and full of subtle touches
A sensible, sensitive and spirited version . . . that chimes with the debt-laden times we're trapped in and poses still-pressing questions
The supple new version of the text by Simon Stephens is [a] great plus point . . . in this definitive take on a classic
An astute, often savagely funny version by Simon Stephens . . . And as the doll at the play's heart and hearth cracks like porcelain and the woman emerges, it's with a force that's shattering.
Simon Stephens's new English-language version of the text . . . makes the characters' anxieties feel contemporary despite the period dress. "Feminism" may not have been in Ibsen's vocabulary, but he was undoubtedly concerned with the roles we all play and why.
A sensible, sensitive and spirited version . . . that chimes with the debt-laden times we're trapped in and poses still-pressing questions
The supple new version of the text by Simon Stephens is [a] great plus point . . . in this definitive take on a classic
An astute, often savagely funny version by Simon Stephens . . . And as the doll at the play's heart and hearth cracks like porcelain and the woman emerges, it's with a force that's shattering.
Simon Stephens's new English-language version of the text . . . makes the characters' anxieties feel contemporary despite the period dress. "Feminism" may not have been in Ibsen's vocabulary, but he was undoubtedly concerned with the roles we all play and why.