Visual Arts Practice and Affect: Place, Materiality and Embodied Knowing: Place, Memory, Affect
Editat de Ann Schiloen Limba Engleză Hardback – 30 sep 2016
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Specificații
ISBN-13: 9781783487363
ISBN-10: 1783487364
Pagini: 192
Ilustrații: 14 b/w photos;
Dimensiuni: 154 x 232 x 18 mm
Greutate: 0.46 kg
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield Publishers
Seria Place, Memory, Affect
Locul publicării:New York, United States
ISBN-10: 1783487364
Pagini: 192
Ilustrații: 14 b/w photos;
Dimensiuni: 154 x 232 x 18 mm
Greutate: 0.46 kg
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield Publishers
Seria Place, Memory, Affect
Locul publicării:New York, United States
Cuprins
Introduction /1. Sketching a discursive terrain, Ann Schilo / 2. Locating the colonial archive, Thea Costantino / 3. Lyrical Landscapes, Ann Schilo / 4. Touchstone, Anna Sabadini / 5. Residency - An Account Of Otherworldly Dwelling And The Artefacts Of Place, Anna Nazzari / 6 Proximity of Knowing, Susanna Castleden / Conclusion / Bibliography / Index
Recenzii
This erudite and accessible book is a welcome addition to the growing body of literature on artistic research. As in a tête-à-tête with an old friend, Ann Schilo confides her insights and the compelling first hand accounts of her four artist scholars illuminate ways an artwork comes into being through inner dialogue and an interweaving of reflective, analytical and emotional processes.
In Visual Arts Practice and Affect: Place, Materiality and Embodied Knowing, Ann Schilo and her four colleagues - and former students - continue their ongoing project to interrogate their practice as artists and writers rooted in Western Australia. Through a deft mix of ". geographical location, social and cultural meanings, historical conjunctions, embodied sensibilities and lived experience" they re-examine the ethos of this place as a catalyst for the ideas that inform their work as artists. Their intertwining journeys reassert a shared belief in the importance of the visual arts as a way of knowing and interpreting the world.
Beautifully written, Visual Arts Practice and Affect unravels key geographic concepts - place, landscape, region, space, and body - while seeking 'ways of drawing an intelligence' about the 'practical aesthetics' and challenges that constitute visual arts practice. Readers follow the journeys of five non-Indigenous female artist-scholars based in Western Australia as they navigate ruins, whale teeth, topographics, colonial settler subjectivities, scholarly texts, paintings, granite boulders, mappings and print-making.
In Visual Arts Practice and Affect: Place, Materiality and Embodied Knowing, Ann Schilo and her four colleagues - and former students - continue their ongoing project to interrogate their practice as artists and writers rooted in Western Australia. Through a deft mix of ". geographical location, social and cultural meanings, historical conjunctions, embodied sensibilities and lived experience" they re-examine the ethos of this place as a catalyst for the ideas that inform their work as artists. Their intertwining journeys reassert a shared belief in the importance of the visual arts as a way of knowing and interpreting the world.
Beautifully written, Visual Arts Practice and Affect unravels key geographic concepts - place, landscape, region, space, and body - while seeking 'ways of drawing an intelligence' about the 'practical aesthetics' and challenges that constitute visual arts practice. Readers follow the journeys of five non-Indigenous female artist-scholars based in Western Australia as they navigate ruins, whale teeth, topographics, colonial settler subjectivities, scholarly texts, paintings, granite boulders, mappings and print-making.