Understanding Derrida, Understanding Modernism: Understanding Philosophy, Understanding Modernism
Editat de Professor Jean-Michel Rabatéen Limba Engleză Paperback – 26 noi 2020
With its strong connection between philosophy and literary modernism, this highly original volume advances modernist literary study and the relationship of literature and philosophy.
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Specificații
ISBN-13: 9781501371318
ISBN-10: 1501371312
Pagini: 328
Dimensiuni: 150 x 228 x 20 mm
Greutate: 0.96 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Understanding Philosophy, Understanding Modernism
Locul publicării:New York, United States
ISBN-10: 1501371312
Pagini: 328
Dimensiuni: 150 x 228 x 20 mm
Greutate: 0.96 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Understanding Philosophy, Understanding Modernism
Locul publicării:New York, United States
Cuprins
Introduction: Derrida's modernity and our modernism
Jean-Michel Rabaté, University of Pennsylvania, USA
Part 1. Rethinking the main concepts of modernism
1. Trickster Economy: Derrida's Baudelaire, and the Role of Money, Counterfeits, and Alms in the Modern City
Marit Grøtta, University of Oslo, Norway
2. Kant's Celestial Economy; a Footnote to The Gift of Death
Eddis N. Miller, Pace University, USA
3. Derrida and Kafka: A Talmudic Disputation Before the Law
Vivian Liska, Antwerp University, Belgium
4. Derrida with Heidegger: Poetic Language, Animality, World
Jennifer Anna Gosetti-Ferencei, Fordham University, USA
5. To Wound the Language: Derrida Reads Celan
Miriam Jerade, University of Mexico, Mexico
Part 2. Engaging with the poetics of canonical modernism
6. Derrida's Joyce
Sam Slote, Trinity College, Dublin
7. Derrida re-voicing Artaud
Alhelí Alvarado, Columbia University, USA
8. Derrida on Bataille: from dueling to duet
Claire Lozier, University of Leeds, UK
9. A Cross in the margin, Inscription and Erasure in Derrida and Pound
Mark Byron, University of Sydney, Australia
10. Derrida after Valéry (after Derrida)
Suzanne Guerlac, University of California, Berkeley, USA
Part 3. Différance as performance: pushing modernism beyond its borders
11. Three ways of looking at Derrida's encounter with Austin
Raoul Moati, University of Chicago, USA
12. Writing in the Shadow of Sartre's Genet, Derrida's Glas and the Ethics of Biography
Robert Doran, Rochester University, USA
13. Derrida, Cixous, and (Feminine) Writing
Marta Segarra, University of Barcelona, Spain
14. Reading between the lines: Derrida, Blanchot, Beckett
Leslie Hill, University of Warwick, UK
Part 4. Glossary
Jean-Michel Rabaté
Aporia
Auto-immunity
Biography/Autobiography/Autothanatography
Deconstruction
Différance
Hauntology
Hospitality
Iterability
Lies
Methods
Performative
Poetry
Undecidability
Writing / Texting
Index
Jean-Michel Rabaté, University of Pennsylvania, USA
Part 1. Rethinking the main concepts of modernism
1. Trickster Economy: Derrida's Baudelaire, and the Role of Money, Counterfeits, and Alms in the Modern City
Marit Grøtta, University of Oslo, Norway
2. Kant's Celestial Economy; a Footnote to The Gift of Death
Eddis N. Miller, Pace University, USA
3. Derrida and Kafka: A Talmudic Disputation Before the Law
Vivian Liska, Antwerp University, Belgium
4. Derrida with Heidegger: Poetic Language, Animality, World
Jennifer Anna Gosetti-Ferencei, Fordham University, USA
5. To Wound the Language: Derrida Reads Celan
Miriam Jerade, University of Mexico, Mexico
Part 2. Engaging with the poetics of canonical modernism
6. Derrida's Joyce
Sam Slote, Trinity College, Dublin
7. Derrida re-voicing Artaud
Alhelí Alvarado, Columbia University, USA
8. Derrida on Bataille: from dueling to duet
Claire Lozier, University of Leeds, UK
9. A Cross in the margin, Inscription and Erasure in Derrida and Pound
Mark Byron, University of Sydney, Australia
10. Derrida after Valéry (after Derrida)
Suzanne Guerlac, University of California, Berkeley, USA
Part 3. Différance as performance: pushing modernism beyond its borders
11. Three ways of looking at Derrida's encounter with Austin
Raoul Moati, University of Chicago, USA
12. Writing in the Shadow of Sartre's Genet, Derrida's Glas and the Ethics of Biography
Robert Doran, Rochester University, USA
13. Derrida, Cixous, and (Feminine) Writing
Marta Segarra, University of Barcelona, Spain
14. Reading between the lines: Derrida, Blanchot, Beckett
Leslie Hill, University of Warwick, UK
Part 4. Glossary
Jean-Michel Rabaté
Aporia
Auto-immunity
Biography/Autobiography/Autothanatography
Deconstruction
Différance
Hauntology
Hospitality
Iterability
Lies
Methods
Performative
Poetry
Undecidability
Writing / Texting
Index
Recenzii
Understanding Derrida, Understanding Modernism is a superb, transformative exercise of critical thought, attuned to both contextual and philosophical-ethical différance; it allows Derrida's work to be read next to, and by, a multi-angled and often eccentric philosophical and literary modernism. In a scholarship of industrial proportions, it stands out as writing after one of the most revolutionary thinkers of all time.
