Understanding Kristeva, Understanding Modernism: Understanding Philosophy, Understanding Modernism
Editat de Dr Maria Margaronien Limba Engleză Paperback – 27 iun 2024
Understanding Kristeva, Understanding Modernism brings together essays that take up the threads in Kristeva's analyses of the avant-garde, offering an appreciation of her overall contribution, the intellectual and political horizon within which she has produced her seminal works as well as of the blind spots that need to be acknowledged in any contemporary examination of her insights.
As with other volumes in this series, this volume is structured in three parts. The first part provides new readings of key texts or central aspects in Kristeva's oeuvre. The second part takes up the task of showing the impact of Kristeva's thought on the appreciation of modernist concerns and strategies in a variety of fields: literature, philosophy, the visual arts, and dance. The third part is a glossary of some of Kristeva's key terms, with each entry written by an expert contributor.
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Specificații
ISBN-13: 9798765102169
Pagini: 368
Dimensiuni: 154 x 230 x 30 mm
Greutate: 0.54 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Understanding Philosophy, Understanding Modernism
Locul publicării:New York, United States
Pagini: 368
Dimensiuni: 154 x 230 x 30 mm
Greutate: 0.54 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Understanding Philosophy, Understanding Modernism
Locul publicării:New York, United States
Cuprins
Introduction
Kristeva at the Bleeding-Edge of Modernism
Maria Margaroni, University of Cyprus, Cyprus
Part I: Conceptualizing Kristeva
1. Kristeva Telle Quelle: A Seductive Encounter
Danielle Marx-Scouras, Ohio State University, USA
2. Julia Kristeva: Chora, Infinity, Modernism
John Lechte, Macquarie University, Australia
3. Indifferent Feminine: Kristeva and the Avant-Garde
Miglena Nikolchina, Sofia University, Bulgaria
4. Modernist Trajectories in Time: Kristeva's The Enchanted Clock
Carol Mastrangelo-Bové, University of Pittsburgh, USA
5. Sanctity and Scandal: Teresa and the Challenge of 19th century 'False Mysticism'
Martha J. Reineke, University of Northern Iowa, USA
6. Kristeva's Traumatic Real: Securing the Symbolic Nation through the Law of the Veil
Tina Chanter, Newcastle University, UK
7. Kristeva on Arendt: Politics and the Subject
Robin Truth Goodman, Florida State University, USA
Part II: Kristeva and Aesthetics
8. Modernism Unleashed and Restrained: Joyce, Céline and Arendt in Kristeva's Tale of the Century
Marios Constantinou, Independent Scholar, Cyprus
9. The Fabric of Gothic Modernism: Powers of Horror in M. R. James's 'Oh, Whistle, and I'll Come to You, My Lad'
Nicholas Chare, Université de Montréal, QC, Canada
10. The Impact of Kristeva's Theory of Abjection on Modernist Art
Rina Arya, University of Huddersfield, UK
11. Androgynous and a Foreigner: Orlando's Revolt
Christina Kkona, Bordeaux-Montaigne University, France
12. 'Let it end, this cold insanity. Let it happen.' Kristeva's Melancholic Modernism and the Parisian Novels of Jean Rhys
Rossitsa Terzieva-Artemis, University of Nicosia, Cyprus
13. The Mirror Before the Mirror: Reflections on Kristeva and Martha Graham's Hérodiade
Robert R. Shane, College of Saint Rose, Albany, NY, USA
Part III: Glossary
14. Abjection
David Koloszyc, Vanier College, Montreal, QC, Canada
15. Avant-Garde
Christos Hadjiyiannis, University of Cyprus, Cyprus
16. Female Genius
Elisabetta Convento, Boston University, USA
17. Intertextuality
Gertrude Postl, Suffolk County Community College, Selden, NY, USA
18. Intimate Revolt
Gertrude Postl, Suffolk County Community College, Selden, NY, USA
19. Spirituality
Alison Jasper, University of Stirling, UK
20. Subject-in-process/on trial
Esther Hutfless and Elisabeth Schäfer, University of Vienna, Vienna, Austria
21. The Semiotic/The Symbolic
David Koloszyc, Vanier College, Montreal, QC, Canada
Index
Kristeva at the Bleeding-Edge of Modernism
Maria Margaroni, University of Cyprus, Cyprus
Part I: Conceptualizing Kristeva
1. Kristeva Telle Quelle: A Seductive Encounter
Danielle Marx-Scouras, Ohio State University, USA
2. Julia Kristeva: Chora, Infinity, Modernism
John Lechte, Macquarie University, Australia
3. Indifferent Feminine: Kristeva and the Avant-Garde
Miglena Nikolchina, Sofia University, Bulgaria
4. Modernist Trajectories in Time: Kristeva's The Enchanted Clock
Carol Mastrangelo-Bové, University of Pittsburgh, USA
5. Sanctity and Scandal: Teresa and the Challenge of 19th century 'False Mysticism'
