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A Doll's House de Henrik Ibsen

A Doll's House

Autor Henrik Ibsen
en Limba Engleză Paperback – 21 iun 2018
This phenomenal play by Norwegian writer Henrik Ibsen shook the societal expectations of the nineteenth century with its radical portrayal of female identity and marriage roles. First published and premiered in 1879, 'A Doll's House' frames nineteenth-century confines for women in the literal borders of a family home. Nora is married with three children and is living out the male-dictated ideal for women at the time. As the play progresses, Henrik Ibsen challenges this notion by gradually suggesting that Nora is trapped in a role that will never grant her self-fulfilment. Ibsen's portrayal of a free-thinking heroine and the play's dismissal of societal norms resulted in a controversial reception at the time of its release. 'A Doll's House' is now considered a crucial feminist text and Ibsen is regarded as instrumental in the development of Modernism and Realism in theatrical practice.
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Specificații

ISBN-13: 9781528705707
ISBN-10: 152870570X
Pagini: 148
Dimensiuni: 140 x 216 x 9 mm
Greutate: 0.2 kg
Editura: Read & Co. Classics

Notă biografică

Henrik Ibsen (1828-1906) was a Norwegian theatre director and one of the most influential playwrights of his time. He was a founder of modernism in theatre and is considered the father of realism. His plays, originally written in Danish, have been translated and performed all over the world. 'A Doll's House' (1879) is his most celebrated work and has been recognised for its pioneering feminist themes, which were the cause of much controversy following the play's premiering performance.

Descriere

Descriere de la o altă ediție sau format:
'I think I'm a human being before anything else. I don't care what other people say. I don't care what people write in books. I need to think for myself.'

Henrik Ibsen's A Doll's House premiered in 1879 in Copenhagen, the second in a series of realist plays by Ibsen, and immediately provoked controversy with its apparently feminist message and exposure of the hypocrisy of Victorian middle-class marriage. In Ibsen's play, Nora Helmer has secretly (and deceptively) borrowed a large sum of money to pay for her husband, Torvald, to recover from illness on a sabbatical in Italy. Torvald's perception of Nora is of a silly, naive spendthrift, so it is only when the truth begins to emerge, and Torvald appreciates the initiative behind his wife, that unmendable cracks appear in their marriage.

This compelling new version of Ibsen's masterpiece by playwright Simon Stephens premiered at the Young Vic Theatre, London, on 29 June 2012. It was updated with minor changes in 2013.

Recenzii

Simon Stephens's agile new version [is] . . . quick and clear and full of subtle touches
A sensible, sensitive and spirited version . . . that chimes with the debt-laden times we're trapped in and poses still-pressing questions
The supple new version of the text by Simon Stephens is [a] great plus point . . . in this definitive take on a classic
An astute, often savagely funny version by Simon Stephens . . . And as the doll at the play's heart and hearth cracks like porcelain and the woman emerges, it's with a force that's shattering.
Simon Stephens's new English-language version of the text . . . makes the characters' anxieties feel contemporary despite the period dress. "Feminism" may not have been in Ibsen's vocabulary, but he was undoubtedly concerned with the roles we all play and why.