Oleanna: Modern Classics
Autor David Mameten Limba Engleză Paperback – 24 iun 1993
In Oleanna "John and Carol go to it with hand-to hand combat that amounts to a primal struggle for power. As usual with Mamet, the vehicle for that combat is crackling, highly distilled dialogue unencumbered by literary frills or phony theatrical ones." (Frank Rich, International Herald Tribune)
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (2) | 52.19 lei 6-8 săpt. | +55.07 lei 6-12 zile |
| Vintage Publishing – 30 apr 1993 | 81.83 lei 3-5 săpt. | |
| Bloomsbury Publishing – 24 iun 1993 | 52.19 lei 6-8 săpt. | +55.07 lei 6-12 zile |
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Specificații
ISBN-13: 9780413626202
ISBN-10: 0413626202
Pagini: 96
Dimensiuni: 126 x 202 x 8 mm
Greutate: 0.12 kg
Ediția:Student Edition P10
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Classics
Locul publicării:London, United Kingdom
ISBN-10: 0413626202
Pagini: 96
Dimensiuni: 126 x 202 x 8 mm
Greutate: 0.12 kg
Ediția:Student Edition P10
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Classics
Locul publicării:London, United Kingdom
Public țintă
Adult: GeneralRecenzii
"An ear for reproducing everyday language has long been David Mamet's hallmark and he has now employed it to skewer the dogmatic, puritannical streak which has become commonplace on and off the campus. With Oleanna he continues an exploration of male-female conflicts begun with Sexual Perversity in Chicago in 1974. Oleanna cogently demonstrates that when free thought and dialogue are imperilled, nobody wins."
"John and Carol go to it with hand-to hand combat that amounts to a primal struggle for power. As usual with Mamet, the vehicle for that combat is crackling, highly distilled dialogue unencumbered by literary frills or phony theatrical ones."
'Can anverbal assault be construed as rape? Of given Mamet's dazzling play on the ambiguity of language, does it constitute any situation where no is taken to mean yes?'
"John and Carol go to it with hand-to hand combat that amounts to a primal struggle for power. As usual with Mamet, the vehicle for that combat is crackling, highly distilled dialogue unencumbered by literary frills or phony theatrical ones."
'Can anverbal assault be construed as rape? Of given Mamet's dazzling play on the ambiguity of language, does it constitute any situation where no is taken to mean yes?'
Notă biografică
David Mamet is a dramatist, director, novelist, poet, and essayist. He has written the screenplays for more than twenty films, including Heist, Spartan, House of Games, The Spanish Prisoner, The Winslow Boy, Wag the Dog, and The Verdict. His more than twenty plays include Oleanna, The Cryptogram, Speed-the-Plow, American Buffalo, Sexual Perversity in Chicago, and the Pulitzer Prize-winning Glengarry Glen Ross. Born in chicago in 1947, Mamet has taught at the Yale School of Drama, New York University, and Goddard College, and he lectures at the Atlantic Theater Company, of which he is a founding member.
Textul de pe ultima copertă
In David Mamet's latest play, a male college instructor and his female student sit down to discuss her grades and in a terrifyingly short time become the participants in a modern reprise of the Inquisition. Innocuous remarks suddenly turn damning. Socratic dialogue gives way to heated assault. And the relationship between a somewhat fatuous teacher and his seemingly hapless pupil turns into a fiendishly accurate X ray of the meechanisms of power, censorship, and abuse.