Martha J. Reineke, University of Northern Iowa, USA
6. Kristeva's Traumatic Real: Securing the Symbolic Nation through the Law of the Veil
Tina Chanter, Newcastle University, UK
7. Kristeva on Arendt: Politics and the Subject
Robin Truth Goodman, Florida State University, USA
Part II: Kristeva and Aesthetics
8. Modernism Unleashed and Restrained: Joyce, Céline and Arendt in Kristeva's Tale of the Century
Marios Constantinou, Independent Scholar, Cyprus
9. The Fabric of Gothic Modernism: Powers of Horror in M. R. James's 'Oh, Whistle, and I'll Come to You, My Lad'
Nicholas Chare, Université de Montréal, QC, Canada
10. The Impact of Kristeva's Theory of Abjection on Modernist Art
Rina Arya, University of Huddersfield, UK
11. Androgynous and a Foreigner: Orlando's Revolt
Christina Kkona, Bordeaux-Montaigne University, France
12. 'Let it end, this cold insanity. Let it happen.' Kristeva's Melancholic Modernism and the Parisian Novels of Jean Rhys
Rossitsa Terzieva-Artemis, University of Nicosia, Cyprus
13. The Mirror Before the Mirror: Reflections on Kristeva and Martha Graham's Hérodiade
Robert R. Shane, College of Saint Rose, Albany, NY, USA
Part III: Glossary
14. Abjection
David Koloszyc, Vanier College, Montreal, QC, Canada
15. Avant-Garde
Christos Hadjiyiannis, University of Cyprus, Cyprus
16. Female Genius
Elisabetta Convento, Boston University, USA
17. Intertextuality
Gertrude Postl, Suffolk County Community College, Selden, NY, USA
18. Intimate Revolt
Gertrude Postl, Suffolk County Community College, Selden, NY, USA
19. Spirituality
Alison Jasper, University of Stirling, UK
20. Subject-in-process/on trial
Esther Hutfless and Elisabeth Schäfer, University of Vienna, Vienna, Austria
21. The Semiotic/The Symbolic
David Koloszyc, Vanier College, Montreal, QC, Canada
Index
Recenzii
Erudite. Intriguing. Capacious. This book is not an introduction but rather a kaleidoscopic deep-dive into Kristevian thought, at the intersections of literature, philosophy, politics, psychoanalysis, all in the context of European modernism. A serious and timely collection of new perspectives on the work of one of the most important intellectuals of our time.
This important collection cements Kristeva's status as one of the most important interlocutors of the European modernist avant-garde. Her revolutionary agenda - which she herself has described as situated at the razor's edge between poetry and reality, and which spans over half a decade of prolific writing - is both celebrated and scrutinized by the authors gathered in this volume. Each examines the many faces of modernism as they emerge in her work (revolutionary, sublimatory, abject, melancholic, self-critical.), and as they relate to aesthetic and theoretical considerations, or what Maria Margaroni describes in her introduction as the bleeding edge of modernism. This is essential reading not only to Kristeva scholars but also to those trying to understand, more generally, the legacy of the modernist project for our troubled times.
This interdisciplinary collection provides an original analysis of the constitutive role of European modernisms in Kristeva's thought and in turn shows a critical relevance of Kristeva's theory for modernist studies. An indispensable reading for anyone interested in vexed transnational dialogues between modern aesthetics, politics and psychoanalysis.
This important collection cements Kristeva's status as one of the most important interlocutors of the European modernist avant-garde. Her revolutionary agenda - which she herself has described as situated at the razor's edge between poetry and reality, and which spans over half a decade of prolific writing - is both celebrated and scrutinized by the authors gathered in this volume. Each examines the many faces of modernism as they emerge in her work (revolutionary, sublimatory, abject, melancholic, self-critical.), and as they relate to aesthetic and theoretical considerations, or what Maria Margaroni describes in her introduction as the bleeding edge of modernism. This is essential reading not only to Kristeva scholars but also to those trying to understand, more generally, the legacy of the modernist project for our troubled times.
This interdisciplinary collection provides an original analysis of the constitutive role of European modernisms in Kristeva's thought and in turn shows a critical relevance of Kristeva's theory for modernist studies. An indispensable reading for anyone interested in vexed transnational dialogues between modern aesthetics, politics and psychoanalysis.