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The Cherry Orchard de Anton Chekhov

The Cherry Orchard: Oberon Modern Plays

Autor Anton Chekhov Adaptat de Pam Gems
en Limba Engleză Paperback – 13 mar 2007
Oh, the trees! Nothing but white and green as far as you can see - remember, Lyuba?Oh my lovely childhood. Waking up to happiness, looking out at blossom and trees and there they are - the same trees, the same blossom - after cruel winter, warmth and light and feeling!In his masterpiece The Cherry Orchard, Chekhov maintains an exquisite balance between elegiac celebration of the romance of the past, as embodied in the cherry orchard in full bloom, and the awesome prescience of what is so soon to overwhelm Russia - revolution. The themes are majestic, and yet at the centre of the play is Ranévskaya, a tragic woman who lacks adroitness for survival in a changing world but who has one asset: a capacity for love. It is her solution - and Chekhov's.This new version of The Cherry Orchard by Pam Gems opened at the Crucible, Sheffield in March 2007.
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Specificații

ISBN-13: 9781840027389
ISBN-10: 184002738X
Pagini: 64
Dimensiuni: 130 x 210 x 9 mm
Greutate: 0.1 kg
Editura: Bloomsbury Publishing
Colecția Oberon Books
Seria Oberon Modern Plays

Locul publicării:London, United Kingdom

Notă biografică

Pam Gems' first major success was Dusa, Fish, Stas and Vi staged in 1976. Among her other best-known works are Piaf (1978), Camille (1984), The Danton Affair (1986), The Blue Angel (1991), The Snow Palace (1997) and Stanley (1997), based on the life of the painter Stanley Spencer, first produced at the RNT. Henrik Ibsen (1828-1906) has been described as 'the father of modern theatre'. Most of his early plays were traditional historical dramas. After 'Peer Gynt', a fairy-tale fantasy in verse, Ibsen wrote the rest of his plays in prose, and came to be regarded as the great Naturalist dramatist.

Descriere

Descriere de la o altă ediție sau format:
The funny thing is the harder I work the more clearly I understand things. When I'm worn out after a day's work then it's like my brain relaxes. And sometimes then I get it. The meaning of my life. My purpose on this earth. How many people ever get to say that? And you know what? It doesn't matter. Doesn't change anything. It is not important.

In Chekhov's tragi-comedy - arguably his most popular play - the Gayev family is torn by powerful forces deeply rooted in history and the society in which they live. Their estate is hopelessly in debt. Urged to cut down their beautiful cherry orchard and sell the land for holiday cottages, the family struggles to act decisively.

Vigorous and profound, this new version of Chekhov's classic play by Olivier award-winner Simon Stephens, from a literal translation by Helen Rappaport, is an anguished and heartbreaking love letter to a society in violent transition. It received its world premiere at the Young Vic, London, on 10 October 2014.

Recenzii

Now Chekhov's final and finest play, from 1903, is the latest twentieth-century masterpiece to get a good going-over. Actually, make that an excellent going-over . . . It's been pruned, yes, but this grimly witty tragicomedy is unmistakably Chekhov . . . and it teems with life.
Stephens [has] refocussed Chekhov's play into a potent study in feminine - rather than societal - collapse.
Chekhov was superb on the destructive impact of people who take no heed: who turn other people's lives upside down (Uncle Vanya) or blithely ignore warnings (Cherry Orchard). He was superb too on those who can see the dangers, but are powerless to do anything. Little wonder then, that these great plays feel so painfully pertinent now to audiences keenly aware of intractable global problems. Little wonder either that contemporary theatre-makers seek to meet his works in the spirit of innovation.
If Chekhov were planning a revenant visit to see how his work fares in England in the 21 century, this would be an opportune moment to come.
Revivals of classic plays are the lifeblood of theatre. They are the way in which the art form tests the reputation, relevance and validity of the masterpieces of the past.