Speaking Shakespeare
Autor Patsy Rodenburgen Limba Engleză Paperback – 21 sep 2023
Patsy Rodenburg uses practical exercises and textual analysis to hone in on your dramatic resonance, breathing and placement in order to unlock your potential for playing these iconic characters. Speeches and scenes such as Mark Antony's 'O, pardon me, thou bleeding piece of earth' and the bloody scene in which Macbeth admits to Lady Macbeth that he has 'done the deed' are placed in context and discussed in depth.
Combining clear practical, textual and imaginative work with a brilliant analysis of scenes and speeches from the whole range of Shakespeare's plays, this is an essential and inspiring guide for anyone working on his plays today. It brings a renewed focus on the language of power, so frequently spoken in the worlds of politicians and company directors, which will give readers insight into the potency of clear, direct communication, specifically in the context of Shakespeare.
Each chapter has been revised following the author's 20 additional years of experience as a voice coach and includes techniques necessary for a clear and convincing performance.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 138.89 lei 3-5 săpt. | |
| Palgrave MacMillan – 30 iun 2004 | 138.89 lei 3-5 săpt. | |
| Paperback (1) | 172.43 lei 3-5 săpt. | +0.00 lei 10-14 zile |
| BLOOMSBURY ACADEMIC – 21 sep 2023 | 172.43 lei 3-5 săpt. | +0.00 lei 10-14 zile |
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Specificații
ISBN-13: 9781350161658
ISBN-10: 1350161659
Pagini: 360
Dimensiuni: 136 x 213 x 20 mm
Greutate: 0.45 kg
Ediția:2nd edition
Editura: BLOOMSBURY ACADEMIC
Locul publicării:London, United Kingdom
ISBN-10: 1350161659
Pagini: 360
Dimensiuni: 136 x 213 x 20 mm
Greutate: 0.45 kg
Ediția:2nd edition
Editura: BLOOMSBURY ACADEMIC
Locul publicării:London, United Kingdom
Cuprins
Acknowledgements
Preface
Part One: Foundation Craft
Foundation Craft
The Body
The State of Readiness
Breath
Support
Freeing the Voice
Consolidation
Deepening the Work
Range and Resonance
Clear Speech
Listening
Hamlet's Advice
Part Two: Structure
The Givens
The Word
Alliteration, Assonance, Onomatopoeia
Rhythm
Pauses and Irregularities of Rhythm
The Line
The Thought and Structuring of Thoughts
The Structure of Scenes
Antithesis
Rhyme
Prose
Irony
Puns
Language Games
Repetition
The Story
Location
Stage Directions, Props, Entrances and Exits
Soliloquy
Part 3: The Imaginative
The Imaginative Exploration of the Text
Anchoring the Text
Owning the Text from Character's Experience
Focus and Energy
Summary
Part Four: The Speeches
Richard III
Julius Caesar
Measure for Measure
King Lear
As You Like It
Much Ado About Nothing
The Merchant of Venice
Othello
Henry V
The Winter's Tale
Macbeth
Twelfth Night
A Midsummer Night's Dream
Antony and Cleopatra
Coriolanus
Cymbeline
King John
Part Five: Checklists
Preparing the Body, Breath, Voice and Speech
The Givens
The Imaginative
Preface
Part One: Foundation Craft
Foundation Craft
The Body
The State of Readiness
Breath
Support
Freeing the Voice
Consolidation
Deepening the Work
Range and Resonance
Clear Speech
Listening
Hamlet's Advice
Part Two: Structure
The Givens
The Word
Alliteration, Assonance, Onomatopoeia
Rhythm
Pauses and Irregularities of Rhythm
The Line
The Thought and Structuring of Thoughts
The Structure of Scenes
Antithesis
Rhyme
Prose
Irony
Puns
Language Games
Repetition
The Story
Location
Stage Directions, Props, Entrances and Exits
Soliloquy
Part 3: The Imaginative
The Imaginative Exploration of the Text
Anchoring the Text
Owning the Text from Character's Experience
Focus and Energy
Summary
Part Four: The Speeches
Richard III
Julius Caesar
Measure for Measure
King Lear
As You Like It
Much Ado About Nothing
The Merchant of Venice
Othello
Henry V
The Winter's Tale
Macbeth
Twelfth Night
A Midsummer Night's Dream
Antony and Cleopatra
Coriolanus
Cymbeline
King John
Part Five: Checklists
Preparing the Body, Breath, Voice and Speech
The Givens
The Imaginative
Recenzii
What leaves actors tongue-tied for years, Patsy releases in minutes ... through simple, practical actions that can empower anyone.
Her knowledge of the plays as living theatrical artifacts is profound... Speaking Shakespeare stands up as a work of art in itself - admirably written and cliche-free, especially in the gripping final section, when she takes speeches and scenes from various plays, analyses and illuminates them... It cannot be too highly recommended.
Her knowledge of the plays as living theatrical artifacts is profound... Speaking Shakespeare stands up as a work of art in itself - admirably written and cliche-free, especially in the gripping final section, when she takes speeches and scenes from various plays, analyses and illuminates them... It cannot be too highly recommended.
Notă biografică
Patsy Rodenburg is the Director of Voice at London's Royal National Theater and the Guildhall School of Music and Drama. She is the author of The Actor Speaks (Palgrave Macmillan 2000).