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The Piazza Tales

Autor Herman Melville
en Limba Engleză Paperback
The Piazza Tales (1856) is the only collection of short stories by American writer Herman Melville. It was published with Dix & Edwards in the United States and a British edition followed shortly afterward. Except for the title story, "The Piazza," all of the stories had appeared in Putnam's Monthly, the first being Bartleby, the Scrivener in 1853. Melville had originally intended to entitle the volume Benito Cereno and Other Sketches, but it was The Encantadas, his sketches of the Galapagos Islands, that garnered the most attention from critics. Even though The Piazza Tales received largely favorable reviews, it did not sell well enough to get Melville out of his financial straits. Herman Melville (August 1, 1819 - September 28, 1891) was an American novelist, writer of short stories, and poet from the American Renaissance period. The bulk of his writings was published between 1846 and 1857. Best known for his whaling novel Moby-Dick (1851), he is also legendary for having been forgotten during the last thirty years of his life. Melville's writing is characteristic for its allusivity. "In Melville's manipulation of his reading," scholar Stanley T. Williams wrote, "was a transforming power comparable to Shakespeare's." Born in New York City, he was the third child of a merchant in French dry-goods, with Revolutionary War heroes for grandfathers. Not long after the death of his father in 1832, his schooling stopped abruptly. After having been a schoolteacher for a short time, he signed up for a merchant voyage to Liverpool in 1839. A year and a half into his first whaling voyage, in 1842 he jumped ship in the Marquesas Islands, where he lived among the natives for a month. His first book, Typee (1846), became a huge best-seller, which called for a sequel, Omoo (1847). The same year Melville married Elizabeth Knapp Shaw; their four children were all born between 1849 and 1855. In August 1850, having moved to Pittsfield, Massachusetts, he established a profound friendship with Nathaniel Hawthorne, though the relationship lost intensity after the latter moved away. Moby-Dick (1851) did not become a success, and Pierre (1852) put an end to his career as a popular author. From 1853 to 1856 he wrote short fiction for magazines, collected as The Piazza Tales (1856). In 1857, while Melville was on a voyage to England and the Near East, The Confidence-Man appeared, the last prose work published during his lifetime. From then on Melville turned to poetry. Having secured a position of Customs Inspector in New York, his poetic reflection on the Civil War appeared as Battle-Pieces and Aspects of the War (1866). In 1867 his oldest child Malcolm died at home from a self-inflicted gunshot. For the epic Clarel: A Poem and Pilgrimage in the Holy Land (1876) he drew upon his experience in Egypt and Palestine from twenty years earlier. In 1886 he retired as Customs Inspector and privately published some volumes of poetry in small editions. During the last years of his life, interest in him was reviving and he was approached to have his biography written, but his death in 1891 from cardiovascular disease subdued the revival before it could gain momentum. Inspired perhaps by the growing interest in him, in his final years he had been working on a prose story one more time and left the manuscript of Billy Budd, Sailor, which was published in 1924."
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Specificații

ISBN-13: 9781547179206
ISBN-10: 1547179201
Pagini: 126
Dimensiuni: 152 x 229 x 7 mm
Greutate: 0.18 kg

Descriere

Descriere de la o altă ediție sau format:
Herman Melville’s The Piazza Tales is the only collection of short fiction that he published in his lifetime, and it includes his two most famous short stories, “Bartleby, the Scrivener” and “Benito Cereno,” along with the less well-known but deeply engaging sketches of the Galapagos Islands that make up “The Encantadas,” as well as three more short stories: “The Piazza,” “The Bell-Tower,” and “The Lightning-Rod Man.” This new edition places these stories in the context of nineteenth-century debates over slavery, free will and determinism, science and technology, and the nature and value of literary artistry. The stories in The Piazza Tales demonstrate the global range of Melville’s cultural and aesthetic concerns, as Melville set his stories in locales ranging from rural western Massachusetts and Wall Street in the United States to the Pacific coast of South America and southern Europe.
This edition is especially concerned with Melville’s engagement with both political questions related to slavery and imperialism and aesthetic questions germane to the short-story tradition as developed by his near-contemporaries Nathaniel Hawthorne and Edgar Allan Poe.

Recenzii

Herman Melville’s The Piazza Tales is the only collection of short fiction that he published in his lifetime, and it includes his two most famous short stories, “Bartleby, the Scrivener” and “Benito Cereno,” along with the less well-known but deeply engaging sketches of the Galapagos Islands that make up “The Encantadas,” as well as three more short stories: “The Piazza,” “The Bell-Tower,” and “The Lightning-Rod Man.” This new edition places these stories in the context of nineteenth-century debates over slavery, free will and determinism, science and technology, and the nature and value of literary artistry. The stories in The Piazza Tales demonstrate the global range of Melville’s cultural and aesthetic concerns, as Melville set his stories in locales ranging from rural western Massachusetts and Wall Street in the United States to the Pacific coast of South America and southern Europe.
This edition is especially concerned with Melville’s engagement with both political questions related to slavery and imperialism and aesthetic questions germane to the short-story tradition as developed by his near-contemporaries Nathaniel Hawthorne and Edgar Allan Poe.

