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The Cherry Orchard

Autor Anton Chekhov Editat de Tom Donaghy
en Limba Engleză Paperback
Tom Donaghy's adaptation of Chekhov's beloved and richly bittersweet comedy about a world in transition preserves the economy and humor of the original while highlighting the lyricism and stylistic ambition of the master playwright's final work. "Tom Donaghy has written a new adaptation of THE CHERRY ORCHARD that feels, at times, like an altogether new play: He propels Ronald Meyer's translation into modern vernacular ... Donaghy does capture the play's comedy and, paradoxically, its existential despair." -Jeremy McCarter, New York Magazine "A swift, modern adaptation by Tom Donaghy ... a distinctly comic and American emphasis." -Adam Feldman, Time Out "Chekhov famously preferred to think of his plays as comedies. Playwright Tom Donaghy honors that fact with a light-on-its feet adaptation ... Mostly, his fluid dialogue manages to lend a pleasing immediacy to the story ..." -Gordon Cox, Newsday
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Specificații

ISBN-13: 9780881453072
ISBN-10: 0881453072
Pagini: 78
Dimensiuni: 140 x 216 x 4 mm
Greutate: 0.1 kg
Editura: Broadway Play Publishing

Descriere

Descriere de la o altă ediție sau format:
The funny thing is the harder I work the more clearly I understand things. When I'm worn out after a day's work then it's like my brain relaxes. And sometimes then I get it. The meaning of my life. My purpose on this earth. How many people ever get to say that? And you know what? It doesn't matter. Doesn't change anything. It is not important.

In Chekhov's tragi-comedy - arguably his most popular play - the Gayev family is torn by powerful forces deeply rooted in history and the society in which they live. Their estate is hopelessly in debt. Urged to cut down their beautiful cherry orchard and sell the land for holiday cottages, the family struggles to act decisively.

Vigorous and profound, this new version of Chekhov's classic play by Olivier award-winner Simon Stephens, from a literal translation by Helen Rappaport, is an anguished and heartbreaking love letter to a society in violent transition. It received its world premiere at the Young Vic, London, on 10 October 2014.

Recenzii

Now Chekhov's final and finest play, from 1903, is the latest twentieth-century masterpiece to get a good going-over. Actually, make that an excellent going-over . . . It's been pruned, yes, but this grimly witty tragicomedy is unmistakably Chekhov . . . and it teems with life.
Stephens [has] refocussed Chekhov's play into a potent study in feminine - rather than societal - collapse.
Chekhov was superb on the destructive impact of people who take no heed: who turn other people's lives upside down (Uncle Vanya) or blithely ignore warnings (Cherry Orchard). He was superb too on those who can see the dangers, but are powerless to do anything. Little wonder then, that these great plays feel so painfully pertinent now to audiences keenly aware of intractable global problems. Little wonder either that contemporary theatre-makers seek to meet his works in the spirit of innovation.
If Chekhov were planning a revenant visit to see how his work fares in England in the 21 century, this would be an opportune moment to come.
Revivals of classic plays are the lifeblood of theatre. They are the way in which the art form tests the reputation, relevance and validity of the masterpieces of the past.

Notă biografică

Anton Chekhov, Russian dramatist and short-story writer, was born in 1860, the son of a grocer and the grandson of a serf. After graduating in medicine from Moscow University in 1884, he began to make his name in the theatre with the one-act comedies The Bear, The Proposal and The Wedding. His earliest full-length plays, Ivanov (1887) and The Wood Demon (1889), were not successful, and The Seagull, produced in 1896, was a failure until a triumphant revival by the Moscow Art Theatre in 1898. This was followed by Uncle Vanya (1899), Three Sisters (1901) and The Cherry Orchard (1904), shortly after the production of which Chekhov died. The first English translations of his plays were performed within five years of his death.