Shakespeare and Stanislavsky: A Practical Guide for Actors, Directors, Students and Teachers: Arden Performance Companions
Autor Annie Tysonen Limba Engleză Paperback – 14 noi 2024
Shakespeare and Stanislavsky provides a guide for actors, acting students, directors and teachers who want to apply the work of influential theatre practitioner, Stanislavsky, to the process of rehearsing and workshopping Shakespeare's play texts. Acting tutor and director, Annie Tyson, makes applying Stanislavsky's methods to Shakespeare simple and accessible. She rejects and dispels the myth held by some that Stanislavsky and Shakespeare are incompatible, showing instead how the Shakespearean text offers clues to specific acting choices that are intricately connected to action and character. Drawing on years of acting, directing and teaching experience at the Drama Centre London and RADA, Tyson's guide is full of practical tips and humour. This guide also includes a series of interviews with actors and directors who explain their approach to applying Stanislavsky to Shakespeare.
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Specificații
ISBN-13: 9781350249745
ISBN-10: 1350249742
Pagini: 208
Dimensiuni: 138 x 214 x 14 mm
Greutate: 0.28 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Arden Performance Companions
Locul publicării:London, United Kingdom
ISBN-10: 1350249742
Pagini: 208
Dimensiuni: 138 x 214 x 14 mm
Greutate: 0.28 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Arden Performance Companions
Locul publicării:London, United Kingdom
Cuprins
SECTION 1
Chapter 1. Introduction to the work of Konstantin Stanislavksy
Chapter 2. Stanislavsky's work on Shakespeare
Chapter 3. Stanislavsky's influence on actor-training
Section 2 - Practical Work
Chapter 1. Concentration and Circles of Attention
Chapter 2. Who (and What) Am I?
Chapter 3. The Given Circumstances
Chapter 4. The Given Circumstances
Chapter 5. Action and Objective and the Superobjective
Chapter 6. How Do I Get It?
Chapter 7. What Must I Overcome?
Chapter 8. What are My Relationships?
Chapter 9. Emotion
SECTION 3 Case Study
Macbeth at RADA 2020
SECTION 4 INTERVIEWS
Professor Vladimir Mirodan
Joseph Millson
Neil Swain
David Thacker
Edward Kemp
Chapter 1. Introduction to the work of Konstantin Stanislavksy
Chapter 2. Stanislavsky's work on Shakespeare
Chapter 3. Stanislavsky's influence on actor-training
Section 2 - Practical Work
Chapter 1. Concentration and Circles of Attention
Chapter 2. Who (and What) Am I?
Chapter 3. The Given Circumstances
Chapter 4. The Given Circumstances
Chapter 5. Action and Objective and the Superobjective
Chapter 6. How Do I Get It?
Chapter 7. What Must I Overcome?
Chapter 8. What are My Relationships?
Chapter 9. Emotion
SECTION 3 Case Study
Macbeth at RADA 2020
SECTION 4 INTERVIEWS
Professor Vladimir Mirodan
Joseph Millson
Neil Swain
David Thacker
Edward Kemp
Recenzii
Slim but highly useful . [the book] offers a historical, practical, and personalised gateway to an issue which has often bugged Shakespeare scholars and theatremakers alike.