The Cherry Orchard: Modern Plays
Autor Anton Chekhov Traducere de Michael Fraynen Limba Engleză Paperback – 27 oct 2008
In Chekhov's tragi-comedy - perhaps his most popular play - the Gayev family is torn by powerful forces deeply rooted in history and the society in which they live. Their estate is hopelessly in debt and when urged to cut down their beautiful cherry orchard and sell the land for holiday cottages, they are confronted by an impossible decision. "At the time when The Cherry Orchard was written, the years before the revolution of 1905, Chekhov considered revolution in Russia irreversible and desirable." (Melchinger: Anton Chekhov)
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Specificații
ISBN-13: 9780413393401
ISBN-10: 0413393402
Pagini: 96
Ilustrații: black & white illustrations
Dimensiuni: 126 x 196 x 8 mm
Greutate: 0.05 kg
Editura: BLOOMSBURY ACADEMIC
Seria Modern Plays
Locul publicării:United Kingdom
ISBN-10: 0413393402
Pagini: 96
Ilustrații: black & white illustrations
Dimensiuni: 126 x 196 x 8 mm
Greutate: 0.05 kg
Editura: BLOOMSBURY ACADEMIC
Seria Modern Plays
Locul publicării:United Kingdom
Descriere
The beautiful estate of a once proud Russian aristocratic family is auctioned off to the son of a peasant who has succeeded in industry.
Recenzii
Now Chekhov's final and finest play, from 1903, is the latest twentieth-century masterpiece to get a good going-over. Actually, make that an excellent going-over . . . It's been pruned, yes, but this grimly witty tragicomedy is unmistakably Chekhov . . . and it teems with life.
Stephens [has] refocussed Chekhov's play into a potent study in feminine - rather than societal - collapse.
Chekhov was superb on the destructive impact of people who take no heed: who turn other people's lives upside down (Uncle Vanya) or blithely ignore warnings (Cherry Orchard). He was superb too on those who can see the dangers, but are powerless to do anything. Little wonder then, that these great plays feel so painfully pertinent now to audiences keenly aware of intractable global problems. Little wonder either that contemporary theatre-makers seek to meet his works in the spirit of innovation.
If Chekhov were planning a revenant visit to see how his work fares in England in the 21 century, this would be an opportune moment to come.
Revivals of classic plays are the lifeblood of theatre. They are the way in which the art form tests the reputation, relevance and validity of the masterpieces of the past.
Stephens [has] refocussed Chekhov's play into a potent study in feminine - rather than societal - collapse.
Chekhov was superb on the destructive impact of people who take no heed: who turn other people's lives upside down (Uncle Vanya) or blithely ignore warnings (Cherry Orchard). He was superb too on those who can see the dangers, but are powerless to do anything. Little wonder then, that these great plays feel so painfully pertinent now to audiences keenly aware of intractable global problems. Little wonder either that contemporary theatre-makers seek to meet his works in the spirit of innovation.
If Chekhov were planning a revenant visit to see how his work fares in England in the 21 century, this would be an opportune moment to come.
Revivals of classic plays are the lifeblood of theatre. They are the way in which the art form tests the reputation, relevance and validity of the masterpieces of the past.
Notă biografică
Anton Pavlovich Chekhov (1860 - 1904) was a Russian playwright and short story writer, who is considered to be among the greatest writers of short fiction in history. His career as a playwright produced four classics and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theater. Chekhov practiced as a medical doctor throughout most of his literary career: "Medicine is my lawful wife", he once said, "and literature is my mistress."