“At last! Although the stories in The Piazza Tales have been collected and anthologized before, only in this version, with Brian Yothers’s meticulous editing, general introduction, and selection of contextual readings, do we get the book Herman Melville envisioned—for twenty-first-century readers and students. Yothers presents a seasoned novelist, but an experimental writer of tales, laboring within a hectic magazine economy and changing literary history forever. He also exhibits a Melville who responds vigorously to contemporary debates over slavery, urbanization, capitalism, and changing gender roles, and who engages with nineteenth-century science, philosophy, and religion, as well as with a transatlantic cast of canonical and popular authors. Prepare to be delighted and surprised by a Melville you may not have known existed.” — Wyn Kelley, Massachusetts Institute of Technology
“In this new Broadview Press edition of Melville’s original 1856 version of The Piazza Tales, Brian Yothers provides a valuable classroom edition that includes reviews, sources and allusions, and other contemporary writings on the art of the story, on slavery and inequality, on science and philosophy, and on other topics of importance to an understanding of the diverse worlds embodied in these tales. Yothers’s illuminating introduction highlights the distinctive character of each of the stories while adroitly placing them in the context of Melville’s personal history and career as a fiction writer and poet, making an eloquent case for reading all six stories together for their imaginative variety and skillful artistry. For teachers of Melville, this compact volume fills a long-standing need.” — Christopher Sten, George Washington University
“This new edition makes a strong claim to become the Piazza Tales of choice in the undergraduate classroom. … The appendices feature many inspired choices that will amplify the literary and historical resonance of The Piazza Tales without encumbering students with lengthy supplementary readings.” — Dawn Coleman, Leviathan

Notă biografică

Herman Melville (1819 - 1891) was an American novelist, short story writer and poet of the American Renaissance period. His best known works include Typee (1846), a romantic account of his experiences in Polynesian life and his whaling novel Moby-Dick (1851). His work was almost forgotten during his last thirty years. Herman Melville's writing draws on his experience at sea as a common sailor, exploration of literature and philosophy and engagement in the contradictions of American society in a period of rapid change. He developed a complex, baroque style: the vocabulary is rich and original, a strong sense of rhythm infuses the elaborate sentences, the imagery is often mystical or ironic and the abundance of allusion extends to scripture, myth, philosophy, literature and the visual arts.

Cuprins

Acknowledgements
Introduction
Herman Melville: A Brief Chronology
A Note on the Text
The Piazza Tales
  • “The Piazza”
  • “Bartleby”
  • “Benito Cereno”
  • “The Lightning-Rod Man”
  • “The Encantadas; or Enchanted Isles”
  • “The Bell-Tower”
Appendix A: The Art of the Short Story and the Romance
  1. From Herman Melville, “Hawthorne and his Mosses” (1850)
  2. From Edgar Allan Poe, Review of Nathaniel Hawthorne’s Twice-Told Tales (1842)
  3. Review of The Piazza Tales in United States Democratic Review (September 1856)
  4. Nathaniel Hawthorne, Preface to The House of the Seven Gables (1852)
Appendix B: Race, Slavery, and Inequality
  1. From Amasa Delano, Narrative of Voyages and Travels in the Northern and Southern Hemispheres (1817)
  2. From Frederick Douglass, The Heroic Slave (1853)
  3. From George Lippard, New York, Its Upper Ten and Lower Million (1854)
  4. From John Quincy Adams, Argument of John Quincy Adams (1841)
  5. The Slave Deck of the Bark “Wildfire,” Brought into Key West on April 30, 1860
Appendix C: Allusions to Poetry and the Bible
  1. Alfred, Lord Tennyson, “Mariana” (1830)
  2. “Inscription for the Back of a Bank-Note” (1853)
  3. Matthew 5:38–48, King James Bible
  4. Job 3:1–26, King James Bible
  5. Judges 4:4–22, King James Bible
Appendix D: Science and Philosophy
  1. From Charles Darwin, Journal of Researches (1839)
  2. From Jonathan Edwards, A Careful and Strict Inquiry into the Modern Prevailing Notions of that Freedom of Will (1754)
  3. sFrom Joseph Priestley, The Doctrine of Philosophical Necessity Illustrated (1777)
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