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The Trial: Arcturus Classics

Autor Franz Kafka Traducere de Isabel Tucker
Notă:  5.00 · o notă 
en Limba Engleză Paperback – noi 2025

In the end, out of nothing at all, an enormous fabric of guilt will be conjured up.

One morning Josef K. is arrested for a crime he did not commit. In fact, he is never even told the nature of the offense. His life is thrown into turmoil as he becomes enmeshed in a struggle to prove his innocence. As the confounding case unfolds, K. is ultimately powerless - battling against a remote and uncaring bureaucracy.

Due to its posthumous publication, The Trial's original text is largely unedited. In this new translation, Isabel Tucker emends certain details while retaining the enigmatic and surreal style which marks Kafka's brilliance.

Filled with psychological tension and disconcerting parallels with the modern world, The Trial is a dystopian masterpiece by one of the greatest writers in the German-language.

ABOUT THE SERIES: The Arcturus Classics series brings together high-quality paperback editions of classics works, presented with contemporary graphic cover designs. Together they make a wonderful collection which is perfect for any home library.

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Specificații

ISBN-13: 9781398862074
ISBN-10: 139886207X
Pagini: 208
Dimensiuni: 127 x 196 x 14 mm
Greutate: 0.19 kg
Editura: Arcturus Publishing
Colecția Arcturus Classics
Seria Arcturus Classics


Descriere

Descriere de la o altă ediție sau format:

'Someone must have been telling tales about Josef K. for one morning, without having done anything wrong, he was arrested.'A successful professional man wakes up one morning to find himself under arrest for an offence which is never explained. The mysterious court which conducts his trial is outwardly co-operative, but capable of horrific violence. Faced with this ambiguous authority, Josef K. gradually succumbs to its psychological pressure. He consults various advisers without escaping his fate. Was there some way out that he failed to see? Kafka's unfinished novel has been read as a study of political power, apessimistic religious parable, or a crime novel where the accused man is himself the problem.One of the iconic figures of modern world literature, Kafka writes about universal problems of guilt, responsibility, and freedom; he offers no solutions, but provokes his readers to arrive at meanings of their own. This new edition includes the fragmentary chapters that were omitted from the main text, in a translation that is both natural and exact, and an introduction that illuminates the novel and its author. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.


Notă biografică

Born in Prague in 1883, the son of a self-made Jewish merchant, Franz Kafka trained as a lawyer and worked in insurance. He published little during his lifetime and lived his life in relative obscurity. He was forced to retire from work in 1917 after being diagnosed with tuberculosis, a debilitating illness which dogged his final years. When he died in 1924 he bequeathed the - mainly unfinished - manuscripts of his novels, stories, letters and diaries to his friend the writer Max Brod with the strict instruction that they should be destroyed. Brod ignored Kafka's wishes and organised the publication of his work, including The Trial, which appeared in 1925. It is through Brod's efforts that Kafka is now regarded as one of the greatest novelists of the twentieth century.

Recenzii

“‘[I]t seemed as though the shame was to outlive him.’ With these words The Trial ends. Kafka’s shame then is no more personal than the life and thought which govern it and which he describes thus: ‘He does not live for the sake of his own life, he does not think for the sake of his own thought. He feels as though he were living and thinking under the constraint of a family . . . Because of this unknown family . . . he cannot be released.’”
—Walter Benjamin
 
“Breon Mitchell’s translation is an accomplishment of the highest order that will honor Kafka far into the twenty-first century.”
—Walter Abish, author of How German Is It