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The Piazza Tales

Autor Herman Melville
en Limba Engleză Paperback
When I removed into the country, it was to occupy an old-fashioned farm-house, which had no piazza-a deficiency the more regretted, because not only did I like piazzas, as somehow combining the coziness of in-doors with the freedom of out-doors, and it is so pleasant to inspect your thermometer there, but the country round about was such a picture, that in berry time no boy climbs hill or crosses vale without coming upon easels planted in every nook, and sun-burnt painters painting there. A very paradise of painters. The circle of the stars cut by the circle of the mountains. At least, so looks it from the house; though, once upon the mountains, no circle of them can you see. Had the site been chosen five rods off, this charmed ring would not have been. The house is old. Seventy years since, from the heart of the Hearth Stone Hills, they quarried the Kaaba, or Holy Stone, to which, each Thanksgiving, the social pilgrims used to come. So long ago, that, in digging for the foundation, the workmen used both spade and axe, fighting the Troglodytes of those subterranean parts-sturdy roots of a sturdy wood, encamped upon what is now a long land-slide of sleeping meadow, sloping away off from my poppy-bed. Of that knit wood, but one survivor stands-an elm, lonely through steadfastness.
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Specificații

ISBN-13: 9781512348330
ISBN-10: 1512348333
Pagini: 202
Dimensiuni: 152 x 229 x 11 mm
Greutate: 0.28 kg
Editura: CREATESPACE

Descriere

Descriere de la o altă ediție sau format:
This volume, first published in 1856, includes three of the tales widely considered to be among Melville's masterpieces. In 'Bartleby, the Scrivener', a Wall Street lawyer hires a melancholy young clerk called Bartleby, whose sudden and mysterious refusal to work plunges the firm into disarray. 'Benito Cereno' is the account of a mutiny on a slave ship, based on the real-life journals of an American sea captain. 'The Encantadas, or Enchanted Isles' is a series of sketches about the Galápagos Islands which was a huge success with the reading public and contains some of Melville's most celebrated prose.

Also included in this volume are 'The Lightning-Rod Man', 'The Bell Tower' and a story written especially for the collection, 'The Piazza'. Taken together, these tales, in their masterful use of irony and concision, display the author of Moby Dick at his most uncompromising and compelling.

Recenzii

"There are very few stories that, on re-reading after re-reading, seem to become impossibly more perfect, but Herman Melville’s eerie, aching story Bartleby, the Scrivener is one such. Like a parable without an obvious moral, it is defiance raised to the metaphysical." —The Guardian

Notă biografică

Herman Melville (1819 - 1891) was an American novelist, short story writer and poet of the American Renaissance period. His best known works include Typee (1846), a romantic account of his experiences in Polynesian life and his whaling novel Moby-Dick (1851). His work was almost forgotten during his last thirty years. Herman Melville's writing draws on his experience at sea as a common sailor, exploration of literature and philosophy and engagement in the contradictions of American society in a period of rapid change. He developed a complex, baroque style: the vocabulary is rich and original, a strong sense of rhythm infuses the elaborate sentences, the imagery is often mystical or ironic and the abundance of allusion extends to scripture, myth, philosophy, literature and the visual arts.

Textul de pe ultima copertă

Herman Melville's The Piazza Tales is the only collection of short fiction that he published in his lifetime, and it includes his two most famous short stories, "Bartleby, the Scrivener" and "Benito Cereno" along with the less well-known but deeply engaging sketches of the Galapagos Islands that make up "The Encantadas" and three more short stories: "The Piazza," "The Bell-Tower," and "The Lightning-Rod Man." This new edition places these stories in the context of nineteenth-century debates over slavery, free will and determinism, science and technology, and the nature and value of literary artistry. The stories in The Piazza Tales demonstrate the global range of Melville's cultural and aesthetic concerns, as Melville set his stories in locales ranging from rural western Massachusetts and Wall Street in the United States to the Pacific coast of South America and southern Europe.
This edition is especially concerned with Melville's engagement with both political questions related to slavery and imperialism and aesthetic questions germane to the short story tradition as developed by his near contemporaries Nathaniel Hawthorne and Edgar Allan Poe.