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The Caucasian Chalk Circle de Bertolt Brecht

The Caucasian Chalk Circle: Modern Classics

Autor Bertolt Brecht Editat de John Willett, Ralph Manheim Traducere de James Stern, Tania Stern, W. H. Auden
en Limba Engleză Paperback – 19 ian 2009
Written in exile during the Second World War, the story subverts an ancient Chinese tale - echoed in the Judgement of Solomon - in which two women claim the same child. The message of Brecht's parable is that resources should go to those who will make best use of them. Thanks to the rascally judge, Azdak, one of Brecht's most vivid creations, this story has a happy outcome: the child is entrusted to the peasant Grusha, who has loved and nurtured it.
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Specificații

ISBN-13: 9780413308504
ISBN-10: 0413308502
Pagini: 144
Dimensiuni: 124 x 202 x 12 mm
Greutate: 0.16 kg
Ediția:Nouă
Editura: BLOOMSBURY ACADEMIC
Seria Modern Classics

Locul publicării:United Kingdom

Descriere

Inspired by the Chinese play Chalk Circle, and written at the close of World War II, this parable is set in the Caucasus Mountains of Georgia. It re-tells the tale of King Solomon and a child claimed and fought over by two women.

Notă biografică

Bertold Brecht (1898-1956) is one of Germany's best-known playwrights. His social critiques, including The Caucasian Chalk Circle, Mother Courage and Her Children and The Threepenny Opera, resonate with modern audiences and continue to be frequently performed.


Eric Bentley, one of the foremost authorities on the modern theatre, is a recognized playwright, critic and scholar, and a longtime intimate of Brecht. His most recent book is Bentley on Brecht.

Recenzii

'an adept new translation by Alistair Beaton'
'The Caucasian Chalk Circle, written in 1944 while he was in exile from Germany, gives some epic illumination to socialist ideas about ownership and injustice. But more than that it's a story about love winning out over endemic corruption'
The play is translated, with political wit and crisp clarity, by Alistair Beaton . . . The result is a Chalk Circle which makes an unarguable case for the continued relevance both of Brecht's theatrical aesthetics and his allegorical subject matter.
Alistair Beaton's sharp rhythmic translation finds a contemporary relevance too, but not intrusively so.