Rabaté's collection releases Derrida from negative and narrow appreciations of deconstruction to reveal a multifaceted philosopher with contrasting concerns and projects for the study of literary modernism and modernity. Simultaneously, modernism and modernity are throughout proven as apposite lenses for contextualizing and apprehending Derrida's various pursuits. [...] In concretely outlining Derrida's links to canonical modernisms, and repeatedly insisting on the continued relevance of Derrida's philosophical rigour, Rabaté's collection lays the groundwork for the elaboration of such connections in the future.
The 14 diverse and original essays in this volume-along with Rabaté's important introduction and brilliant glossary of Derrida keywords-make it an immensely useful resource for understanding Derrida's relation to major European modernists.More important, however, are the local insights these essays provide on topics such as Baudelaire's ethics of almsgiving, the difference between Agamben and Derrida on reading Kafka, the relation of Bataille's "general economy" to Derrida's "arche-writing," the agon between Derrida and Sartre vis-à-vis Genet. Summing Up: Highly recommended.
Derrida as a reader of modernism; Derrida as a modernist: both these propositions-and the relationship between them-are explored in this fascinating collection of essays, ably introduced and edited by Rabaté. The volume makes a fresh contribution to our understanding of the reach and richness of Derrida's work as well as the multifaceted character of modernist literature and philosophy.
Who, or better yet, what speaks in 'literature' for Derrida? This long-awaited book offers thought-provoking answers to this question, examined here through close readings of Derrida's countersignatures to writers such as Baudelaire, Kafka, Celan, Joyce, Blanchot, Beckett, and Cixous. Neither a theory nor a critical method, Derrida's approach gives us something else to ponder: the conditions of the impossible enacted by the event of literature. This impressive volume thus allows us to better understand how Derrida reconfigures the concept of modernity, beyond all labels, genres, or periodizations. Moreover, this book is itself a remarkable and timely contribution to the 'humanities to come' Derrida so pressingly called for. Whether it concern the Law, the absolute singularity of the other, the secret and testimony, or democracy, literature always lies affirmatively and performatively at the very core of Derrida's thought.
Rabaté's collection releases Derrida from negative and narrow appreciations of deconstruction to reveal a multifaceted philosopher with contrasting concerns and projects for the study of literary modernism and modernity. Simultaneously, modernism and modernity are throughout proven as apposite lenses for contextualizing and apprehending Derrida's various pursuits. [...] In concretely outlining Derrida's links to canonical modernisms, and repeatedly insisting on the continued relevance of Derrida's philosophical rigour, Rabaté's collection lays the groundwork for the elaboration of such connections in the future.
The 14 diverse and original essays in this volume-along with Rabaté's important introduction and brilliant glossary of Derrida keywords-make it an immensely useful resource for understanding Derrida's relation to major European modernists.More important, however, are the local insights these essays provide on topics such as Baudelaire's ethics of almsgiving, the difference between Agamben and Derrida on reading Kafka, the relation of Bataille's "general economy" to Derrida's "arche-writing," the agon between Derrida and Sartre vis-à-vis Genet. Summing Up: Highly recommended.
Derrida as a reader of modernism; Derrida as a modernist: both these propositions-and the relationship between them-are explored in this fascinating collection of essays, ably introduced and edited by Rabaté. The volume makes a fresh contribution to our understanding of the reach and richness of Derrida's work as well as the multifaceted character of modernist literature and philosophy.
Who, or better yet, what speaks in 'literature' for Derrida? This long-awaited book offers thought-provoking answers to this question, examined here through close readings of Derrida's countersignatures to writers such as Baudelaire, Kafka, Celan, Joyce, Blanchot, Beckett, and Cixous. Neither a theory nor a critical method, Derrida's approach gives us something else to ponder: the conditions of the impossible enacted by the event of literature. This impressive volume thus allows us to better understand how Derrida reconfigures the concept of modernity, beyond all labels, genres, or periodizations. Moreover, this book is itself a remarkable and timely contribution to the 'humanities to come' Derrida so pressingly called for. Whether it concern the Law, the absolute singularity of the other, the secret and testimony, or democracy, literature always lies affirmatively and performatively at the very core of Derrida's thought.