The Last of the Mohicans (Classics Illustrated)

De (autor) Ilustrat de John P. Severin, Stephen L. Addeo
Notă GoodReads:
en Limba Engleză Paperback – September 2011
Fenimore Cooper's tale of Hawkeye and Chingachgook. Part of his "Leatherstocking Tales" of the great Frontier. Classics Illustrated tells this wonderful tale in colorful comic strip form, providing an excellent introduction for younger readers. Also includes theme discussions and study questions.
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ISBN-13: 9781906814601
ISBN-10: 1906814600
Pagini: 48
Ilustrații: Fully Illustrated
Dimensiuni: 165 x 241 x 3 mm
Greutate: 0.14 kg
Ediția: UK first ed.
Editura: Classics Illustrated Comics
Seria Classics Illustrated

Textul de pe ultima copertă

The Last of the Mohicans enjoyed tremendous popularity both in America and abroad, offering its readers not only a variation on the immensely popular traditional captivity narrative of the time, but also characters that would become iconic figures in the young nation's emerging literature. The novel's central action follows Leatherstocking and his two faithful friends, Chingachgook and Uncas, as they come to the aid of two daughters of a British officer seeking to become reunited with their father. The novel provides insights into Cooper's own thinking on Native American and White relations during the early national period, revealing a profound ambivalence to the reality that the rising fortunes of the young United States meant the declining fortunes of the nation's Native American inhabitants.

Notă biografică

James Fenimore Cooper was the great professional American author. He was born on Septenber 15, 1789, in Burlington, New Jersey, and grew up in the frontier village of Cooperstown, New Yorrk, in the heart of the wilderness he was to immortalize in his frontier novels. A high-spirited youth, he was expelled from Yale because of a prank and was finally signed by the navy by his strong-willed father. In 1819 a trfling incident repordatly led to the writing of his first book. Reading aloud to his wife from a populr English novel, he exclaimed, “I could write you a better book myself!” The result was Precausion (1820), which followed in 1821 by his first real success, The Spy.

Cooper became a prolific writer, creating two unique genres that were to become staples in American literature–the sea romance and the frontier adventure story. The first of the famous Leatherstocking tales, The Pioneers, appeared in 1823 and introduced the wilderness scout Natty Bumppo. This detailed portrait of frontier life has been called the first truly American novel. In The Last of the Mohicans (1826) Natty Bumppo becomes the well-loved Hawkeye befriended by the noble Indian Chingachgook; the novel remains a favorite American classic. Other Leatherstocking tales were The Prairie (1827), The Pathfinder (1840) influenced both Herman Melville and Joseph Conrad and led to the use of the sea novel as vehicle for spiritual and moral explorations. Cooper also wrote political satire, romance, and the meticulously researched History of the Navy of the United States of America (1839). By the time of his death on September 14, 1851, he was considered America’s “national novelist.”


Chapter One

Mine ear is open, and my heart prepared; The worst is worldly loss thou canst unfold:— Say, is my kingdom lost? Richard II, III.ii. 93–95.

It was a feature peculiar to the colonial wars of North America, that the toils and dangers of the wilderness were to be encountered, before the adverse hosts could meet. A wide, and, apparently, an impervious boundary of forests, severed the possessions of the hostile provinces of France and England. The hardy colonist, and the trained European who fought at his side, frequently expended months in struggling against the rapids of the streams, or in effecting the rugged passes of the mountains, in quest of an opportunity to exhibit their courage in a more martial conflict. But, emulating the patience and self-denial of the practised native warriors, they learned to overcome every difficulty; and it would seem, that in time, there was no recess of the woods so dark, nor any secret place so lovely, that it might claim exemption from the inroads of those who had pledged their blood to satiate their vengeance, or to uphold the cold and selfish policy of the distant monarchs of Europe.

Perhaps no district, throughout the wide extent of the intermediate frontiers, can furnish a livelier picture of the cruelty and fierceness of the savage warfare of those periods, than the country which lies between the head waters of the Hudson and the adjacent lakes.

The facilities which nature had there offered to the march of the combatants, were too obvious to be neglected. The lengthened sheet of the Champlain stretched from the frontiers of Canada, deep within the borders of the neighbouring province of New-York, forming a natural passage across half the distance that the French were compelled to master in order to strike their enemies. Near its southern termination, it received the contributions of another lake, whose waters were so limpid, as to have been exclusively selected by the Jesuit missionaries, to perform the typical purification of baptism, and to obtain for it the title of the lake “du Saint Sacrement.” The less zealous English thought they conferred a sufficient honour on its unsullied fountains, when they bestowed the name of their reigning prince, the second of the House of Hanover. The two united to rob the untutored possessors of its wooded scenery of their native right to perpetuate its original appellation of “Horican.”*

Winding its way among countless islands, and imbedded in mountains, the “holy lake” extended a dozen leagues still farther to the south. With the high plain that there interposed itself to the further passage of the water, commenced a portage of as many miles, which conducted the adventurer to the banks of the Hudson, at a point, where, with the usual obstructions of the rapids, or rifts, as they were then termed in the language of the country, the river became navigable to the tide.

While, in the pursuit of their daring plans of annoyance, the restless enterprise of the French even attempted the distant and difficult gorges of the Alleghany, it may easily be imagined that their proverbial acuteness would not overlook the natural advantages of the district we have just described. It became, emphatically, the bloody arena, in which most of the battles for the mastery of the colonies were contested. Forts were erected at the different points that commanded the facilities of the route, and were taken and retaken, rased and rebuilt, as victory alighted on the hostile banners. While the husbandmen shrunk back from the dangerous passes, within the safer boundaries of the more ancient settlements, armies larger than those that had often disposed of the sceptres of the mother countries, were seen to bury themselves in these forests, whence they rarely returned but in skeleton bands, that were haggard with care, or dejected by defeat. Though the arts of peace were unknown to this fatal region, its forests were alive with men; its glades and glens rang with the sounds of martial music, and the echoes of its mountains threw back the laugh, or repeated the wanton cry, of many a gallant and reckless youth, as he hurried by them, in the noontide of his spirits, to slumber in a long night of forgetfulness.

* As each nation of the Indians had either its language or its dialect, they usually gave different names to the same places, though nearly all of their appellations were descriptive of the object. Thus, a literal translation of the name of this beautiful sheet of water, used by the tribe that dwelt on its banks, would be “The tail of the Lake.” Lake George, as it is vulgarly, and now indeed legally, called, forms a sort of tail to Lake Champlain, when viewed on the map. Hence the name. [1831]

It was in this scene of strife and bloodshed, that the incidents we shall attempt to relate occurred, during the third year of the war which England and France last waged, for the possession of a country, that neither was destined to retain.


"[Cooper's] sympathy is large, and his humor is as genuine—and as perfectly unaffected—as his art."— Joseph Conrad


New edition of a timeless classic, now part of Alma's successful Evergreen series