The Integrated Actor: Imagination, Body, Breath, Voice
Autor Alex Tayloren Limba Engleză Paperback – 30 apr 2026
Building on established methodologies and existing research, such as the Alexander Technique, Estill Voice Craft, polyvagal theory and works by major practitioners - including Michael Langham, Niamh Dowling, Glen Park, Carolyn Serota, Sally Grace, Patsy Rodenburg, Cicely Berry, Kristin Linklater and Josephine Estill - this book offers a holistic approach to voice work and acting.
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Specificații
ISBN-13: 9781350441323
ISBN-10: 1350441325
Pagini: 256
Ilustrații: 3 bw illus
Dimensiuni: 156 x 232 x 24 mm
Greutate: 0.32 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
ISBN-10: 1350441325
Pagini: 256
Ilustrații: 3 bw illus
Dimensiuni: 156 x 232 x 24 mm
Greutate: 0.32 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
Cuprins
Foreword
How to Use this Book
Introduction
Chapter 1 - Some Science
Chapter 2 - A Discussion About Truth
Chapter 3 - Imagination, Imagination, Imagination
Chapter 4 - Breath 1
Chapter 5 - Habitual Use - Old Habits, New Habits
Chapter 6 - Alignment and the Larynx
Chapter 7 - Working in Semi-Supine - Floor Work 1
Chapter 8 - The Concept of Centre - A Physical Centre
Chapter 9 - Pitch
Chapter 10 - Language and Text 1
Chapter 11 - Working in Semi-Supine - Floor Work
Chapter 12 - More About Breath - Breath Capacity
Chapter 13 - Language and Text 2 - Phrasing and Meaning
Chapter 14 - Semi-Supine - Floor Work 3 - Whispered 'Ah'
Chapter 15 - Free the Body to Free the Voice
Chapter 16 - Support
Chapter 17 - Resonance
Chapter 18 - Range, Pitch, Stress
Chapter 19 - The Channel for Sound
Chapter 20 - Language and Text 3
Chapter 21 - Language and Text 4 - Shakespeare
Chapter 22 - Other Aspects of Iambic Pentameter
Chapter 23 - Language and Text 5 - Shakespeare Sonnets
Chapter 24 - Punctuation
Chapter 25 - Integration: Imagination, Body, Breath, Voice
Chapter 26 - Working with Energy - Character Exercise
Conclusion
Bibliography
Index
How to Use this Book
Introduction
Chapter 1 - Some Science
Chapter 2 - A Discussion About Truth
Chapter 3 - Imagination, Imagination, Imagination
Chapter 4 - Breath 1
Chapter 5 - Habitual Use - Old Habits, New Habits
Chapter 6 - Alignment and the Larynx
Chapter 7 - Working in Semi-Supine - Floor Work 1
Chapter 8 - The Concept of Centre - A Physical Centre
Chapter 9 - Pitch
Chapter 10 - Language and Text 1
Chapter 11 - Working in Semi-Supine - Floor Work
Chapter 12 - More About Breath - Breath Capacity
Chapter 13 - Language and Text 2 - Phrasing and Meaning
Chapter 14 - Semi-Supine - Floor Work 3 - Whispered 'Ah'
Chapter 15 - Free the Body to Free the Voice
Chapter 16 - Support
Chapter 17 - Resonance
Chapter 18 - Range, Pitch, Stress
Chapter 19 - The Channel for Sound
Chapter 20 - Language and Text 3
Chapter 21 - Language and Text 4 - Shakespeare
Chapter 22 - Other Aspects of Iambic Pentameter
Chapter 23 - Language and Text 5 - Shakespeare Sonnets
Chapter 24 - Punctuation
Chapter 25 - Integration: Imagination, Body, Breath, Voice
Chapter 26 - Working with Energy - Character Exercise
Conclusion
Bibliography
Index
Recenzii
Alex Taylor has a lifetime's experience of working with actors, in the industry and in training, and a great knowledge and understanding of how the imagination, body and voice work together. He has great knowledge and understanding of the actor's body and voice . He does not preach but offers us practical help and encouragement . He is realistic, offering a great range of exercises which are easy to follow, inviting us to make our own choices and judgements and to keep our individuality. I wish this book had been available to me as a young actor but at least I can use it now.
Working with Alex Taylor at theatre school in my formative years was transformative to say the least. I owe so much of my development as a young actor to Alex and his teachings. At once intense, gently radical and subtly powerful, Alex Taylor's methods and discourse made me the actor I am today. Thank you Alex!
Working with Alex Taylor at theatre school in my formative years was transformative to say the least. I owe so much of my development as a young actor to Alex and his teachings. At once intense, gently radical and subtly powerful, Alex Taylor's methods and discourse made me the actor I am today. Thank you Alex!